|
No. |
Title |
Length |
| 1. |
Aquarius (Ronald Dyson) |
2:54 |
| 2. |
Donna (Gerome Ragni) |
2:15 |
| 3. |
Hashish (Unknown) |
0:58 |
| 4. |
S****y (Steve Curry) |
0:55 |
| 5. |
Colored Spade (Lamont Washington) |
1:12 |
| 6. |
Manchester England (James Rado) |
1:20 |
| 7. |
I'm Black (James Rado, Gerome Ragni, Steve Curry, Lamont Washington) |
0:27 |
| 8. |
Ain't Got No (Melba Moore, Steve Curry, Lamont Washington) |
0:45 |
| 9. |
I Believe In Love (Melba Moore) |
1:07 |
| 10. |
Ain't Got No (Reprise) (Unknown) |
1:16 |
| 11. |
Air (Melba Moore, Sally Eaton, Shelley Plimpton) |
1:30 |
| 12. |
Initials (Unknown) |
0:56 |
| 13. |
I Got Life (James Rado) |
3:08 |
| 14. |
Going Down (Gerome Ragni) |
2:21 |
| 15. |
Hair (Gerome Ragni) |
3:01 |
| 16. |
My Conviction (Jonathan Kramer) |
1:41 |
| 17. |
Easy to Be Hard (Lynn Kellogg) |
2:40 |
| 18. |
Don't Put It Down (Gerome Ragni, Steve Curry) |
2:03 |
| 19. |
Frank Mills (Shelley Plimpton) |
2:09 |
| 20. |
Be-In (Unknown) |
3:08 |
| 21. |
Where Do I Go? (James Rado) |
2:42 |
| 22. |
Electric Blues (Paul Jabara) |
2:35 |
| 23. |
Manchester England (Reprise) (James Rado) |
0:32 |
| 24. |
Black Boys (Diane Keaton) |
1:10 |
| 25. |
White Boys (Melba Moore, Lorrie Davis) |
2:29 |
| 26. |
Walking In Space (Unknown) |
4:50 |
| 27. |
Abie Baby (Ronald Dyson, Lamont Washington, Lorrie Davis) |
2:44 |
| 28. |
Three-Five-Zero-Zero (Unknown) |
3:10 |
| 29. |
What a Piece of Work Is Man/Walking In Space (Reprise) (Walter Harris, Company, Ronald Dyson) |
2:23 |
| 30. |
Good Morning Starshine (James Rado, Lynn Kellogg, Gerome Ragni) |
2:33 |
| 31. |
The Bed (Unknown) |
2:57 |
| 32. |
The Flesh Failures (Let the Sunshine In) (Melba Moore, James Rado, Lynn Kellogg) |
3:39 |
| 33. |
Ain't Got No (Gerome Ragni, Walker & Daniels) |
1:22 |
| 34. |
I Got Life (Daniel Y Su Juventud, Walker) |
2:49 |
| 35. |
Air (Jonelle Allen, Sally Eaton, Shelley Plimpton) |
1:31 |
| 36. |
Going Down (Gerome Ragni) |
2:39 |
| 37. |
Hair (Daniel Y Su Juventud, Walker, Gerome Ragni) |
3:08 |
| 38. |
Dead End (Jill O'Hara) |
2:38 |
| 39. |
Frank Mills (Shelley Plimpton) |
1:53 |
| 40. |
Hare Krishna (Unknown) |
3:21 |
| 41. |
Where Do I Go? (Walker & Daniels) |
3:00 |
| 42. |
Electric Blues (Paul Jabara) |
2:32 |
| 43. |
Easy to Be Hard (Paul Jabara) |
2:08 |
| 44. |
Manchester (Walker & Daniels) |
1:14 |
| 45. |
White Boys (Jonelle Allen) |
2:37 |
| 46. |
Black Boys (Shelley Plimpton) |
1:05 |
| 47. |
Walking In Space (Unknown) |
4:22 |
| 48. |
Aquarius (Unknown) |
2:17 |
| 49. |
Good Morning Starshine (Jill O'Hara) |
3:52 |
| 50. |
Exanaplanetooch (Walker & Daniels) |
2:37 |
| 51. |
The Climax (Jill O'Hara) |
1:51 |
| 52. |
Opening (Galt MacDermot) |
2:27 |
| 53. |
Red Blue and White (Arnold Soboloff) |
1:44 |
| 54. |
Sentimental Ending (Unknown) |
1:29 |
| 55. |
How Did You Become Involved With "Hair"? (Galt MacDermot) |
1:07 |
| 56. |
What Do You Remember About the Off-Broadway Cast Recording? (Galt MacDermot) |
0:32 |
| 57. |
And the Broadway Cast Recording? (Galt MacDermot) |
0:30 |
| 58. |
In the Recording Session Photos, You Were the Only Person Wearing a Jacket and Tie. (Galt MacDermot) |
0:13 |
| 59. |
How Did the Two Productions Differ? (Galt MacDermot) |
1:13 |
| 60. |
You Were Not a Traditional Theater Composer. Did You Have Any Models or Influences? (Galt MacDermot) |
0:51 |
| 61. |
Did "Hair" Influence Your Later Work, Like "Two Gentlemen of Verona? (Galt MacDermot) |
0:42 |
| 62. |
"Hair" Was Controversial With Critics and the Public. Did This Affect You At All? (Galt MacDermot) |
0:39 |
| 63. |
On Writing Music for the Theater, and What Makes a Popular Song (Galt MacDermot) |
0:56 |
| 64. |
Did You Ever Have to Rewrite Any of the "Hair" Songs? (Galt MacDermot) |
0:23 |
| 65. |
What Sort of Music Do You Write Now? (Galt MacDermot) |
0:23 |
| 66. |
Do You Use Synthesizers? (Galt MacDermot) |
0:20 |
| 67. |
Have You Got Any Advice for People Who Want to Compose for Musical Theater? (Galt MacDermot) |
0:30 |
| 68. |
Does Any One Song In "Hair" Express Your Philosophy? (Galt MacDermot) |
0:22 |
