Drei Sonaten für Viola Da Gamba und Cembalo / Drei Sonaten fur Viola Da Gamba und Cembalo
Download links and information about Drei Sonaten für Viola Da Gamba und Cembalo / Drei Sonaten fur Viola Da Gamba und Cembalo by Keith Jarrett, Kim Kashkashian. This album was released in 1991 and it belongs to genres. It contains 11 tracks with total duration of 38:15 minutes.
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| Artist: | Keith Jarrett, Kim Kashkashian |
| Release date: | 1991 |
| Genre: | |
| Tracks: | 11 |
| Duration: | 38:15 |
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| Buy on iTunes $11.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Sonata for Viola Da Gamba and Harpsichord No. 1 in G, BWV 1027: I. Adagio | 3:48 |
| 2. | Sonata for Viola Da Gamba and Harpsichord No. 1 in G, BWV 1027: II. Allegro Ma Non Tanto | 3:24 |
| 3. | Sonata for Viola Da Gamba and Harpsichord No. 1 in G, BWV 1027: III. Andante | 1:46 |
| 4. | Sonata for Viola Da Gamba and Harpsichord No. 1 in G, BWV 1027: IV. Allegro Moderato | 3:02 |
| 5. | Sonata for Viola Da Gamba and Harpsichord No. 2 in D, BWV 1028: I. Adagio | 1:40 |
| 6. | Sonata for Viola Da Gamba and Harpsichord No. 2 in D, BWV 1028: II. Allegro | 3:37 |
| 7. | Sonata for Viola Da Gamba and Harpsichord No. 2 in D, BWV 1028: III. Andante | 3:58 |
| 8. | Sonata for Viola Da Gamba and Harpsichord No. 2 in D, BWV 1028: IV. Allegro | 3:47 |
| 9. | Sonata for Viola Da Gamba and Harpsichord No. 3 in G Minor, BWV 1029: I. Vivace | 4:43 |
| 10. | Sonata for Viola Da Gamba and Harpsichord No. 3 in G Minor, BWV 1029: II. Adagio | 4:58 |
| 11. | Sonata for Viola Da Gamba and Harpsichord No. 3 in G Minor, BWV 1029: III. Allegro | 3:32 |
Details
[Edit]Keith Jarrett again displays formidable classical chops in this rendering of the three Bach viola da gamba sonatas with violist Kim Kashkashian, but secure technique alone doesn't pull off a fully satisfying performance. His playing seems heavy-handed, a bit blurred in texture, and colorless here, with little of the rhythmic drive that you might expect from this musician, given his extensive jazz experiences. Rather, it is Kashkashian, using what one gathers is a modern viola, who shines the most brightly in this cycle, supplying the missing drive, lilt, and animation. Check out the lively Brandenburg Concerto-like vivace in the "G Minor Sonata" for a prime sample of her work. ~ Richard S. Ginell, Rovi