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Crossroads 2: Live In the Seventies

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Download links and information about Crossroads 2: Live In the Seventies by Eric Clapton. This album was released in 1996 and it belongs to Blues, Rock, Blues Rock, Hard Rock, Punk Rock, Heavy Metal, Country, Pop genres. It contains 35 tracks with total duration of 04:27:06 minutes.

Artist: Eric Clapton
Release date: 1996
Genre: Blues, Rock, Blues Rock, Hard Rock, Punk Rock, Heavy Metal, Country, Pop
Tracks: 35
Duration: 04:27:06
Buy on iTunes $39.99

Tracks

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No. Title Length
1. Walkin' Down the Road 0:00
2. Have You Ever Loved a Woman 5:15
3. Willie and the Hand Jive / Get Ready 12:57
4. Can't Find My Way Home 24:39
5. Driftin' Blues / Rambling On My Mind 29:58
6. Presence of the Lord 41:34
7. Rambling On My Mind / Have You Ever Loved a Woman 50:22
8. Little Wing 58:38
9. The Sky Is Crying / Have You Ever Loved a Woman / Rambling On My Mind 01:05:21
10. Layla 01:13:00
11. Further On Up the Road 01:18:38
12. I Shot the Sheriff 01:23:09
13. Badge 01:33:30
14. Driftin' Blues 01:44:12
15. Eyesight to the Blind / Why Does Love Got to Be So Sad ? 01:51:10
16. Tell The Truth 02:15:29
17. Knockin On Heaven's Door 02:24:26
18. Stormy Monday (Live Version) 02:29:46
19. Lay Down Sally 02:42:48
20. The Core 02:48:11
21. We're All the Way 02:57:24
22. Cocaine 03:00:19
23. Goin' Down Slow / Rambling On My Mind 03:06:56
24. Mean Old Frisco 03:20:41
25. Loving You (Is Sweeter Than Ever) 03:26:34
26. Worried Life Blues 03:30:57
27. Tulsa Time 03:36:55
28. Early In the Morning 03:41:26
29. Wonderful Tonight 03:47:45
30. Kind Hearted Woman 03:54:09
31. Double Trouble 03:59:27
32. Crossroads (Live Version) 04:10:33
33. To Make Somebody Happy 04:15:54
34. Cryin' 04:21:07
35. Water On the Ground 04:24:07

Details

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A companion piece to the 1988 retrospective box set Crossroads, Crossroads 2 focuses exclusively on live recordings Eric Clapton made with his band between 1974 and 1978. In a career full of golden stages, this might have been the most golden. Clapton traveled the world with the band with which he made 461 Ocean Boulevard and Slowhand, a group composed of Oklahomans and Floridians who were able to reinvigorate Clapton’s oldest hits, generate a sequence of new classics, and even cross-pollinate different styles (as in the case of their reinvention of Bob Dylan’s “Knockin’ on Heaven’s Door”). This four-part set contains pieces of concerts in California, London, New York, Georgia, and Scotland. It makes the case that this was the rare studio band that was as good onstage as it was in session. The versions of “Badge,” “Cocaine," and “I Shot the Sheriff” rival the studio counterparts, but the quality of the overlooked gems is extraordinary. While this version of “We’re All the Way” is delivered with unmatched poignancy, the performances of “Presence of the Lord” and “Little Wing” hurl waves of narcotic sorcery over a sea of rapt audience members.