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Giya Kancheli: Themes from the Songbook

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Download links and information about Giya Kancheli: Themes from the Songbook by Dino Saluzzi, Gidon Kremer, Andrei Pushkarev. This album was released in 2010 and it belongs to Jazz, Theatre/Soundtrack, Classical genres. It contains 20 tracks with total duration of 58:59 minutes.

Artist: Dino Saluzzi, Gidon Kremer, Andrei Pushkarev
Release date: 2010
Genre: Jazz, Theatre/Soundtrack, Classical
Tracks: 20
Duration: 58:59
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Tracks

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No. Title Length
1. Herio Bichebo from Earth, This Is Your Son 3:41
2. Theme from Bear’s Kiss 3:24
3. Main Theme from the Crucibles 3:17
4. Theme from As You Like It 5:49
5. Theme from Don Quixote, Var. I 2:28
6. Theme from Hamlet, Var. I 1:20
7. Theme from King Lear 1:56
8. Theme from Don Quixote, Var. II 1:54
9. Main Theme from Kin-Dza-Dza 2:37
10. Main Theme from the Role for a Beginner 2:26
11. Theme from Twelfth Night 1:54
12. Main Theme from Cinema 1:34
13. Theme from Hamlet, Var. II 1:32
14. Waltz from Richard III 2:10
15. Theme from Mimino 2:49
16. Theme from Don Quixote, Var. III 1:42
17. Main Theme from When Almonds Blossomed 5:51
18. Waltz from the Eccentrics 3:07
19. Theme from Hamlet, Var. III 4:12
20. Herio Bichebo from Earth, This Is Your Son (featuring Tbilisi Symphony Orchestra, Jansug Kakhidze) 5:16

Details

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Over the course of his career Giya Kancheli has written scores for over 100 films and plays, and in 2009 he gathered some of the music into a songbook, Simple Music for Piano: 33 Miniatures from Music for Stage and Screen. As a surprise for the composer's 75th birthday, his son and producer Manfred Eicher initiated a project with violinist Gidon Kremer, bandoneon player Dino Saluzzi, and vibraphonist Andrei Pushkarev to arrange and record an album of selections from the songbook. The original music was written over a span of almost 40 years, between 1965 and 2002, but there is a remarkable consistency in style and tone. The vast majority of the pieces recorded here have a mellow, semi-improvisatory, Latinate mood that is frequently reminiscent of Piazzolla at his freest. The prevailing sentiment of gentle melancholy makes for an album with a consistent tone. (It works beautifully as an album listening experience, but it's a little odd that the music is so unvaried for plays and films as diverse as The Crucible, As You Like It, Hamlet, Twelfth Night, King Lear, and Don Quixote, but that may have to do with the fact that it is re-scored for this chamber ensemble.) Each of the soloists is a star, but they put their egos at the service of the music and play with admirable sensitivity to each other, and the result is an exceptionally well-integrated ensemble. ECM's sound is impeccable. The album should interest anyone who wants to hear the composer's work in a lighter, more pop-influenced vein, and also fans of music in the mood of a very mellow Piazzolla.