|
No. |
Title |
Length |
| 1. |
Sinfonie Nr. 1 (1947) [New Version For Chamber Orchestra, 1963: 1. Allegretto, con grazia (Berliner Philharmoniker, Hans Werner Henze) |
5:49 |
| 2. |
Sinfonie Nr. 1 (1947) [New Version For Chamber Orchestra, 1963: 2. Notturno: Lento (Berliner Philharmoniker, Hans Werner Henze) |
5:34 |
| 3. |
Sinfonie Nr. 1 (1947) [New Version For Chamber Orchestra, 1963: 3. Allegro con moto (Berliner Philharmoniker, Hans Werner Henze) |
5:53 |
| 4. |
Sinfonie Nr.5 (1962) For Large Orchestra: 1. Movimentato (Berliner Philharmoniker, Hans Werner Henze) |
7:57 |
| 5. |
Sinfonie Nr.5 (1962) For Large Orchestra: 2. Adagio (Berliner Philharmoniker, Hans Werner Henze) |
6:01 |
| 6. |
Sinfonie Nr.5 (1962) For Large Orchestra: 3. Moto perpetuo (Berliner Philharmoniker, Hans Werner Henze) |
6:26 |
| 7. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 1: crotchet = 92 (London Symphony Orchestra And Chorus, Hans Werner Henze) |
2:18 |
| 8. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 1: un poco meno mosso (London Symphony Orchestra And Chorus, Hans Werner Henze) |
2:08 |
| 9. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 1: meno mosso (London Symphony Orchestra And Chorus, Hans Werner Henze) |
1:32 |
| 10. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 1: Corona (London Symphony Orchestra And Chorus, Hans Werner Henze) |
4:21 |
| 11. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 1: meno mosso del tempo I (London Symphony Orchestra And Chorus, Hans Werner Henze) |
2:49 |
| 12. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 2: Lento (London Symphony Orchestra And Chorus, Hans Werner Henze) |
2:58 |
| 13. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 2: Song to Freedom (London Symphony Orchestra And Chorus, Hans Werner Henze) |
3:05 |
| 14. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 2: Largo (London Symphony Orchestra And Chorus, Hans Werner Henze) |
1:11 |
| 15. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 2: dotted crotchet = 66 (London Symphony Orchestra And Chorus, Hans Werner Henze) |
2:47 |
| 16. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 2: crotched = 66 (London Symphony Orchestra And Chorus, Hans Werner Henze) |
1:33 |
| 17. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 2: crotchet = 92 (London Symphony Orchestra And Chorus, Hans Werner Henze) |
3:31 |
| 18. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 3: più mosso (London Symphony Orchestra And Chorus, Hans Werner Henze) |
2:05 |
| 19. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 3: meno mosso (London Symphony Orchestra And Chorus, Hans Werner Henze) |
2:12 |
| 20. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 3: più mosso, con fuoco (London Symphony Orchestra And Chorus, Hans Werner Henze) |
2:24 |
| 21. |
Sinfonie Nr. 6 (1969) For Two Chamber Orchestras / Pt. 3: dotted crotchet = 100 (London Symphony Orchestra And Chorus, Hans Werner Henze) |
2:33 |
| 22. |
Sinfonie Nr. 2 (1949) For Large Orchestra: 1. Lento (Berliner Philharmoniker, Hans Werner Henze) |
7:59 |
| 23. |
Sinfonie Nr. 2 (1949) For Large Orchestra: 2. Allegro molto vivace (Berliner Philharmoniker, Hans Werner Henze) |
4:10 |
| 24. |
Sinfonie Nr. 2 (1949) For Large Orchestra: 3. Adagio (Berliner Philharmoniker, Hans Werner Henze) |
8:48 |
| 25. |
Sinfonie Nr. 3 (1949-50) For Large Orchestra: 1. Invocation Of Apollo (Berliner Philharmoniker, Hans Werner Henze) |
8:17 |
| 26. |
Sinfonie Nr. 3 (1949-50) For Large Orchestra: 2. Dithyramb Moderato (Berliner Philharmoniker, Hans Werner Henze) |
10:51 |
| 27. |
Sinfonie Nr. 3 (1949-50) For Large Orchestra: 3. Conjuring Dance (Berliner Philharmoniker, Hans Werner Henze) |
5:12 |
| 28. |
Sinfonie Nr. 4 (1955) For Large Orchestra: Crotched = 50 (Berliner Philharmoniker, Hans Werner Henze) |
1:15 |
| 29. |
Sinfonie Nr. 4 (1955) For Large Orchestra: Crotched = 100 (T./b. 15) (Berliner Philharmoniker, Hans Werner Henze) |
2:41 |
| 30. |
Sinfonie Nr. 4 (1955) For Large Orchestra: Crotched = 80 (T. 49) (Berliner Philharmoniker, Hans Werner Henze) |
1:46 |
| 31. |
Sinfonie Nr. 4 (1955) For Large Orchestra: Crotched = 80 (T.72) (Berliner Philharmoniker, Hans Werner Henze) |
5:17 |
| 32. |
Sinfonie Nr. 4 (1955) For Large Orchestra: Crotched = 80 (T.155) (Berliner Philharmoniker, Hans Werner Henze) |
4:42 |
| 33. |
Sinfonie Nr. 4 (1955) For Large Orchestra: Dotted Crotched = 84 (T.205) (Berliner Philharmoniker, Hans Werner Henze) |
4:12 |
| 34. |
Sinfonie Nr. 4 (1955) For Large Orchestra: Crotched = 132 (T.272) (Berliner Philharmoniker, Hans Werner Henze) |
3:56 |
| 35. |
Sinfonie Nr. 4 (1955) For Large Orchestra: molto ritardando (T.418) (Berliner Philharmoniker, Hans Werner Henze) |
2:25 |
| 36. |
Sinfonie Nr. 4 (1955) For Large Orchestra: Quaver = 92 (T.460) (Berliner Philharmoniker, Hans Werner Henze) |
1:38 |
| 37. |
Sonata For Strings: 1. Allegro (Collegium Musicum Zürich / Collegium Musicum Zurich, Paul Sacher) |
5:01 |
| 38. |
Sonata For Strings: 2. 32 Variazioni (Collegium Musicum Zürich / Collegium Musicum Zurich, Paul Sacher) |
9:54 |
| 39. |
Double Concerto For Oboe, Harp And Strings (1966): = c.112 - (Heinz Holliger, Collegium Musicum Zürich / Collegium Musicum Zurich, Ursula Holliger, Paul Sacher) |
8:37 |
| 40. |
Double Concerto For Oboe, Harp And Strings (1966): Andante ( = 50) - (Heinz Holliger, Collegium Musicum Zürich / Collegium Musicum Zurich, Ursula Holliger, Paul Sacher) |
8:46 |
| 41. |
Double Concerto For Oboe, Harp And Strings (1966): = 80 - (Heinz Holliger, Collegium Musicum Zürich / Collegium Musicum Zurich, Ursula Holliger, Paul Sacher) |
6:53 |
| 42. |
Double Concerto For Oboe, Harp And Strings (1966): Andante ( = 80) (Heinz Holliger, Collegium Musicum Zürich / Collegium Musicum Zurich, Ursula Holliger, Paul Sacher) |
4:32 |
| 43. |
Fantasia For Strings: 1. Adagio (Collegium Musicum Zürich / Collegium Musicum Zurich, Paul Sacher) |
2:32 |
| 44. |
Fantasia For Strings: 2. Tempo eines Trauermarsches (Collegium Musicum Zürich / Collegium Musicum Zurich, Paul Sacher) |
1:26 |
| 45. |
Fantasia For Strings: 3. Espressivo (Collegium Musicum Zürich / Collegium Musicum Zurich, Paul Sacher) |
1:55 |
| 46. |
Fantasia For Strings: 4. Allegro moderato - Meno mosso (Collegium Musicum Zürich / Collegium Musicum Zurich, Paul Sacher) |
2:04 |
| 47. |
Fantasia For Strings: 5. Air - Pastorale - Air (Collegium Musicum Zürich / Collegium Musicum Zurich, Paul Sacher) |
3:50 |
| 48. |
Fantasia For Strings: 6. Vivace - Epilogo. Adagio (Collegium Musicum Zürich / Collegium Musicum Zurich, Paul Sacher) |
3:54 |
| 49. |
Concerto For Violin And Orchestra No. 1 (1947): 1. Largamente, rubato - Allegro molto (Bavarian Radio Symphony Orchestra, Wolfgang Schneiderhan, Hans Werner Henze) |
8:55 |
| 50. |
Concerto For Violin And Orchestra No. 1 (1947): 2. Vivacissimo (tempo 1) - Alla marcia (tempo 2) (Bavarian Radio Symphony Orchestra, Wolfgang Schneiderhan, Hans Werner Henze) |
2:06 |
| 51. |
Concerto For Violin And Orchestra No. 1 (1947): 3. Andante con moto (Bavarian Radio Symphony Orchestra, Wolfgang Schneiderhan, Hans Werner Henze) |
6:22 |
| 52. |
Concerto For Violin And Orchestra No. 1 (1947): 4. Allegro molto vivace (Bavarian Radio Symphony Orchestra, Wolfgang Schneiderhan, Hans Werner Henze) |
6:32 |
| 53. |
Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley: 1. Calmo - attaca: (Bavarian Radio Symphony Orchestra, Hans Werner Henze, Siegfried Palm) |
2:57 |
| 54. |
Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley: 2. Vivo (Bavarian Radio Symphony Orchestra, Hans Werner Henze, Siegfried Palm) |
4:00 |
| 55. |
Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley: 3. Tranquillo (Bavarian Radio Symphony Orchestra, Hans Werner Henze, Siegfried Palm) |
6:01 |
| 56. |
Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley: 4. Tempo d'una marcia solenne, ma non lenta - attacca: (Bavarian Radio Symphony Orchestra, Hans Werner Henze, Siegfried Palm) |
2:54 |
| 57. |
Ode To The West Wind (1953) Music For Violoncello And Orchestra Based On Poem By P.B. Shelley: 5. Grave - Come un inno (Bavarian Radio Symphony Orchestra, Hans Werner Henze, Siegfried Palm) |
5:09 |
| 58. |
Concerto For Double Bass (1966): 1. Moderato cantabile (Gary Karr, English Chamber Orchestra, Hans Werner Henze) |
4:43 |
| 59. |
Concerto For Double Bass (1966): 2. Vivace (Gary Karr, English Chamber Orchestra, Hans Werner Henze) |
7:37 |
| 60. |
Concerto For Double Bass (1966): 3. Ciacona (Gary Karr, English Chamber Orchestra, Hans Werner Henze) |
18:44 |
| 61. |
Concerto For Piano And Orchestra No. 2: 1. Moderato (The London Philharmonic Orchestra, Christoph Eschenbach, Hans Werner Henze) |
14:26 |
| 62. |
Concerto For Piano And Orchestra No. 2: 2. Vivace - Meno mosso - Tempo (The London Philharmonic Orchestra, Christoph Eschenbach, Hans Werner Henze) |
13:59 |
| 63. |
Concerto For Piano And Orchestra No. 2: 3. Moderato - (The London Philharmonic Orchestra, Christoph Eschenbach, Hans Werner Henze) |
6:56 |
| 64. |
Concerto For Piano And Orchestra No. 2: 4. Vivace - (The London Philharmonic Orchestra, Christoph Eschenbach, Hans Werner Henze) |
1:35 |
| 65. |
Concerto For Piano And Orchestra No. 2: 5. Lento - (The London Philharmonic Orchestra, Christoph Eschenbach, Hans Werner Henze) |
3:47 |
| 66. |
Concerto For Piano And Orchestra No. 2: 6. Vivace (The London Philharmonic Orchestra, Christoph Eschenbach, Hans Werner Henze) |
8:31 |
| 67. |
Tristan (1973) Preludes For Piano, Tapes And Orchestra: 1. Prologue (Kölner Rundfunk - Sinfonie - Orchester / Kolner Rundfunk - Sinfonie - Orchester, Hans Werner Henze, Homero Francesch) |
5:09 |
| 68. |
Tristan (1973) Preludes For Piano, Tapes And Orchestra: 2. Lament (Kölner Rundfunk - Sinfonie - Orchester / Kolner Rundfunk - Sinfonie - Orchester, Hans Werner Henze, Homero Francesch) |
6:02 |
| 69. |
Tristan (1973) Preludes For Piano, Tapes And Orchestra: 3. Preludes and Variations (Kölner Rundfunk - Sinfonie - Orchester / Kolner Rundfunk - Sinfonie - Orchester, Hans Werner Henze, Homero Francesch) |
9:08 |
| 70. |
Tristan (1973) Preludes For Piano, Tapes And Orchestra: 4. Tristan's Folly (Kölner Rundfunk - Sinfonie - Orchester / Kolner Rundfunk - Sinfonie - Orchester, Hans Werner Henze, Homero Francesch) |
5:45 |
| 71. |
Tristan (1973) Preludes For Piano, Tapes And Orchestra: 5. Adagio - Burla I (Valse) - Burla II (alla turca) - Ricercare I - Burla III (Marcia) - Ricercare II (Kölner Rundfunk - Sinfonie - Orchester / Kolner Rundfunk - Sinfonie - Orchester, Hans Werner Henze, Homero Francesch) |
5:37 |
| 72. |
Tristan (1973) Preludes For Piano, Tapes And Orchestra: 6. Epilogue (Kölner Rundfunk - Sinfonie - Orchester / Kolner Rundfunk - Sinfonie - Orchester, Hans Werner Henze, Homero Francesch) |
11:41 |
| 73. |
Ballet Variations (1949): 5. Poco Allegretto (Radio - Symphonie - Orchester Berlin, Ferenc Fricsay, RIAS Symphony Orchestra Berlin) |
2:02 |
| 74. |
Ballet Variations (1949): 4. Allegro marciale (Radio - Symphonie - Orchester Berlin, Ferenc Fricsay, RIAS Symphony Orchestra Berlin) |
1:31 |
| 75. |
Drei Tientos für Gitarre: Tiento Nr. 1 (Siegfried Behrend) |
2:02 |
| 76. |
Drei Tientos für Gitarre: Tiento Nr. 2 (Siegfried Behrend) |
1:26 |
| 77. |
Drei Tientos für Gitarre: Tiento Nr. 3 (Siegfried Behrend) |
2:24 |
| 78. |
Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra: 1. Aggio saputo ca la morte vene (Dietrich Fischer - Dieskau, Richard Kraus) |
1:54 |
| 79. |
Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra: 2. A l'acqua de li ffuntanelle (Dietrich Fischer - Dieskau, Richard Kraus) |
3:29 |
| 80. |
Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra: 3. Amaie 'na nenne pe' tridece mise (Dietrich Fischer - Dieskau, Richard Kraus) |
1:03 |
| 81. |
Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra: 4. Amaie 'nu ninno cu' sudore e stiente (Dietrich Fischer - Dieskau, Richard Kraus) |
6:04 |
| 82. |
Five Neapolitan Songs (1956) For Baritone And Chamber Orchestra: 5. Arbero piccerillo, te chiantaie (Dietrich Fischer - Dieskau, Richard Kraus) |
3:56 |
| 83. |
Whispers From Heavenly Death (1948): 1. "Darest thou now, o soul" (Moderato) (Edda Moser, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
2:17 |
| 84. |
Whispers From Heavenly Death (1948): 2. "No map there" (Tranquillo) (Edda Moser, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
1:52 |
| 85. |
Whispers From Heavenly Death (1948): 3. "I know it not, o soul" (Adagio) (Edda Moser, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
1:35 |
| 86. |
Whispers From Heavenly Death (1948): 4. "Till when the ties loosen" (Allegro) (Edda Moser, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
1:10 |
| 87. |
Whispers From Heavenly Death (1948): 5. "Then we burst forth" (Allegro molto) (Edda Moser, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
1:37 |
| 88. |
Being Beauteous (1963) Cantata from "Illuminations" (1872/73) (Edda Moser, RIAS Kammerchor, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
14:58 |
| 89. |
Essay On Pigs (1968) Based On A Poem By Gastón Salvatore: (versuch über schweine) "deine versuche sind" (Philip Jones Brass Ensemble, English Chamber Orchestra, Hans Werner Henze, Roy Hart) |
4:36 |
| 90. |
Essay On Pigs (1968) Based On A Poem By Gastón Salvatore: langer exkurs für entenlockflöte "einmal hieß es von ihm" (Philip Jones Brass Ensemble, English Chamber Orchestra, Hans Werner Henze, Roy Hart) |
3:02 |
| 91. |
Essay On Pigs (1968) Based On A Poem By Gastón Salvatore: abschiedsformeln "es ist nicht strafbar" (Philip Jones Brass Ensemble, English Chamber Orchestra, Hans Werner Henze, Roy Hart) |
2:13 |
| 92. |
Essay On Pigs (1968) Based On A Poem By Gastón Salvatore: feststellung "besser ist es" (Philip Jones Brass Ensemble, English Chamber Orchestra, Hans Werner Henze, Roy Hart) |
3:44 |
| 93. |
Essay On Pigs (1968) Based On A Poem By Gastón Salvatore: müder anlauf und vorläufiges ende "der verstorbene naive" (Philip Jones Brass Ensemble, English Chamber Orchestra, Hans Werner Henze, Roy Hart) |
7:00 |
| 94. |
Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema": "Solo chi ama conosce" - Andante ma non troppo (Edda Moser, RIAS Kammerchor, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
4:16 |
| 95. |
Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema": "Sei tu Giulietta?" - Allegretto (Edda Moser, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
3:18 |
| 96. |
Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema": "Sono i tuoi giorni un prato lucente" - Allegretto (RIAS Kammerchor, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
1:24 |
| 97. |
Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema": "Tu eri il paggio favorito alla corte d'Oriente" - Allegretto (lo stesso tempo) (Edda Moser, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
3:47 |
| 98. |
Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema": "La bella trama, adorata dal mio cuore" - Corale (RIAS Kammerchor, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
2:49 |
| 99. |
Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema": "Quando mi sei vicino" - Andante (Edda Moser, RIAS Kammerchor, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
4:00 |
| 100. |
Cantata Of The Ultimate Fable On The Poem "Tu sei la fiaba estrema": "Passa la cacciatrice lunare" - Meno mosso (Edda Moser, RIAS Kammerchor, Hans Werner Henze, Instrumentalists Of The Berlin Philharmonic Chamber Orchestra) |
3:05 |
| 101. |
Muses Of Sicily (1966): 1. Pastorale (Dresdner Kreuzchor, Hans Werner Henze, Members Of The Staatskapelle Dresden, Joseph Rollino) |
12:32 |
| 102. |
Muses Of Sicily (1966): 2. Adagio (Dresdner Kreuzchor, Hans Werner Henze, Members Of The Staatskapelle Dresden, Joseph Rollino) |
10:39 |
| 103. |
Muses Of Sicily (1966): 3. Silenus. Vivace (Dresdner Kreuzchor, Hans Werner Henze, Members Of The Staatskapelle Dresden, Joseph Rollino) |
4:45 |
| 104. |
Moralities (1967): 1. "In Urzeiten lebten friedlich" - Higgeli Pigelli" (Dresdner Kreuzchor, Gewandhausorchester Leipzig, Andreas Scheibner, Hans Werner Henze, Frieder Lang, Friedemann Jaeckel, Titus Paspirgilis, Dieter Leffler, Cornelius Schwarz) |
7:05 |
| 105. |
Moralities (1967): 2. "Ehe Zeit war, zu des Anfangs Beginn" - "Schwarz sollt ihr sein" (Dresdner Kreuzchor, Gewandhausorchester Leipzig, Andreas Scheibner, Hans Werner Henze, Frieder Lang, Friedemann Jaeckel, Titus Paspirgilis, Dieter Leffler, Cornelius Schwarz) |
7:42 |
| 106. |
Moralities (1967): 3. "Ein Schiff stach in See, verließ den Hafen" - Rauh wird die Nacht (Dresdner Kreuzchor, Gewandhausorchester Leipzig, Reinhard Decker, Andreas Scheibner, Hans Werner Henze, Frieder Lang, Friedemann Jaeckel, Titus Paspirgilis, Dieter Leffler, Cornelius Schwarz, Berthold Rink) |
9:59 |
| 107. |
Das Floß der Medusa / Pt. 1 - Die Einschiffung zum Untergang: Prolog des Charon (Charles Regnier) |
2:06 |
| 108. |
Das Floß der Medusa / Pt. 1 - Die Einschiffung zum Untergang: 1. Motto (Pascal "Pensées" aus dem 383. Fragment) (Edda Moser, Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover) |
4:03 |
| 109. |
Das Floß der Medusa / Pt. 1 - Die Einschiffung zum Untergang: 2. Ordre und Musterrolle (RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover, Charles Regnier) |
1:16 |
| 110. |
Das Floß der Medusa / Pt. 1 - Die Einschiffung zum Untergang: 3. Journal der Überfahrt (Edda Moser, Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover, Charles Regnier) |
5:44 |
| 111. |
Das Floß der Medusa / Pt. 1 - Die Einschiffung zum Untergang: 4. Eine Antwort (Edda Moser, Symphony Orchestra, Hans Werner Henze) |
1:49 |
| 112. |
Das Floß der Medusa / Pt. 1 - Die Einschiffung zum Untergang: 5. Versuche zur Rettung (Edda Moser, Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover, Charles Regnier) |
3:38 |
| 113. |
Das Floß der Medusa / Pt. 1 - Die Einschiffung zum Untergang: 6. Die Ausschiffung (Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover, Charles Regnier) |
2:20 |
| 114. |
Das Floß der Medusa / Pt. 1 - Die Einschiffung zum Untergang: 7. Ballade vom Verrat (Edda Moser, Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover) |
4:08 |
| 115. |
Das Floß der Medusa / Pt. 1 - Die Einschiffung zum Untergang: 8. Gesang mit neun Stimmen (Edda Moser, Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover) |
8:28 |
| 116. |
Das Floß der Medusa / Pt. 1 - Die Einschiffung zum Untergang: 9. Anweisungen für den zweiten Tag (Edda Moser, Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover) |
7:12 |
| 117. |
Das Floß der Medusa / Pt. 2 - Die neunte Nacht und der Morgen: 10. Feststellung der Lage (RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover, Charles Regnier) |
2:38 |
| 118. |
Das Floß der Medusa / Pt. 2 - Die neunte Nacht und der Morgen: 11. Motto (Pascal, aus dem 205.-207. und 347. Fragment der "Pensées" (Edda Moser, Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover) |
2:36 |
| 119. |
Das Floß der Medusa / Pt. 2 - Die neunte Nacht und der Morgen: 12. Appell unter dem Mond (Edda Moser, Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover) |
8:26 |
| 120. |
Das Floß der Medusa / Pt. 2 - Die neunte Nacht und der Morgen: 13. Die Rechnung zum Tode (Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover, Charles Regnier) |
2:33 |
| 121. |
Das Floß der Medusa / Pt. 2 - Die neunte Nacht und der Morgen: 14. Die Ballade vom Mann auf dem Floß (Edda Moser, Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover) |
7:16 |
| 122. |
Das Floß der Medusa / Pt. 2 - Die neunte Nacht und der Morgen: 15. Fuge der Überlebenden und Ankündigung der Rettung (Edda Moser, Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover, Günther Arndt / Gunther Arndt, Helmut Franz, Charles Regnier) |
3:46 |
| 123. |
Das Floß der Medusa / Pt. 2 - Die neunte Nacht und der Morgen: 16. Finale (Edda Moser, Dietrich Fischer - Dieskau, RIAS Kammerchor, Symphony Orchestra, Hans Werner Henze, Chor Des Norddeutschen Rundfunks, Radio-Philharmonie Hannover, Charles Regnier) |
6:54 |
| 124. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 1. Die Welt (The World - Le Monde) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
6:50 |
| 125. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 2. Der Cimarrón (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
4:17 |
| 126. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 3. Die Sklaverei (Slavery - L'Esclavage) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
4:26 |
| 127. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 4. Die Flucht (Flight - La Fuite) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
4:24 |
| 128. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 5. Der Wald (The Forest - La Forêt) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
8:15 |
| 129. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 6. Die Geister (The Spirits - Les Fantômes) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
6:41 |
| 130. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 7. Die falsche Freiheit (False Freedom - La Fausse Liberté) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
3:13 |
| 131. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 8. Die Frauen (Women - Les Femmes) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
3:05 |
| 132. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 9. Die Maschinen (The Machines - Les Machines) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
5:43 |
| 133. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 10. Die Pfarrer (The Clergy - Les Prêtres) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
4:47 |
| 134. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 11. Der Aufstand (The Uprising - Le Soulèvement) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
4:16 |
| 135. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 12. Die Schlacht von Mal Tiempo (The Battle of/La Bataille de Mal Tiempo (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
6:02 |
| 136. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 13. Der schlechte Sieg (The Evil Victory - La Mauvaise Victoire) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
5:07 |
| 137. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 14. Die Freundlichkeit (Friendliness - L'Amabilité) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
5:23 |
| 138. |
El Cimarrón (1969-1970) - The Autobiography Of The Runaway Slave Esteban Montejo - Recital For Four Musicans: 15. Das Messer (The Knife - Le Couteau) (Karlheinz Zöller / Karlheinz Zoller, Stomu Yamash'Ta, Hans Werner Henze, Leo Brouwer, William Pearson) |
2:58 |
| 139. |
The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers: 1. Planimetry (Stomu Yamash'Ta, Hans Werner Henze, William Pearson, Fires Of London, Philip Jones Brass Quintet, Dieter Schider, Gastón Salvatore / Gaston Salvatore, Gunter Hampel Free Jazz Ensemble, Elfriede Irral) |
6:18 |
| 140. |
The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers: 2. Attempts At Molestation (Stomu Yamash'Ta, Hans Werner Henze, William Pearson, Fires Of London, Philip Jones Brass Quintet, Dieter Schider, Gastón Salvatore / Gaston Salvatore, Gunter Hampel Free Jazz Ensemble, Elfriede Irral) |
4:01 |
| 141. |
The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers: 3. The Veiled Messengers (Stomu Yamash'Ta, Hans Werner Henze, William Pearson, Fires Of London, Philip Jones Brass Quintet, Dieter Schider, Gastón Salvatore / Gaston Salvatore, Gunter Hampel Free Jazz Ensemble, Elfriede Irral) |
6:08 |
| 142. |
The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers: 4. The Listless Spy (Stomu Yamash'Ta, Hans Werner Henze, William Pearson, Fires Of London, Philip Jones Brass Quintet, Dieter Schider, Gastón Salvatore / Gaston Salvatore, Gunter Hampel Free Jazz Ensemble, Elfriede Irral) |
2:56 |
| 143. |
The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers: 5. Introduction To The Difficult Bourgeoisie (Stomu Yamash'Ta, Hans Werner Henze, William Pearson, Fires Of London, Philip Jones Brass Quintet, Dieter Schider, Gastón Salvatore / Gaston Salvatore, Gunter Hampel Free Jazz Ensemble, Elfriede Irral) |
5:18 |
| 144. |
The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers: 6. The Difficult Bourgeoisie: Attempted Return No. 1 (Stomu Yamash'Ta, Hans Werner Henze, William Pearson, Fires Of London, Philip Jones Brass Quintet, Dieter Schider, Gastón Salvatore / Gaston Salvatore, Gunter Hampel Free Jazz Ensemble, Elfriede Irral) |
4:33 |
| 145. |
The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers: 7. Attempted Return No. 2 (Stomu Yamash'Ta, Hans Werner Henze, William Pearson, Fires Of London, Philip Jones Brass Quintet, Dieter Schider, Gastón Salvatore / Gaston Salvatore, Gunter Hampel Free Jazz Ensemble, Elfriede Irral) |
3:09 |
| 146. |
The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers: 8. Attempted Return No. 3 (Stomu Yamash'Ta, Hans Werner Henze, William Pearson, Fires Of London, Philip Jones Brass Quintet, Dieter Schider, Gastón Salvatore / Gaston Salvatore, Gunter Hampel Free Jazz Ensemble, Elfriede Irral) |
9:14 |
| 147. |
The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers: 9. Geodesy (Stomu Yamash'Ta, Hans Werner Henze, William Pearson, Fires Of London, Philip Jones Brass Quintet, Dieter Schider, Gastón Salvatore / Gaston Salvatore, Gunter Hampel Free Jazz Ensemble, Elfriede Irral) |
7:20 |
| 148. |
The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers: 10. Speech Practice (Stomu Yamash'Ta, Hans Werner Henze, William Pearson, Fires Of London, Philip Jones Brass Quintet, Dieter Schider, Gastón Salvatore / Gaston Salvatore, Gunter Hampel Free Jazz Ensemble, Elfriede Irral) |
3:50 |
| 149. |
The Tedious Way To Natasha Ungeheuer's Apartment Show For 17 Performers: 11. Metapenthes (Stomu Yamash'Ta, Hans Werner Henze, William Pearson, Fires Of London, Philip Jones Brass Quintet, Dieter Schider, Gastón Salvatore / Gaston Salvatore, Gunter Hampel Free Jazz Ensemble, Elfriede Irral) |
5:29 |
| 150. |
Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Ah! Schnee fällt aufs Blütenmeer (Berlin, Dietrich Fischer - Dieskau, Martha Mödl / Martha Modl, Thomas Hemsley, Catherine Gayer, Hans Werner Henze, Loren Driscoll, Liane Dubin, Members Of The Berlin Radio Symphony Orchestra, Members Of The Orchestra Of The Deutsche Oper) |
9:30 |
| 151. |
Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Gut. Gut. Genau wie es mir passte (Berlin, Martha Mödl / Martha Modl, Thomas Hemsley, Hans Werner Henze, Members Of The Berlin Radio Symphony Orchestra, Members Of The Orchestra Of The Deutsche Oper) |
6:57 |
| 152. |
Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Wie reizend du bist! (Berlin, Catherine Gayer, Hans Werner Henze, Liane Dubin, Members Of The Berlin Radio Symphony Orchestra, Members Of The Orchestra Of The Deutsche Oper) |
6:35 |
| 153. |
Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Nimm Platz, mein Kind (Berlin, Hans Werner Henze, Liane Dubin, Members Of The Berlin Radio Symphony Orchestra, Members Of The Orchestra Of The Deutsche Oper) |
7:28 |
| 154. |
Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Du mein, ganz mein (Berlin, Hans Werner Henze, Liane Dubin, Members Of The Berlin Radio Symphony Orchestra, Members Of The Orchestra Of The Deutsche Oper) |
2:01 |
| 155. |
Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Aus dem Garten, paradiesisch (Berlin, Martha Mödl / Martha Modl, Thomas Hemsley, Catherine Gayer, Hans Werner Henze, Loren Driscoll, Liane Dubin, Members Of The Berlin Radio Symphony Orchestra, Members Of The Orchestra Of The Deutsche Oper) |
3:36 |
| 156. |
Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Schon morgen von den Bergen (Berlin, Martha Mödl / Martha Modl, Thomas Hemsley, Catherine Gayer, Hans Werner Henze, Loren Driscoll, Liane Dubin, Members Of The Berlin Radio Symphony Orchestra, Members Of The Orchestra Of The Deutsche Oper) |
6:41 |
| 157. |
Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Grüss Gott. Auf ein Wort nur (Berlin, Martha Mödl / Martha Modl, Hans Werner Henze, Hubert Hilten, Members Of The Berlin Radio Symphony Orchestra, Members Of The Orchestra Of The Deutsche Oper) |
11:55 |
| 158. |
Scenes From "Elegy For Young Lovers" - German Version By L. Landgraf With The Collaboration Of W. Schachteli & H.W. Henze: Eins. Zwei. Drei. Vier. Wen bewundern wir? (Berlin, Martha Mödl / Martha Modl, Hans Werner Henze, Members Of The Berlin Radio Symphony Orchestra, Members Of The Orchestra Of The Deutsche Oper) |
4:49 |
| 159. |
Der junge Lord, Act I: Introduction "Herr Professor, ich nehme kein Blatt." (Orchester Der Deutschen Oper Berlin, Ivan Sardi, Christoph Von Dohnanyi) |
3:54 |
| 160. |
Der junge Lord, Act I: Ob er uns gefallen wird oder nicht? (Edith Mathis, Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi, Bella Jasper) |
1:38 |
| 161. |
Der junge Lord, Act I: O Ida, liebste Ida (Edith Mathis, Orchester Der Deutschen Oper Berlin, Donald Grobe, Christoph Von Dohnanyi, Bella Jasper) |
3:49 |
| 162. |
Der junge Lord, Act I: Zu uns kommt ein Edelmann (Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi, Schoeneberger Saengerknaben) |
1:10 |
| 163. |
Der junge Lord, Act I: Vivat! vivat! Hoch lebe der reiche, englische Herr! (Chor Der Deutschen Oper Berlin, Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi, Schoeneberger Saengerknaben) |
1:04 |
| 164. |
Der junge Lord, Act I: Hu, kaltes Land - und Leute gaffen (Orchester Der Deutschen Oper Berlin, Vera Little, Christoph Von Dohnanyi) |
2:07 |
| 165. |
Der junge Lord, Act I: "Er ist es" / "Ist das Sir Edgar?" (Chor Der Deutschen Oper Berlin, Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi, Schoeneberger Saengerknaben) |
5:47 |
| 166. |
Der junge Lord, Act I: Entr'acte (Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi) |
2:21 |
| 167. |
Der junge Lord, Act I: Mein liebes Kind (Orchester Der Deutschen Oper Berlin, Patricia Johnson, Christoph Von Dohnanyi) |
7:08 |
| 168. |
Der junge Lord, Act I: Frau Baronin. Der Mohr ist da (Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi, Marina Türke / Marina Turke) |
5:29 |
| 169. |
Der junge Lord, Act I: Dieser Mensch täuscht sich (Orchester Der Deutschen Oper Berlin, Patricia Johnson, Christoph Von Dohnanyi) |
4:58 |
| 170. |
Der junge Lord, Act I: Zwischenspiel (Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi) |
2:48 |
| 171. |
Der junge Lord, Act I: Hochverehrtes Publikum! (Gunther Treptow, Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi) |
3:25 |
| 172. |
Der junge Lord, Act I: Der Engländer ist aus dem Haus (Chor Der Deutschen Oper Berlin, Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi) |
2:05 |
| 173. |
Der junge Lord, Act I: Hochverehrtes Publikum (Edith Mathis, Gunther Treptow, Orchester Der Deutschen Oper Berlin, Donald Grobe, Christoph Von Dohnanyi) |
2:07 |
| 174. |
Der junge Lord, Act I: Im Namen des Gesetzes dieser Stadt (Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi, Manfred Röhrl / Manfred Rohrl) |
6:23 |
| 175. |
Der junge Lord, Act I: "Wir sind ihm nicht gut genug" - Notturno (Helmut Krebs, Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi) |
3:22 |
| 176. |
Der junge Lord, Act II: Hu, der böse Mohr, der so schwarz wie Sünde ist! (Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi, Schoeneberger Saengerknaben) |
1:50 |
| 177. |
Der junge Lord, Act II: Leibhaftiger! Geister sind's nicht (Orchester Der Deutschen Oper Berlin, Fritz Hoppe, Loren Driscoll, Christoph Von Dohnanyi) |
3:32 |
| 178. |
Der junge Lord, Act II: "Meine Luise". "Oh, mein Wilhelm" (Edith Mathis, Orchester Der Deutschen Oper Berlin, Donald Grobe, Loren Driscoll, Christoph Von Dohnanyi) |
9:33 |
| 179. |
Der junge Lord, Act II: Ihr Herren, hierher! (Helmut Krebs, Chor Der Deutschen Oper Berlin, Barry McDaniel, Orchester Der Deutschen Oper Berlin, Ivan Sardi, Fritz Hoppe, Loren Driscoll, Christoph Von Dohnanyi, Ernst Krukowski, Manfred Röhrl / Manfred Rohrl) |
8:15 |
| 180. |
Der junge Lord, Act II: Er wird Ihre Bälle und auch alle die Konzerte (Helmut Krebs, Barry McDaniel, Orchester Der Deutschen Oper Berlin, Ivan Sardi, Fritz Hoppe, Christoph Von Dohnanyi, Ernst Krukowski, Manfred Röhrl / Manfred Rohrl) |
2:25 |
| 181. |
Der junge Lord, Act II: Zwischenspiel (Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi) |
5:32 |
| 182. |
Der junge Lord, Act II: Man nimmt ein halbes Pfund goldenen Sirup (Barry McDaniel, Orchester Der Deutschen Oper Berlin, Vera Little, Christoph Von Dohnanyi) |
4:01 |
| 183. |
Der junge Lord, Act II: Nur zu gerne . und mit großer Erwartung (Chor Der Deutschen Oper Berlin, Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi) |
3:06 |
| 184. |
Der junge Lord, Act II: Welche Freude! (Orchester Der Deutschen Oper Berlin, Patricia Johnson, Christoph Von Dohnanyi) |
8:05 |
| 185. |
Der junge Lord, Act II: Dieser flegelhafte Mensch! (Orchester Der Deutschen Oper Berlin, Donald Grobe, Christoph Von Dohnanyi) |
3:27 |
| 186. |
Der junge Lord, Act II: Es ist genug, was dieser Herr sich herausnimmt! (Orchester Der Deutschen Oper Berlin, Donald Grobe, Christoph Von Dohnanyi) |
3:39 |
| 187. |
Der junge Lord, Act II: Zwischenspiel II (Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi) |
3:26 |
| 188. |
Der junge Lord, Act II: Diese Benommenheit (Edith Mathis, Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi) |
7:01 |
| 189. |
Der junge Lord, Act II: Wo bin ich denn geblieben? (Edith Mathis, Chor Der Deutschen Oper Berlin, Orchester Der Deutschen Oper Berlin, Donald Grobe, Patricia Johnson, Loren Driscoll, Christoph Von Dohnanyi, Bella Jasper) |
5:17 |
| 190. |
Der junge Lord, Act II: Walzer der Debütantinnen (Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi) |
2:56 |
| 191. |
Der junge Lord, Act II: Eine gewisse nationale Roheit (Orchester Der Deutschen Oper Berlin, Ivan Sardi, Christoph Von Dohnanyi) |
2:38 |
| 192. |
Der junge Lord, Act II: Es wird Schreckliches geschehen (Orchester Der Deutschen Oper Berlin, Donald Grobe, Christoph Von Dohnanyi) |
2:54 |
| 193. |
Der junge Lord, Act II: Steht uns kein Himmel bei? (Chor Der Deutschen Oper Berlin, Orchester Der Deutschen Oper Berlin, Christoph Von Dohnanyi) |
1:12 |
| 194. |
Undine: 1. Lento (Oliver Knussen, London Sinfonietta) |
2:18 |
| 195. |
Undine: 2 a. Allegretto (Oliver Knussen, London Sinfonietta) |
2:00 |
| 196. |
Undine: 2 b. Andante (Oliver Knussen, London Sinfonietta) |
0:53 |
| 197. |
Undine: 2 c. Vivace (Oliver Knussen, London Sinfonietta) |
0:59 |
| 198. |
Undine: 3. Moderato (Oliver Knussen, London Sinfonietta) |
1:47 |
| 199. |
Undine: 4 a. Adagio (Oliver Knussen, London Sinfonietta) |
1:17 |
| 200. |
Undine: 4 b. Adagio (Oliver Knussen, London Sinfonietta) |
0:56 |
| 201. |
Undine: 5. Andante con moto (Oliver Knussen, London Sinfonietta) |
3:32 |
| 202. |
Undine: 6 a. Adagio (Oliver Knussen, London Sinfonietta) |
0:45 |
| 203. |
Undine: 6 b. Vivace (Oliver Knussen, London Sinfonietta) |
1:18 |
| 204. |
Undine: 7. Vivace assai (Oliver Knussen, London Sinfonietta) |
0:51 |
| 205. |
Undine: 8. Andante (Oliver Knussen, London Sinfonietta) |
2:10 |
| 206. |
Undine: 9. Allegro assai (Oliver Knussen, London Sinfonietta) |
2:04 |
| 207. |
Undine: 10. Vivace (Oliver Knussen, London Sinfonietta) |
3:15 |
| 208. |
Undine: Largo (Oliver Knussen, London Sinfonietta) |
1:45 |
| 209. |
Undine: 11. Adagio (Oliver Knussen, London Sinfonietta) |
5:47 |
| 210. |
Undine: Tranquillo (Oliver Knussen, London Sinfonietta) |
1:55 |
| 211. |
Undine: Lento (Oliver Knussen, London Sinfonietta) |
2:12 |
| 212. |
Undine: Finale. Allegro (Oliver Knussen, London Sinfonietta) |
2:15 |
| 213. |
Undine: Finale. End (Oliver Knussen, London Sinfonietta) |
1:47 |
| 214. |
Undine: 1. Moderato (Oliver Knussen, London Sinfonietta) |
3:20 |
| 215. |
Undine: 2. Andantino con moto (Oliver Knussen, London Sinfonietta) |
1:11 |
| 216. |
Undine: 3. = 80 (Oliver Knussen, London Sinfonietta) |
1:26 |
| 217. |
Undine: 4. a. Andante molto (Oliver Knussen, London Sinfonietta) |
2:32 |
| 218. |
Undine: 4. b. = 44 (Oliver Knussen, London Sinfonietta) |
3:31 |
| 219. |
Undine: 5. Pas de trois (Oliver Knussen, London Sinfonietta) |
3:07 |
| 220. |
Undine: Variation (Oliver Knussen, London Sinfonietta) |
0:50 |
| 221. |
Undine: 6. Vivace (Oliver Knussen, London Sinfonietta) |
0:40 |
| 222. |
Undine: 7. Molto mosso (Oliver Knussen, London Sinfonietta) |
1:33 |
| 223. |
Undine: 8. Finale (Oliver Knussen, London Sinfonietta) |
3:13 |
| 224. |
Undine: 1. Recitativo (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
2:23 |
| 225. |
Undine: 2. Adagio (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
3:59 |
| 226. |
Undine: Allegro moderato, con eleganza (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:26 |
| 227. |
Undine: 3.a Pas de Seize - Entree (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:17 |
| 228. |
Undine: Adagio (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
2:28 |
| 229. |
Undine: 3.b Variation (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:12 |
| 230. |
Undine: 3.c Variation (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:51 |
| 231. |
Undine: 3.d Variation (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:07 |
| 232. |
Undine: 3.e Coda (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:36 |
| 233. |
Undine: 4. Scène (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
0:33 |
| 234. |
Undine: 5.a Divertissement - Entrée (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
0:36 |
| 235. |
Undine: 5.b Pas de six (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
0:51 |
| 236. |
Undine: 5.c Pas de trois I (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
0:56 |
| 237. |
Undine: 5.d Pas de trois II (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
0:56 |
| 238. |
Undine: 5.e Pas de dix-huit (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:10 |
| 239. |
Undine: 5.f Variation (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:00 |
| 240. |
Undine: 5.g Variation (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:00 |
| 241. |
Undine: 5.h Variation (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
0:48 |
| 242. |
Undine: 5.i Pas de six (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
0:58 |
| 243. |
Undine: 5.j Coda (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
2:00 |
| 244. |
Undine: 6. Pas d'action (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
0:51 |
| 245. |
Undine: Variation (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
3:10 |
| 246. |
Undine: 7. Finale (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:08 |
| 247. |
Undine: Dance of Sorrow (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
0:48 |
| 248. |
Undine: Variation II (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:29 |
| 249. |
Undine: Pas de deux (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
3:38 |
| 250. |
Undine: Eglogue (Peter Donohoe, Oliver Knussen, London Sinfonietta) |
1:29 |
| 251. |
Boulevard Solitude - Intermezzi: Nr. 7 = 48 (Claudio Abbado, Gustav Mahler Jugendorchester) |
4:19 |
| 252. |
Boulevard Solitude - Intermezzi: Nr. 11 = 40 (Claudio Abbado, Gustav Mahler Jugendorchester) |
2:42 |
| 253. |
Boulevard Solitude - Intermezzi: Nr. 17 - Andante con moto (Claudio Abbado, Gustav Mahler Jugendorchester) |
4:43 |
| 254. |
Boulevard Solitude - Intermezzi: Nr. 22 - Vivace (Claudio Abbado, Gustav Mahler Jugendorchester) |
2:16 |
| 255. |
Mänadenjagd (Claudio Abbado, Gustav Mahler Jugendorchester) |
3:30 |
| 256. |
Capriccio per violoncello solo (1981): (Introduktion) - Vivace (Matt Haimovitz) |
9:26 |
| 257. |
Sonata per otto ottoni: 1. Largo (Brass Ensemble Of The Berlin Philharmonic Orchestra) |
1:53 |
| 258. |
Sonata per otto ottoni: 2. Allegramente (Brass Ensemble Of The Berlin Philharmonic Orchestra) |
1:38 |
| 259. |
Sonata per otto ottoni: 3. Rondino I (Brass Ensemble Of The Berlin Philharmonic Orchestra) |
0:58 |
| 260. |
Sonata per otto ottoni: 4. Grave (Brass Ensemble Of The Berlin Philharmonic Orchestra) |
1:29 |
| 261. |
Sonata per otto ottoni: 5. Rondino II (Brass Ensemble Of The Berlin Philharmonic Orchestra) |
1:09 |
