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Greatest Hits: Walking to New Orleans

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Download links and information about Greatest Hits: Walking to New Orleans by Fats Domino. This album was released in 2007 and it belongs to Hip Hop/R&B, Soul, Blues, Rock, Rock & Roll genres. It contains 30 tracks with total duration of 01:06:50 minutes.

Artist: Fats Domino
Release date: 2007
Genre: Hip Hop/R&B, Soul, Blues, Rock, Rock & Roll
Tracks: 30
Duration: 01:06:50
Buy on iTunes $14.99
Buy on Amazon $14.49
Buy on Songswave €1.88

Tracks

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No. Title Length
1. The Fat Man 2:36
2. Goin' Home 2:11
3. Going to the River 2:34
4. Please Don't Leave Me 2:38
5. Something's Wrong 2:42
6. Ain't That a Shame 2:29
7. All By Myself 2:24
8. Poor Me 2:20
9. I Can't Go On (Rosalie) 2:11
10. Bo Weevil 2:05
11. Don't Blame It On Me 2:43
12. I'm In Love Again 1:57
13. My Blue Heaven 2:08
14. When My Dreamboat Comes Home 2:18
15. So Long 2:12
16. Blueberry Hill 2:23
17. Honey Chile 1:49
18. Blue Monday 2:19
19. I'm Walkin' 2:08
20. It's You I Love 2:03
21. Valley of Tears 1:52
22. Wait and See 1:58
23. Whole Lotta Loving 1:39
24. I'm Ready 2:04
25. I Want to Walk You Home 2:21
26. I'm Gonna Be a Wheel Someday 2:03
27. Be My Guest 2:16
28. Walking to New Orleans 2:01
29. My Girl Josephine (A.K.A. Hello Josephine) 2:06
30. Let the Four Winds Blow 2:20

Details

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Following Capitol/EMI's last Fats Domino CD compilation (Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them) by five years, 2007's Greatest Hits: Walking to New Orleans betters that comp in terms of sheer numbers (as it does 1990s My Blue Heaven) by ten tracks and this is a case when more is indeed more. Ten tracks is enough to offer depth, particularly in his earliest sides but also with a couple lesser-known hits from his rock & roll prime, turning this into a joyous overview of one of the greatest musicians of the '50s. It's nice to have this hit the pre-rock & roll and R&B a bit harder — "Ain't That a Shame" doesn't roll around 'til track six, then it's another ten before "Blueberry Hill" kicks off the string of crossovers — because it illustrates how hard this rocker, who often gets pigeonholed as merely a genial piano player, really rocked. And though he cut other great material during his Imperial Records stint, it is surely one of the most consistent bodies of work in rock & roll/R&B, heard to full effect either in the four-disc Walking to New Orleans or the complete Bear Family box: for those who don't want or need to delve that deeply, or are just beginning to explore, this is nothing less than essential.