|
No. |
Title |
Length |
| 1. |
Requiem, Op. 48: I. Introit et Kyrie (Chorus) (Carlo Maria Giulini, Horst Neumann, Philharmonia Orchestra, Timothy Farrell) |
7:51 |
| 2. |
Requiem, Op. 48: II. Offertoire (Bariton, Chorus) (Carlo Maria Giulini, Andreas Schmidt, Horst Neumann, Philharmonia Orchestra, Timothy Farrell, Philharmonia Chorus London) |
9:46 |
| 3. |
Requiem, Op. 48: III. Sanctus (Chorus) (Carlo Maria Giulini, Horst Neumann, Philharmonia Orchestra, Timothy Farrell, Philharmonia Chorus London) |
3:38 |
| 4. |
Requiem, Op. 48: IV. Pie Jesu (Sopran) (Kathleen Battle, Carlo Maria Giulini, Philharmonia Orchestra, Timothy Farrell) |
4:05 |
| 5. |
Requiem, Op. 48: V. Agnus Dei (Chorus) (Carlo Maria Giulini, Horst Neumann, Philharmonia Orchestra, Timothy Farrell, Philharmonia Chorus London) |
7:08 |
| 6. |
Requiem, Op. 48: VI. Libera me (Bariton, Chorus) (Carlo Maria Giulini, Andreas Schmidt, Horst Neumann, Philharmonia Orchestra, Timothy Farrell, Philharmonia Chorus London) |
5:50 |
| 7. |
Requiem, Op. 48: VII. in Paradisum (Chorus) (Carlo Maria Giulini, Philharmonia Orchestra, Timothy Farrell, Philharmonia Chorus London) |
3:49 |
| 8. |
Pelleas et Melisande, Op. 80: I. Prélude. Quasi Adagio (Seiji Ozawa, Boston Symphony Orchestra) |
6:19 |
| 9. |
Pelleas et Melisande, Op. 80: II. Fileuse. Andantino quasi Allegretto (Seiji Ozawa, Boston Symphony Orchestra) |
2:33 |
| 10. |
Pelleas et Melisande, Op. 80: Chanson de Mélisande (Seiji Ozawa, Lorraine Hunt - Lieberson, Boston Symphony Orchestra) |
3:02 |
| 11. |
Pelleas et Melisande, Op. 80: IV. Sicilienne (Seiji Ozawa, Boston Symphony Orchestra) |
4:05 |
| 12. |
Pelleas et Melisande, Op. 80: VI. Molto adagio (Seiji Ozawa, Boston Symphony Orchestra) |
4:39 |
| 13. |
Pelleas et Melisande, Op. 80: Une châtelaine en sa Tour..., Op. 110 - Arrangement: Nicanor Zabaleta (Nicanor Zabaleta) |
5:05 |
| 14. |
Pelleas et Melisande, Op. 80: Pavane, Op. 50 (Tanglewood Festival Chorus, Seiji Ozawa, Boston Symphony Orchestra) |
6:47 |
| 15. |
Dolly, Op. 56: I. Berceuse (Aloys Kontarsky, Alfons Kontarsky) |
2:32 |
| 16. |
Dolly, Op. 56: II. Mi-A-Ou (Aloys Kontarsky, Alfons Kontarsky) |
1:45 |
| 17. |
Dolly, Op. 56: III. Le Jardin de Dolly (Aloys Kontarsky, Alfons Kontarsky) |
3:06 |
| 18. |
Dolly, Op. 56: IV. Kitty-Valse (Aloys Kontarsky, Alfons Kontarsky) |
2:21 |
| 19. |
Dolly, Op. 56: V. Tendresse (Aloys Kontarsky, Alfons Kontarsky) |
3:48 |
| 20. |
Dolly, Op. 56: VI. Le pas Espagnol (Aloys Kontarsky, Alfons Kontarsky) |
1:58 |
| 21. |
Dolly, Op. 56: Les berceaux, Op. 23, No. 1 (Dalton Baldwin, Gérard Souzay / Gerard Souzay) |
2:53 |
| 22. |
Dolly, Op. 56: Le secret, Op. 23, No. 3 (Dalton Baldwin, Gérard Souzay / Gerard Souzay) |
2:22 |
| 23. |
Dolly, Op. 56: Soir, Op. 83, No. 2 (Dalton Baldwin, Gérard Souzay / Gerard Souzay) |
2:31 |
| 24. |
L'horizon chimerique, Op. 118: I. La mer est infinie (Dalton Baldwin, Gérard Souzay / Gerard Souzay) |
1:37 |
| 25. |
L'horizon chimerique, Op. 118: II. Je me suis embarqué (Dalton Baldwin, Gérard Souzay / Gerard Souzay) |
2:32 |
| 26. |
L'horizon chimerique, Op. 118: III. Diane, Séléné (Dalton Baldwin, Gérard Souzay / Gerard Souzay) |
2:02 |
| 27. |
L'horizon chimerique, Op. 118: Après un Rêve op.7, no.1 (Seiji Ozawa, Boston Symphony Orchestra, Jules Eskin) |
3:16 |
| 28. |
Elegie, Op. 24: Molto adagio (Seiji Ozawa, Boston Symphony Orchestra, Jules Eskin) |
6:49 |
| 29. |
Elegie, Op. 24: Nocturne No. 4 in E-Flat, Op. 36 (Rogé Pascal / Roge Pascal) |
7:19 |
| 30. |
Elegie, Op. 24: Barcarolle No. 2 in G, Op. 41 (Rogé Pascal / Roge Pascal) |
6:49 |
| 31. |
Masques et Bergamasques, Stage work, 1919: Ouverture (Orpheus Chamber Orchestra) |
3:25 |
| 32. |
Masques et Bergamasques, Stage work, 1919: Menuet (Orpheus Chamber Orchestra) |
2:29 |
| 33. |
Masques et Bergamasques, Stage work, 1919: Gavotte (Orpheus Chamber Orchestra) |
3:09 |
| 34. |
Masques et Bergamasques, Stage work, 1919: Pastorale (Orpheus Chamber Orchestra) |
5:23 |
| 35. |
Masques et Bergamasques, Stage work, 1919: Cantique de Jean Racine - chorus and organ., Op. 11 (1865) (Cambridge, Choir Of King'S College, Stephen Cleobury, James Vivian) |
5:35 |
