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Love Is Here to Stay (feat. Harry Betts & His Orchestra)

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Download links and information about Love Is Here to Stay (feat. Harry Betts & His Orchestra) by Ginny Simms. This album was released in 1997 and it belongs to Jazz, Pop genres. It contains 10 tracks with total duration of 31:57 minutes.

Artist: Ginny Simms
Release date: 1997
Genre: Jazz, Pop
Tracks: 10
Duration: 31:57
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Tracks

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No. Title Length
1. Where or When (feat. Harry Betts & His Orchestra) (featuring Harry Betts) 2:38
2. Love Is Here to Stay (feat. Harry Betts & His Orchestra) (featuring Harry Betts) 2:54
3. I've Got You Under My Skin (feat. Harry Betts & His Orchestra) (featuring Harry Betts) 3:11
4. Stormy Weather (feat. Harry Betts & His Orchestra) (featuring Harry Betts) 4:25
5. Exactly Like You (feat. Harry Betts & His Orchestra) (featuring Harry Betts) 3:04
6. Salt Lake City Blues (feat. Harry Betts & His Orchestra) (featuring Harry Betts) 3:19
7. Can't Get out of This Mood (feat. Harry Betts & His Orchestra) (featuring Harry Betts) 3:29
8. Cuddle up a Little Closer (feat. Harry Betts & His Orchestra) (featuring Harry Betts) 2:33
9. Candle Song (feat. Harry Betts & His Orchestra) (featuring Harry Betts) 2:50
10. I'm Glad There Is You (feat. Harry Betts & His Orchestra) (featuring Harry Betts) 3:34

Details

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This collection of ten songs comes from very late in Simms' career, recorded in December of 1960, years after she'd stopped performing. As such, it's a surprisingly strong body of work, alternating between swing and ballads: "I've Got You Under My Skin" gets a Latin-tinged arrangement and "Where or When" is done in a '40s swing style. Simms' voice had darkened from the days when she was singing on radio, which lends these songs a moodiness that they might not have had if she'd cut them in her prime; "Stormy Weather" certainly works better than one would've expected it to, and she's downright powerful on "Salt Lake City Blues." The sound is excellent, the original stereo master (engineered by Bones Howe) having held up well, imparting an imposing presence to Simms and the backing band, conducted by trombone player Harry Betts. Guitarist Tommy Tedesco benefits especially from the clean, sharp sound on this record, originally done for the low-priced Tops label.