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An Evening With Jerry Herman, Lee Roy Reams and Karen Morrow

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Download links and information about An Evening With Jerry Herman, Lee Roy Reams and Karen Morrow by Jerry Herman. This album was released in 1989 and it belongs to Rock, Pop, Theatre/Soundtrack genres. It contains 21 tracks with total duration of 59:45 minutes.

Artist: Jerry Herman
Release date: 1989
Genre: Rock, Pop, Theatre/Soundtrack
Tracks: 21
Duration: 59:45
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Tracks

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No. Title Length
1. Milk and Honey: Shalom (featuring Karen Morrow) 4:55
2. Hello, Dolly!: Put On Your Sunday Clothes (featuring Lee Roy Reams) 2:21
3. Hello, Dolly!: It Only Takes a Moment (featuring Lee Roy Reams) 1:32
4. Hello, Dolly!: Before the Parade Passes By (featuring Lee Roy Reams) 1:55
5. Hello, Dolly!: World Take Me Back (featuring Karen Morrow) 5:23
6. Hello, Dolly!: Hello, Dolly! (featuring Karen Morrow) 3:55
7. Mame: It's Today (featuring Lee Roy Reams) 3:03
8. Mame: Bosom Buddies 1:18
9. Mame: If He Walked Into My Life (featuring Karen Morrow) 4:52
10. Mame: Mame 2:14
11. Dear World: I Don't Want to Know (featuring Karen Morrow) 4:41
12. Mack & Mabel: Movies Were Movies (featuring Karen Morrow) 1:52
13. Mack & Mabel: I Won't Send Roses (featuring Lee Roy Reams) 1:41
14. Mack & Mabel: Hundreds of Girls 0:59
15. Mack & Mabel: Time Heals Everything (featuring Karen Morrow) 2:01
16. Mack & Mabel: Movies Were Movies (Reprise) (featuring Karen Morrow) 0:46
17. The Grand Tour: I'll Be Here Tomorrow 0:50
18. La Cage Auz Folles: La Cage Aux Folles (featuring Lee Roy Reams) 5:27
19. La Cage Auz Folles: Song On the Sand (featuring Karen Morrow) 4:07
20. La Cage Aux Folles: I Am What I Am (featuring Lee Roy Reams) 3:11
21. La Cage Aux Folles: The Best of Times (featuring Karen Morrow) 2:42

Details

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This is one of those odd genre-bending CDs that falls between the cracks at most music stores — it's show music, to be sure, but it's also live and features a fair amount of light jazz improvisation, and a lot of reminiscing by Herman himself at the piano. Karen Morrow is most impressive in all of her big-voiced glory, though it is Lee Roy Reams who, for some reason, gets a good deal of the spotlight. As with most unretouched live recordings of this sort — even one done, as this was, in a studio setting — there's a certain lack of "presence" to some of the quieter moments, but it's also a superb showcase within an autobiographical context for the music out of Milk and Honey, Hello Dolly, Mame, and La Cage Aux Folles.