Create account Log in

Bubba

[Edit]

Download links and information about Bubba by Kaytranada. This album was released in 2019 and it belongs to Electronica, Hip Hop/R&B, Soul genres. It contains 17 tracks with total duration of 50:35 minutes.

Artist: Kaytranada
Release date: 2019
Genre: Electronica, Hip Hop/R&B, Soul
Tracks: 17
Duration: 50:35
Buy on Songswave €1.42
Buy on iTunes $9.99
Buy on iTunes $9.99

Tracks

[Edit]
No. Title Length
1. DO IT 2:12
2. 2 The Music (featuring Iman Omari) 3:55
3. Go DJ (featuring Sir!) 2:37
4. Gray Area (featuring Mick Jenkins) 2:20
5. Puff Lah 1:53
6. 10'' (featuring Kali Uchis) 3:07
7. Need It (featuring Masego) 2:18
8. Taste (featuring VanJess) 3:37
9. Oh No (featuring Estelle) 2:48
10. What You Need (featuring Charlotte Day Wilson) 3:04
11. Vex Oh (featuring GoldLink, Eight9FLY, Ari Pensmith) 2:42
12. Scared To Death 2:33
13. Freefall (featuring Durand Bernarr) 3:01
14. Culture (featuring Teedra Moses) 4:09
15. The Worst In Me (featuring Tinashe) 3:47
16. September 21 1:52
17. Midsection (featuring Pharrell Williams) 4:49

Details

[Edit]
The album cuts and discrete singles that formed KAYTRANADA’s 2016 debut LP, 99.9%, established the Montreal producer/DJ as a true champion of the underground. It wasn’t just evident in his features—which included UK garage/R&B singer Craig David, drummer/producer Karriem Riggins, and jazz experimenters BADBADNOTGOOD, to illustrate his stylistic range—but in the way he could synthesize those artists’ sounds into an amalgam of hip-hop, house, and soul that was both danceable and off-balance. When 99.9% won that year’s Polaris Music Prize, it was clear that the Haiti-born KAYTRANADA, aka Louis Kevin Celestin, wouldn’t stay underground for much longer.
His follow-up, BUBBA, might level up the guest list, but KAYTRANADA's guiding principles remain uncompromised. “I’m not trying to rebrand a sound, hoping to get a session [with a high-profile artist],” he tells Apple Music. Where KAYTRANADA goes, the vocalists follow, whether that’s Estelle punctuating the low-slung, lo-fi beat of “Oh No,” Pharrell getting gleefully lost in the slow-winding funk of “Midsection,” or Tinashe gliding over a loping house track. His instrumentals—all swervy synths, rubbery bass, drums that rush and drag, and filter sweeps in the French-touch tradition—find him homing in on his singular club sound even more. KAYTRANADA is so deeply committed to keeping a groove going that even a tune about securing one’s finances (“10%,” on which Kali Uchis manages to find a rhyme for “residuals”) can’t kill the vibe.