Keepers of the Castle: Their Best 1972-1978
Download links and information about Keepers of the Castle: Their Best 1972-1978 by Four Tops. This album was released in 1997 and it belongs to Hip Hop/R&B, Soul, Rock, Pop genres. It contains 14 tracks with total duration of 54:10 minutes.
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| Artist: | Four Tops |
| Release date: | 1997 |
| Genre: | Hip Hop/R&B, Soul, Rock, Pop |
| Tracks: | 14 |
| Duration: | 54:10 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
| Buy on Songswave €1.52 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Ain't No Woman (Like the One I've Got) | 3:09 |
| 2. | Are You Man Enough | 3:27 |
| 3. | One Chain (Don't Make No Prison) | 4:09 |
| 4. | Catfish (12214 Single) | 6:36 |
| 5. | Midnight Flower | 4:12 |
| 6. | I Just Can't Get You Out of My Mind (Single) | 4:01 |
| 7. | I Can't Hold Out Much Longer | 4:01 |
| 8. | Save It For a Rainy Day | 3:37 |
| 9. | Love Music | 3:38 |
| 10. | Sweet Understanding Love (Single) | 3:04 |
| 11. | Seven Lonely Nights (Single) | 2:59 |
| 12. | Inside a Brokenhearted Man | 3:29 |
| 13. | Keeper of the Castle | 2:59 |
| 14. | We All Gotta Stick Together (Single) | 4:49 |
Details
[Edit]When the Four Tops moved from Motown to Dunhill in the early '70s, they encountered the dilemma faced by most '60s soul giants, from Motown or elsewhere: how to update their sound while maintaining some degree of personality. Commercially at least, things got off to a smashing start with "Keeper of the Castle," "Ain't No Woman (Like the One I Got)," and "Are You Man Enough?" (all included here). Yet it was evident that the Four Tops, removed from the magic of '60s Motown, would be trend followers rather than pacesetters. Most of this 14-song compilation shows them as a competent but rather generic '70s soul vocal group, adding Philly soul and funk elements to their sound without asserting much of an identity. Even "Are You Man Enough?," as good as it is, is something of a son-of-"Back Stabbers"; "Ain't No Woman," similarly, could be easily mistaken for a Spinners cut by the unschooled. Save the occasional standout like "Love Music," not much else here measures up to the early Dunhill hits, though if you want one post-early-'70s Four Tops compilation, this is probably the best.