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More Sideman 1951-54, Vol. 10

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Download links and information about More Sideman 1951-54, Vol. 10 by Lars Gullin. This album was released in 2004 and it belongs to Jazz, Bop genres. It contains 23 tracks with total duration of 01:09:25 minutes.

Artist: Lars Gullin
Release date: 2004
Genre: Jazz, Bop
Tracks: 23
Duration: 01:09:25
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Tracks

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No. Title Length
1. Moon Over Miami 3:20
2. Twilight Time 3:06
3. Do You Wanna Jump, Children 3:27
4. Lady Estelle's Dream 3:25
5. Ablution 2:59
6. Lullaby of the Leaves 3:16
7. Giro 3:06
8. I'll Remember April 3:09
9. 'S Wonderful 2:49
10. Ablution 3:14
11. 'Deed I Do 3:10
12. Over the Rainbow 2:56
13. Lullaby In Rhythm 3:09
14. He's Funny That Way 3:08
15. "-Norinism" 2:55
16. Red Devil Blues 3:00
17. Opus What? 2:27
18. Love Walked In 2:35
19. I'll Remember April 2:56
20. Hersley Bar 3:37
21. Song of the Volga Boatmen 2:58
22. Without a Song 3:05
23. Not Really the Blues 1:38

Details

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Baritonist Lars Gullin was one of the biggest stars of Swedish jazz of the 1950s, starting with his first dates as a leader in 1951. His light tone, slightly reminiscent of Gerry Mulligan's although actually quite distinctive, and hard-swinging style made him a major force for 15 years. This CD has a variety of rarities (and a few common selections) that feature Gullin as a sideman during 1949-1952 when he was first starting to emerge. He is not only heard on baritone but making his only appearances ever on clarinet (being featured on "Swedish Pastry" in 1949) in addition to playing credible tenor, alto, and bass clarinet. Half of the 26 selections are from radio broadcasts and 11 of these were issued for the first time on this CD. Gullin is featured taking solos with groups led by bassist Arthur Osterwall, tenor saxophonist Zoot Sims ("Yellow Duck"), pop singers Charles Judah and Brita Borg, alto and tenor man James Moody, Stan Getz (including a famous version of "Don't Get Scared"), Leonard Feather (a beautiful ballad feature on "A Handful of Stars"), singer Alice Babs, clarinetist Putte Wickman, and altoist Arne Domnérus. In addition, the last four numbers have Gullin featured as one four of tenor saxophonists. Collectors of bop, cool jazz, and Lars Gullin can consider this set (along with the five previous volumes) essential.