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Old Corrals and Sagebrush & Other Cowboy Culture Classics

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Download links and information about Old Corrals and Sagebrush & Other Cowboy Culture Classics by Ian Tyson. This album was released in 1983 and it belongs to Country, Pop, Songwriter/Lyricist, Contemporary Folk genres. It contains 19 tracks with total duration of 01:14:23 minutes.

Artist: Ian Tyson
Release date: 1983
Genre: Country, Pop, Songwriter/Lyricist, Contemporary Folk
Tracks: 19
Duration: 01:14:23
Buy on iTunes $9.99
Buy on Amazon $9.49
Buy on Amazon $9.49

Tracks

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No. Title Length
1. Alberta's Child 3:39
2. The Old Double Diamond 5:12
3. Windy Bill 3:03
4. Montana Waltz 3:40
5. Whoopee Ti Yi Yo 3:14
6. Leavin' Cheyenne 3:52
7. Gallo De Cielo 5:58
8. Old Corrals and Sagebrush 2:57
9. Old Alberta Moon 3:10
10. Diamond Joe 3:11
11. Night Riders Lament 4:40
12. Tom Blasingame 3:26
13. Sierra Peaks 3:37
14. Colorado Trails 2:36
15. Hot Summer Tears 6:11
16. What Does She See 3:28
17. Rocks Begin to Roll 4:01
18. Will James 4:31
19. Murder Steer 3:57

Details

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Old Corrals & Sagebrush & Other Cowboy Culture Classics is a CD reissue of Ian Tyson's 1983 album Old Corrals & Sagebrush, plus all but three tracks from his self-titled album from 1984. Old Corrals was Tyson's first album devoted entirely to western material, and includes classics such as "Whoopee Ti Yi Yo" and "I Ride an Old Paint" (as "Leavin' Cheyenne"). The original composition "Alberta's Child" pays tribute to Canadian country star Wilf Carter, and "Gallo de Cielo" is an epic story-song written by the like-minded Tom Russell. "Night Rider's Lament," later revived on Nanci Griffith's Other Voices, Other Rooms, ends with a demonstration of Tyson's yodeling skills on the fade-out. The songs from Ian Tyson are similarly Western in theme, including the traditional "Colorado Trail." The electric guitar and pedal steel throughout give some of the songs a pure country rather than Western flavor, but the former folk artist (who started out as a rodeo rider) handles both styles convincingly. Tyson's contribution to the Canadian country music tradition may come as a surprise to those who remember him from his Ian & Sylvia days, but the world of Western music should be glad to have him.