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Charlie Wilson's War (Original Motion Picture Soundtrack)

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Download links and information about Charlie Wilson's War (Original Motion Picture Soundtrack) by James Newton Howard. This album was released in 2007 and it belongs to Theatre/Soundtrack genres. It contains 10 tracks with total duration of 33:13 minutes.

Artist: James Newton Howard
Release date: 2007
Genre: Theatre/Soundtrack
Tracks: 10
Duration: 33:13
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Tracks

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No. Title Length
1. Charlie Wilson (featuring The Hollywood Studio Symphony, Pete Anthony, Grant Gershon, Hollywood Film Chorale) 3:03
2. Telex Machine (featuring The Hollywood Studio Symphony, Pete Anthony, Grant Gershon, Hollywood Film Chorale) 1:30
3. Jailbait (featuring The Hollywood Studio Symphony, Pete Anthony, Grant Gershon, Hollywood Film Chorale) 1:03
4. Refugee Camp (featuring The Hollywood Studio Symphony, Pete Anthony, Grant Gershon, Hollywood Film Chorale) 5:08
5. It's Up To Me (featuring The Hollywood Studio Symphony, Pete Anthony, Grant Gershon, Hollywood Film Chorale) 2:39
6. The Belly Dancer (featuring The Hollywood Studio Symphony, Pete Anthony, Grant Gershon, Hollywood Film Chorale) 2:41
7. Turning the Tide (featuring The Hollywood Studio Symphony, Pete Anthony, Grant Gershon, Hollywood Film Chorale) 8:34
8. Where's It At, Charlie? (featuring The Hollywood Studio Symphony, Pete Anthony, Grant Gershon, Hollywood Film Chorale) 1:12
9. Balcony (featuring The Hollywood Studio Symphony, Pete Anthony, Grant Gershon, Hollywood Film Chorale) 1:29
10. Honored Colleague (featuring The Hollywood Studio Symphony, Pete Anthony, Grant Gershon, Hollywood Film Chorale) 5:54

Details

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Like the Mike Nichols political dramedy it accompanies, James Newton Howard's score for Charlie Wilson's War journeys from the American Midwest to the Middle East and back again, juxtaposing homespun folk melodies and accents with colorfully ethnic instruments and rhythms. Howard is more effective at this kind of pan-cultural fusion than most, and his melodies sound as natural and evocative when performed on fiddle and pedal steel as they do when interpreted via wailing vocals and hand percussion — of course, the orchestral sections are also far too ponderous for their own good, as Howard once again mistakenly equates scale with dramatic impact. But even if Charlie Wilson's War succumbs to the composer's usual weaknesses, it nevertheless sends his music in promising new directions.