Ernest Tubb: The Definitive Collection
Download links and information about Ernest Tubb: The Definitive Collection by Ernest Tubb. This album was released in 2006 and it belongs to Country genres. It contains 25 tracks with total duration of 01:09:46 minutes.
Artist: | Ernest Tubb |
---|---|
Release date: | 2006 |
Genre: | Country |
Tracks: | 25 |
Duration: | 01:09:46 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Walking the Floor Over You (1941 Single Version) | 2:35 |
2. | Mean Mama Blues | 2:56 |
3. | Our Baby's Book | 3:05 |
4. | You Nearly Lose Your Mind | 2:46 |
5. | Soldier's Last Letter (Single Version) | 3:11 |
6. | Tomorrow Never Comes | 3:04 |
7. | It's Been So Long Darling | 3:11 |
8. | Rainbow At Midnight | 3:06 |
9. | Filipino Baby | 2:58 |
10. | Drivin' Nails In My Coffin (Single Version) | 2:53 |
11. | Have You Ever Been Lonely (Have You Ever Been Blue)? | 2:48 |
12. | Let's Say Goodbye Like We Said Hello (Single Version) | 2:58 |
13. | Slipping Around | 2:52 |
14. | Blue Christmas | 2:44 |
15. | Letters Have No Arms | 3:04 |
16. | I Love You Because | 2:39 |
17. | Goodnight, Irene | 3:01 |
18. | You Don't Have to Be a Baby to Cry | 2:22 |
19. | Two Glasses Joe | 2:15 |
20. | The Yellow Rose of Texas (Single Version) | 2:24 |
21. | Half a Mind | 2:26 |
22. | Thanks a Lot | 2:31 |
23. | Mr. and Mrs. Used to Be (Single Version) (featuring Loretta Lynn) | 2:41 |
24. | Waltz Across Texas | 2:37 |
25. | Sweet Thang (featuring Loretta Lynn) | 2:39 |
Details
[Edit]A catalyzing figure in early country music, Ernest Tubb is the missing link between the country yodels of Jimmie Rodgers and the hard honky-tonk of Hank Williams. Tubb’s recording career spanned more than forty years, and dozens of albums, and it is impossible for a single disc to encapsulate him, but The Definitive Collection covers all the high points, from his signature 1941 hit “Walking the Floor Over You” to “Sweet Thang,” a sassy 1967 duet with Loretta Lynn. Between those two songs country music changed immensely, but Tubb stayed the same. He had a Texan’s groundedness when it came to adapting to trends. The Tubb philosophy was simple: keep the songwriting solid and the band outstanding and everything will work out just fine. Listeners raised on the histrionic singing of modern country superstars might have a hard time adjusting to Tubb’s laconic Texas drawl, which can sometimes seem timid and off-key. Yet it was precisely Tubb’s unassuming vocals and gentle sense of swing that made him country’s humblest and most enduring everyman.