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Ernest Tubb: The Definitive Collection

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Download links and information about Ernest Tubb: The Definitive Collection by Ernest Tubb. This album was released in 2006 and it belongs to Country genres. It contains 25 tracks with total duration of 01:09:46 minutes.

Artist: Ernest Tubb
Release date: 2006
Genre: Country
Tracks: 25
Duration: 01:09:46
Buy on iTunes $11.99

Tracks

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No. Title Length
1. Walking the Floor Over You (1941 Single Version) 2:35
2. Mean Mama Blues 2:56
3. Our Baby's Book 3:05
4. You Nearly Lose Your Mind 2:46
5. Soldier's Last Letter (Single Version) 3:11
6. Tomorrow Never Comes 3:04
7. It's Been So Long Darling 3:11
8. Rainbow At Midnight 3:06
9. Filipino Baby 2:58
10. Drivin' Nails In My Coffin (Single Version) 2:53
11. Have You Ever Been Lonely (Have You Ever Been Blue)? 2:48
12. Let's Say Goodbye Like We Said Hello (Single Version) 2:58
13. Slipping Around 2:52
14. Blue Christmas 2:44
15. Letters Have No Arms 3:04
16. I Love You Because 2:39
17. Goodnight, Irene 3:01
18. You Don't Have to Be a Baby to Cry 2:22
19. Two Glasses Joe 2:15
20. The Yellow Rose of Texas (Single Version) 2:24
21. Half a Mind 2:26
22. Thanks a Lot 2:31
23. Mr. and Mrs. Used to Be (Single Version) (featuring Loretta Lynn) 2:41
24. Waltz Across Texas 2:37
25. Sweet Thang (featuring Loretta Lynn) 2:39

Details

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A catalyzing figure in early country music, Ernest Tubb is the missing link between the country yodels of Jimmie Rodgers and the hard honky-tonk of Hank Williams. Tubb’s recording career spanned more than forty years, and dozens of albums, and it is impossible for a single disc to encapsulate him, but The Definitive Collection covers all the high points, from his signature 1941 hit “Walking the Floor Over You” to “Sweet Thang,” a sassy 1967 duet with Loretta Lynn. Between those two songs country music changed immensely, but Tubb stayed the same. He had a Texan’s groundedness when it came to adapting to trends. The Tubb philosophy was simple: keep the songwriting solid and the band outstanding and everything will work out just fine. Listeners raised on the histrionic singing of modern country superstars might have a hard time adjusting to Tubb’s laconic Texas drawl, which can sometimes seem timid and off-key. Yet it was precisely Tubb’s unassuming vocals and gentle sense of swing that made him country’s humblest and most enduring everyman.