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From Under The Cork Tree

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Download links and information about From Under The Cork Tree by Fall Out Boy. This album was released in 2005 and it belongs to Rock, Punk, Punk Rock, Alternative genres. It contains 26 tracks with total duration of 01:25:46 minutes.

Artist: Fall Out Boy
Release date: 2005
Genre: Rock, Punk, Punk Rock, Alternative
Tracks: 26
Duration: 01:25:46
Buy on Amazon $5.00
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Buy on iTunes
Buy on iTunes $8.99
Buy on iTunes $8.99

Tracks

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No. Title Length
1. Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued 3:08
2. Of All The Gin Joints In All The World 3:11
3. Dance, Dance 3:00
4. Sugar, We're Goin Down 3:49
5. Nobody Puts Baby In The Corner 3:20
6. I've Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song) 3:10
7. 7 Minutes In Heaven (Atavan Halen) 3:02
8. Sophmore Slump Or Comeback Of The Year 3:23
9. Champagne For My Real Friends, Real Pain For My Sham Friends 3:23
10. I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me 3:31
11. A Little Less Sixteen Candles, A Little More "Touch Me" 2:49
12. Get Busy Living Or Get Busy Dying (Do Your Part To Save The Scene And Stop Going To Shows) 3:27
13. XO 3:40
14. Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued 3:08
15. Of All The Gin Joints In All The World 3:11
16. Dance, Dance 3:00
17. Sugar, We're Goin Down 3:49
18. Nobody Puts Baby In The Corner 3:20
19. I've Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song) 3:10
20. 7 Minutes In Heaven (Atavan Halen) 3:02
21. Sophmore Slump Or Comeback Of The Year 3:23
22. Champagne For My Real Friends, Real Pain For My Sham Friends 3:23
23. I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me 3:31
24. A Little Less Sixteen Candles, A Little More "Touch Me" 2:49
25. Get Busy Living Or Get Busy Dying (Do Your Part To Save The Scene And Stop Going To Shows) 3:27
26. XO 3:40

Details

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Songwriter and bassist Pete Wentz takes more liberties with language and dark humor here, riffing both for fun and effect, and Patrick Stump’s razor sharp guitars and fervent vocals are stronger and more efficient. Stump instinctively wraps both his voice and his guitar around the hooks, weaving them into an inseparable whole, and he knows when let things flow or breathe in a more organic and natural fit.