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Ghost to a Ghost / Gutter Town

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Download links and information about Ghost to a Ghost / Gutter Town by Hank Williams III. This album was released in 2011 and it belongs to Country genres. It contains 30 tracks with total duration of 02:16:43 minutes.

Artist: Hank Williams III
Release date: 2011
Genre: Country
Tracks: 30
Duration: 02:16:43
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Gutter Town 4:39
2. Day By Day 5:12
3. Ridin the Wave 5:56
4. Dont Ya Wanna 4:15
5. Ray Lawrence Jr. 7:02
6. The Devils Movin In 5:06
7. Time to Die 4:50
8. Troopers Hollar 4:37
9. Outlaw Convention 5:15
10. C**t of a Bitch 5:34
11. Ghost to a Ghost 7:08
12. Goin to Gutter Town 4:23
13. Gutter Stomp 3:19
14. The Dirt Road 4:14
15. Musha's 3:03
16. The Dream Before 2:45
17. Dyin Day 5:36
18. I Promised 1:56
19. Chord of the Organ 1:07
20. Move Them Songs 2:06
21. The Low Line 5:21
22. I'll Be Gone 6:32
23. Troopers Chaos 5:24
24. Chaos Queen 5:36
25. Thunderpain 5:32
26. Fadin Moon 4:38
27. The Round 1:35
28. I'll Save My Tears 3:30
29. It's Goin Down 3:40
30. With the Ship 6:52

Details

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Finally departed from his old record label, Hank Williams III released three albums on September 6, 2011. The other two releases, Attention Deficit Domination and Cattle Callin, focus on his doom metal and cattle-core interests, while Ghost to A Ghost / Gutter Town tends to his country-music lineage. The son of Hank Williams, Jr. and grandson of Hank Williams, Sr., Hank 3 understands the music from the inside out. “The Devil’s Movin’ In” plays like a ghostly Appalachian blues that Will Oldham’s been seeking his entire career. “Ray Lawrence Jr.” is written and performed by his bandmate of the same name. “Time to Die” plays like a tribal ghost dance. “Ghost to a Ghost” itself, with Primus’ Les Claypool and Tom Waits, is some high weirdness that makes itself better known on the second half of the album with “Chord of the Organ,” “Chaos Queen” and  “Thunderplain.” “Outlaw Convention” and “C**t of a Bitch” make clear Williams’ decision to remain with “outlaw country.” “Gutter Stomp” is informed by a Cajun influence, while “Fadin’ Moon” throws country fiddle and Tom Waits into the mix.