Once In a Lifetime

Arriving in London through Perth in western Australia, song stylist and singer/songwriter Karen Lane serenades her listeners with a light, expressive, but highly personal voice that delivers each tune with coquettish emotion. She's like a child caught with her hand in the cookie jar and getting away with it coyly with a wry smile. She possesses a built-in sense not only of melody and lyricism, but for the rhythmic feel of the music. Listen to a rather misnamed "Till Death Do Us Part," a catchy tune with a calypso beat where her second voice fades in and out with Robin Aspland's Fender Rhodes. Dave Colton's guitar makes "Lullaby of Birdland" one of the swingier cuts on the CD. On the other side, there is a good deal of pain and heavy breathing leading into her version of the classic "On Green Dolphin Street." This is a prime example of the images a singer with an expressive voice can create. Here in one's minds eye, there's a picture of Lane not only swaying vocally, but bodily as well. On this cut, the vibes of Milo Fell carry the main instrumental load. For her first album, she has wisely hooked up with some of London's young modern creative jazz, blues, and rock musicians. Aspland has worked with Claire Martin and Van Morrison, and sax player Derek Nash with the Peter Green Splinter Group. Lane and her cohorts have succeeded where many have tried and failed, bringing together elements of jazz and contemporary pop in a way that is mature and well constructed rather than shallow and contrived. Recommended.