|
No. |
Title |
Length |
| 1. |
Music: Folias (Imperfectas) [Harp] (featuring Andrew Lawrence - King) |
1:44 |
| 2. |
Narration I (1): "By Her Mere Presence, Folly Dissipates the Cares of Her Audience" |
2:14 |
| 3. |
La Folia: "Yo Soy La Locura" (featuring Montserrat Figueras, Pedro Estevan) |
2:10 |
| 4. |
Narration III (2): "On How Folly Is Prompted to Sing Her Own Praises" / Music: Passamezzo Antico (featuring Rolf Lislevand, Emily Wallis) |
0:49 |
| 5. |
Narration VII (3): Folly’s Origins (featuring Emily Wallis) |
2:11 |
| 6. |
Recercada quarta sobre la Folia (featuring Michael Behringer, Rolf Lislevand) |
1:28 |
| 7. |
Narration VIII (4): "Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp) (featuring Emily Wallis) |
1:38 |
| 8. |
Narration IX (5): "Her Followers" / Music: Folias de la costa (Cont.) (featuring Emily Wallis) |
1:20 |
| 9. |
La gamba in basso, e soprano (1564) (featuring Philippe Pierlot, Fahmi Alqhai, Rafael Bonavita) |
1:56 |
| 10. |
Narration X (6): "Folly’s Claims to Be Admitted to the Council of the Goddesses / Music: Romanesca (featuring Enrique Solinis, Emily Wallis) |
0:52 |
| 11. |
Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12) (featuring Arianna Savall, Michael Behringer, Rolf Lislevand, Pedro Estevan) |
3:09 |
| 12. |
Narration XI (7): "On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12) (featuring Arianna Savall, Michael Behringer, Rolf Lislevand, Pedro Estevan, Emily Wallis) |
1:41 |
| 13. |
Narration XII (8): "On How She Is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12) (featuring Arianna Savall, Michael Behringer, Rolf Lislevand, Pedro Estevan, Emily Wallis) |
0:54 |
| 14. |
Si Habrá en Este Baldrés (C. M. Palacio No. 179) (featuring Montserrat Figueras, Jordi Ricart, Hesperion XX, Laurence Bonnal, John Caber) |
1:28 |
| 15. |
Narration XIII (9): "Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp) (featuring Emily Wallis) |
1:55 |
| 16. |
Diferencias Sobre Las Vacas (Anonymous Improvisation) [C. M. Medinaceli] (featuring Hesperion XX) |
1:56 |
| 17. |
Narration XIV (10): "On How She Prolongs Infancy and Halts Old Age" / Music: Folías antiguas (C. M. Palacio No. 121) (featuring Arianna Savall, Rolf Lislevand, David Mayoral, Xavier Puertas, Emily Wallis) |
1:43 |
| 18. |
Narration XVI (11): "Of Folly’s Pre-Eminence in the World" / Music: Harke, harke (Gamba Viol) (featuring Emily Wallis) |
2:03 |
| 19. |
Browning my Dear |
2:23 |
| 20. |
Narration XIX (12): "Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation) (featuring Emily Wallis) |
1:21 |
| 21. |
Narration XX (13): "There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation) (featuring Emily Wallis) |
0:59 |
| 22. |
Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94) (featuring Montserrat Figueras, Jordi Ricart, Laurence Bonnal, Joan Cabero) |
0:55 |
| 23. |
Narration XXI (14): "Folly Is the Blessing of Human Society" / Music: Paduana del re (Mss Venezia) (featuring Philippe Pierlot, Sergi Casademunt, Dimitri Psonis, Fahmi Alqhai, Emily Wallis) |
1:40 |
| 24. |
Todos los buenos soldados (La Guerra) |
1:43 |
| 25. |
Narration XXIII (15): "She Inspires Warfare" / Music: Pavana La Battaglia (featuring Emily Wallis) |
1:47 |
| 26. |
Narration XXV (16): "Of the Inferiority of Wisdom in all of Life’s Circumstances" / Music: Vederlo (Improvisation) (featuring Rolf Lislevand, Emily Wallis) |
2:03 |
| 27. |
Narration XXVIII (17): "She Is the Mother of the Arts" / Music: My Lady Carey’s Dompe / Danse Tune English Tradition (Harp) (featuring Emily Wallis) |
3:00 |
| 28. |
Saltarello (Mss. Venezia) (featuring Philippe Pierlot, Sergi Casademunt, Dimitri Psonis, Fahmi Alqhai) |
1:05 |
| 29. |
Narration XXIX (18): "She Claims the Credit for True Wisdom" / Music: Las Vacas (Harp Improvisation) (featuring Emily Wallis) |
3:42 |
| 30. |
Narration XXX (19): "On Folly as a Guide Towards Wisdom" / Music: Pavana con su Glosa (featuring Rolf Lislevand, Lorenz Duftschmid, Sergi Casademunt, Eunice Brandao, Emily Wallis) |
2:06 |
| 31. |
Narration XXXII (20): "Of the Relationship Between Folly and Ignorance" / Music: Desperada (Elizabethan) (featuring Sergi Casademunt, Emily Wallis) |
2:09 |
| 32. |
La Spagna (XVth Century) |
1:37 |
| 33. |
Narration LV (21): "Folly of Kings" / Music: Las Vacas (Romanesca) (featuring Rolf Lislevand, Emily Wallis) |
3:47 |
| 34. |
Narration LVII – LIX (22): "Folly of Bishops, Cardinals and Supreme Pontiffs" / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26) (featuring Sergi Casademunt, Sophie Watillon, Eunice Brandao, Emily Wallis) |
4:55 |
| 35. |
Narration LXVI (23): "Relationship Between the Christian Religion and Folly" / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2) (featuring Emily Wallis) |
3:14 |
| 36. |
Narration LXVII (24): "Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434) (featuring Emily Wallis) |
2:28 |
| 37. |
Diferencias Sobre ‘Las Vacas’ (Harp) (featuring Christophe Coin, Sergi Casademunt, Roberto Gini) |
2:34 |
| 38. |
Narration LXVIII (25): "Farewell to the Reader" / Music: Folias Portuguesas (Harp) (featuring Emily Wallis) |
1:27 |
| 39. |
Villancico (Égloga 6): Hoy comamos y bevamos (C. M. Palacio No. 174) (featuring Montserrat Figueras, Daniele Carnovich, Laurence Bonnal, Joan Cabero) |
2:28 |
| 40. |
Makam “Muhayyer pesrev” (Ottoman War March) [15th Century] |
3:28 |
| 41. |
Narration 1: "Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur) (featuring Dimitri Psonis) |
1:41 |
| 42. |
Saltarello: Une musque de Buscaye (Instrumental) |
2:57 |
| 43. |
A Florence la joyose cité (C. M. Montecassino No. 6) (featuring Sergi Casademunt, Sophie Watillon, Jean-Pierre Canihac, Béatrice Delpierre / Beatrice Delpierre) |
2:00 |
| 44. |
Narration 2, Adage 145: "Fortune Smiles on the Bold" / Music: Fortuna desperata (featuring Philippe Pierlot, Sergi Casademunt, Max Wilson) |
1:43 |
| 45. |
Audi, benigne Conditor (C. M. Montecassino No. 40) (featuring Francesc Garrigosa, Daniele Carnovich, Pascal Bertin, Lluís Vilamajó / Lluis Vilamajo, Furio Zanassi) |
3:47 |
| 46. |
Taskim & Dance (Ottoman) (featuring Nedyalko Nedyalkov, David Mayoral) |
2:56 |
| 47. |
Narration 3: "Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic) (featuring David Mayoral, Harry Livingstone) |
1:52 |
| 48. |
Lavava y suspirava (Anonymous Sephardic) (featuring Montserrat Figueras, Andrew Lawrence - King, Pedro Estevan, Driss El Malouni) |
5:24 |
| 49. |
Malor me bat (Odhecaton, No. 63) (featuring Imke David, Lorenz Duftschmid) |
4:21 |
| 50. |
Benedic anima mea (Ps. 103, 1-3) (featuring Daniele Carnovich, Pascal Bertin, Luca Guglielmi, Lluís Vilamajó / Lluis Vilamajo, Lambert Ciment) |
3:11 |
| 51. |
Narration 4: "Epitaph for the Peerless Musician Johannes Ockeghem" / Music: Fortune par ta cruaulté (featuring Luca Guglielmi, Harry Livingstone) |
2:04 |
| 52. |
La déploration sur la mort de Johannes Ockeghem |
3:54 |
| 53. |
“Latura tu” (Instrumental) [Odhecaton No. 94] |
2:22 |
| 54. |
Narration 5: "Panegyric to Philip the Fair" (1504) / Music: Adieu mes amours (Improvisation Harp) (featuring Harry Livingstone) |
1:33 |
| 55. |
Hélas madame, passamezzo (Henry VIII mss.10) |
2:28 |
| 56. |
Narration 6, Adage 3415: "Love Makes Men Musicians" / Music: De tous biens plaine (C. M. Montecassino No. 85) (featuring Sergi Casademunt, Eunice Brandao, Harry Livingstone) |
2:35 |
| 57. |
Frottola: In te Domine speravi (C. M. Palacio No. 84) (featuring Jordi Ricart, Furio Zanasi, Lluís Vilamajó / Lluis Vilamajo, David Sagastume) |
3:51 |
| 58. |
Narration 7: "Enchiridion. The Importance of the Classics" / Music: Ave maris stella (C. M. Montecassino No. 76) [Harp] (featuring Harry Livingstone) |
1:44 |
| 59. |
Puzzle-Canon II (Henry VIII mss.) (featuring Philippe Pierlot, Sergi Casademunt, Fahmi Alqhai) |
1:39 |
| 60. |
Scaramella va alla guerra |
1:56 |
| 61. |
Narration 8, Adage 3001: "War Is Sweet to Those Who Have Not Experienced It" / Music: Fanfares & Tambours Vexilla Regis (C. M. Montecassino No. 106) (featuring Harry Livingstone) |
7:21 |
| 62. |
Danza Alta (Instrumental) [C. M. Palacio No. 321] |
2:03 |
| 63. |
Narration 9: "Erasmus of Rotterdam to his Dear Friend Thomas More on the Publication of Praise of Folly" (featuring Harry Livingstone) |
2:23 |
| 64. |
Home Again, Market Is Done (Margaret Board Lute Book) (featuring Rolf Lislevand) |
1:53 |
| 65. |
Paduana del Re (Mss. Venezia) (featuring Philippe Pierlot, Sergi Casademunt) |
2:59 |
| 66. |
Narration 10: "Machiavelli’s The Prince" / Music: Gallarda di Venosa (Harp) (featuring Max Wilson) |
2:01 |
| 67. |
La Spagna, à 5 |
3:07 |
| 68. |
Narration 11: "Erasmus. Education of the Christian Prince" (1516) / Music: imno XVI (Instrumental) (featuring Lorenz Duftschmid, Sergi Casademunt, Harry Livingstone) |
2:13 |
| 69. |
Music: Taksim & Makam «Rast Murass’a» (mss. Cantemir No. 214) |
7:19 |
| 70. |
Narration 12: "Thomas More’s Utopia: On Justice and Social Prosperity" / Music: Puzzle-canon I (featuring Philippe Pierlot, Sergi Casademunt, Max Wilson, Fahmi Alqhai) |
2:09 |
| 71. |
Adoramus te Domine (Montecassino mss. No. 4) |
1:19 |
| 72. |
Narration 13: "Erasmus. The Complaint of Peace" / Music: Mille regrets (Viols) (featuring Imke David, Fahmi Alqhai, Johanna Valencia, Harry Livingstone) |
2:41 |
| 73. |
Balad: Ya es Tiempo de Recoger |
4:38 |
| 74. |
Narration 14: "Letter from Martin Luther to Erasmus (28th March 1519)" / Music: Psalm: A solis ortus cardine (Organ) (featuring Max Wilson) |
1:50 |
| 75. |
Benedictus a 3 (featuring Sergi Casademunt, Fahmi Alqhai) |
2:28 |
| 76. |
Narration 15: "Letter from Erasmus of Rotterdam to Martin Luther (30th May 1519)" / Music: In Nomine a 5 (featuring Hesperion XX, Harry Livingstone) |
2:23 |
| 77. |
Vingtcinquiesme Fantasie. A Quatre (featuring Hesperion XX) |
1:46 |
| 78. |
Narration 16: "Letter from Martin Luther to Erasmus (15 April 1524)" / Music: Psalm: Christ ist Erstanden (Organ) (featuring Max Wilson) |
2:19 |
| 79. |
Narration 17: "Erasmus of Rotterdam to Luther - On Free Will" (1524) / Music: In Nomine a 5 Free from All (featuring Hesperion XX, Harry Livingstone) |
2:17 |
| 80. |
Pavane “La Bataille” (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540) (featuring Hesperion XX) |
2:05 |
| 81. |
Narration 18: "Letter from Erasmus of Rotterdam to King Francis I of France" (16th June 1526) / Music: Pavane 14 (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540) (featuring Hesperion XX, Harry Livingstone) |
1:45 |
| 82. |
Gazel (Ottoman Song) (featuring Derya Türkan / Derya Turkan, Murat Salim Tokaç / Murat Salim Tokac, Yurdal Tokcan, Fahrettin Yarkin, Gursoy Dinçer / Gursoy Dincer) |
3:56 |
| 83. |
Tu pauperum refugium |
3:06 |
| 84. |
Narration 19: "Martin Luther to Erasmus, The Bondage of the Will" / Music: Psalm: Christ lag in Todes (Published by Martin Luther in 1533) (featuring Max Wilson) |
2:11 |
| 85. |
Christ ist Erstanden à 6 |
3:18 |
| 86. |
Narration 20, Adage 2100: "Words Are the Physicians of Ailing Souls" / Music: Now o Now (featuring Max Wilson) |
3:42 |
| 87. |
In Nomine a 5 My Death (featuring Hesperion XX) |
2:25 |
| 88. |
Pie Jesu (Requiem) (featuring Hesperion XX) |
1:38 |
| 89. |
Narration 21: "Erasmus Dies at Basel" (Stefan Zweig, 1934) (featuring Max Wilson) |
1:32 |
| 90. |
Plangite Pierides (Lament on the Death of Erasmus) |
3:52 |
| 91. |
Narration 22: "Erasmus’s Spiritual Legacy" (Stefan Zweig) / Music: Durezze e ligature (Instrumental) (featuring Imke David, Philippe Pierlot, Sergi Casademunt, Xavier Puertas, Harry Livingstone) |
3:01 |
