Create account Log in

The Chess 50th Anniversary Collection: The Complete '50s Chess Recordings

[Edit]

Download links and information about The Chess 50th Anniversary Collection: The Complete '50s Chess Recordings by John Lee Hooker. This album was released in 1998 and it belongs to Blues, Country genres. It contains 31 tracks with total duration of 01:35:42 minutes.

Artist: John Lee Hooker
Release date: 1998
Genre: Blues, Country
Tracks: 31
Duration: 01:35:42
Buy on iTunes $19.99

Tracks

[Edit]
No. Title Length
1. Mad Man Blues 2:45
2. Hey Boogie 2:15
3. Louise 3:03
4. High Priced Woman 2:42
5. Union Station Blues 2:56
6. Ground Hog Blues 2:57
7. Leave My Wife Alone 2:46
8. Ramblin' By Myself 3:19
9. Dreamin' Blues 3:06
10. Just Me and My Telephone 3:21
11. Walkin' the Boogie (Alternate Take) 2:33
12. Sugar Mama 3:12
13. Baby Please Don't Go 2:28
14. I Don't Want Your Money 3:03
15. Hey Baby, You Look Good to Me 3:28
16. Bluebird 3:02
17. Walkin' the Boogie 2:55
18. Love Blues 2:59
19. Lonely Boy Boogie (A.K.A. New Boogie) 3:51
20. Apologize 3:03
21. The Journey 4:20
22. Worried Life Blues 3:05
23. Down At the Landing 2:54
24. You Have Two Hearts 3:16
25. It's My Own Fault 2:59
26. Blues for Big Town 3:10
27. Women and Money 2:56
28. Big Fine Woman 2:59
29. Tell Me Baby 3:40
30. Blues for Christmas 3:19
31. Cry Baby Cry 3:20

Details

[Edit]

Hooker bounced around between label affiliations like crazy in the 1950s, recording under almost as many fake names as he did labels during that decade. His two lasting record company hookups occurred with Chess in the early 1950s and Vee-Jay later on in the decade. All of Hooker's Chess masters from that decade (he would later record in the '60s for them as well) are here on this two-disc, 31-track collection. Unlike other Chess artists, Hooker did little of his recording in Chicago, preferring to work out of his Detroit home base, where he continued to record for other labels under a variety of pseudonyms. His 1951 Chicago session excepted, the rest of the tracks emanate from Detroit sessions that also saw issuance on the local Gone, H-Q and Fortune labels. This is early John Lee at his solo-guitar, foot-stomping best, featuring boogies and introspective, slow blues that rival his best work. Some of the Detroit tracks reveal inbred distortion that can't be overcome even with modern day noise reduction techniques, but don't let that deter you from sampling some of the best John Lee Hooker available on compact disc for a second.