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Master of the Game

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Download links and information about Master of the Game by George Duke. This album was released in 1979 and it belongs to Jazz, Crossover Jazz genres. It contains 10 tracks with total duration of 42:13 minutes.

Artist: George Duke
Release date: 1979
Genre: Jazz, Crossover Jazz
Tracks: 10
Duration: 42:13
Buy on iTunes $8.99
Buy on Amazon $8.99
Buy on Songswave €1.39

Tracks

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No. Title Length
1. Look What You Find 4:44
2. Every Little Step I Take 3:49
3. Games 3:14
4. I Want You for Myself 6:38
5. In the Distance 2:23
6. I Love You More 3:06
7. Dog-Man 4:40
8. Everybody's Talkin' 4:18
9. The Alien Changes the Stick, Pt. 1 2:26
10. The Alien Succumbs to the Macho Intergalactic Funkativity of the Funkblasters, Pt. 2 6:55

Details

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Although George Duke first made his mark as a jazz instrumentalist, late-1970s classics like Reach for It, Don't Let Go, and Follow the Rainbow made it clear that he could also be an expressive R&B singer. But he didn't want to handle all of the lead vocals himself; so during that period, his role was that of a producer/keyboardist/songwriter who was more than happy to share the lead vocals with Lynn Davis, Josie James, and others. Davis enjoyed a lot of exposure on R&B stations when, in 1979, Duke featured her on "I Want You for Myself," the haunting single that made Master of the Game one of his best-selling albums. Her charismatic performance makes the listener wonder why she never had a solo career; the talent was certainly there. This album contains a few jazz fusion instrumentals (including the Latin-flavored "Dog-Man"), but it's an R&B release first and foremost — and those who like Duke as an R&B artist will find this album to be enjoyable, if less than essential. "I Want You for Myself" and the mellow, Stylistics-influenced "Every Little Step I Take" are gems, but most of the other selections are merely decent instead of excellent. On the whole, this album isn't in a class with Reach for It, Don't Let Go, or Follow the Rainbow, which are arguably his most essential R&B-oriented albums. But it has more pluses than minuses and is worth having in your collection if you're a serious fans of Duke's late 1970s/early 1980s output.