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Plates-formes Et Traquenards

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Download links and information about Plates-formes Et Traquenards by Jean Derome. This album was released in 2008 and it belongs to Jazz, Rock genres. It contains 21 tracks with total duration of 01:09:55 minutes.

Artist: Jean Derome
Release date: 2008
Genre: Jazz, Rock
Tracks: 21
Duration: 01:09:55
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Tracks

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No. Title Length
1. Le Glas 2:28
2. Le Rift 7:23
3. Les Synapses 2:38
4. Le Derrick 1:41
5. Tec(hno)t®onique 2:49
6. Le Lit Du Chiro 2:06
7. Les Volcans 2:38
8. La Dérive Des Continents 2:18
9. Plate-forme électorale 2:29
10. Plancher de Danse 7:49
11. Piège À Bulles 2:00
12. Piège Inuit 3:37
13. Alambic 1:29
14. Chercher Noise 2:03
15. Malentendu (en Trompe-l'œil) 1:26
16. Ta Ferveur 5:09
17. La Proie Pour L'ombre 1:41
18. Miroir Aux Alouettes 3:04
19. Dream-Catch 22 6:10
20. Attrape-Nigaud 2:00
21. Trap Case 6:57

Details

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The FIMAV Festival offered the opening slot of its 25th edition to frequent participant and Montreal musique actuelle mainstay Jean Derome, who rose to the occasion with, basically, a new band and two new long-form compositions. Plates-Formes et Tranquenards documents the event in stellar clarity. Derome's Dangereux Zhoms is a long-standing project, though it spent most of the 2000s under wraps. The unit had been reactivated in 2007 to release a new CD (To Continue), but none of that material is found here. However, the current DZ lineup provides the backbone of the project: Derome on flutes and saxophones (and some creative conducting), trombonist Tom Walsh, pianist Guillaume Dostaler, bassist Pierre Cartier, and drummer Pierre Tanguay. Augmenting the group are a cross-section of Ambiances Magnétiques' larger circle of players, including vocalist Joane Hétu, guitarist Bernard Falaise (of Miriodor fame), and turntablist Martin Tétreault. This 12-piece ensemble performs two long suites (35 minutes each) by Derome, compositions that blend his typical driving odd-metered themes — the second and last parts of "Plates-Formes," part six of "Tranquenards," other sections, too — with jazzier bits, textural playing, and improvised and semi-improvised sections in subgroupings. Overall, the project sounds like a cross between Derome's jazzier writing and Canot-Camping, his conducted improv project. It is prime Derome: soulful at times, perplexing at others, chaotic one moment, extremely well organized the next, both majestic (in a serial music way) and silly (in a circus fanfare way). A must for fans of Derome's musique actuelle and an excellent audio recording to boot. ~ François Couture, Rovi