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Joan Baez / Joan Baez Vol. 2

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Download links and information about Joan Baez / Joan Baez Vol. 2 by Joan Baez. This album was released in 1963 and it belongs to World Music, Songwriter/Lyricist, Contemporary Folk genres. It contains 27 tracks with total duration of 01:29:42 minutes.

Artist: Joan Baez
Release date: 1963
Genre: World Music, Songwriter/Lyricist, Contemporary Folk
Tracks: 27
Duration: 01:29:42
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Tracks

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No. Title Length
1. Silver Dagger 2:37
2. East Virginia 3:47
3. Fare Thee Well (Ten Thousand Miles) 3:23
4. House of the Rising Sun 3:00
5. All My Trials 4:43
6. Wildwood Flower 2:39
7. Donna Donna 3:16
8. John Riley 3:56
9. Rake and Rambling Boy 2:01
10. Little Moses 3:33
11. Mary Hamilton 5:59
12. Henry Martin 4:16
13. El Preso Número Nueve 2:52
14. Wagoner's Lad 2:16
15. The Trees They Do Grow High 3:01
16. Lily of the West 3:23
17. Silkie 4:03
18. Engine 143 3:33
19. Once I Knew a Pretty Girl 2:57
20. Lonesome Road 2:25
21. Banks of the Ohio 3:11
22. Pal of Mine 2:52
23. Barbara Allen 4:13
24. The Cherry Tree Carol 3:32
25. Old Blue 2:37
26. Railroad Boy 2:32
27. Plaisir D'Amour 3:05

Details

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Like its predecessor, Joan Baez in Concert, Pt. 1, this live album was a huge success, making the Top Ten. However, though it was recorded not long after Joan Baez in Concert, Pt. 1 and is also a live album on which the only accompaniment is her own acoustic guitar, it's not merely a second set of recordings of similar material. Her repertoire was evolving from purely traditional folk to encompass significant work by contemporary folksinger/songwriters. Most prominent among those, of course, was Bob Dylan, and In Concert, Pt. 2 features her first two Dylan covers, "With God on Our Side" and "Don't Think Twice, It's All Right." For that alone, the album was notable, but there were other notable expansions into interesting new territory, like the country classic "Long Black Veil," Derroll Adams' great melancholy "Portland Town," the civil rights anthem "We Shall Overcome," and bossa nova great Luiz Bonfá's "Manha de Carnaval." Baez's growth was not so radical as to alienate any of her folk followers, and the album still featured several traditional folk songs of the sort that had launched her career, like "Once I Had a Sweetheart" and "Jackaroe." The introduction of less-hidebound excursions, though, did much to lighten her approach and keep her from falling into too much of a maiden-of-constant-sorrow rut.