|
No. |
Title |
Length |
| 1. |
Daphnis et Chloe, M. 57, Tableau I: Invocation to the Nymphms |
7:39 |
| 2. |
Daphnis et Chloe, M. 57, Tableau I: Entrance of Daphnis et Chloe |
0:53 |
| 3. |
Daphnis et Chloe, M. 57, Tableau I: Dance of the Young Girls Around Daphnis |
0:54 |
| 4. |
Daphnis et Chloe, M. 57, Tableau I: Dorcon's Advance to Chloe |
1:51 |
| 5. |
Daphnis et Chloe, M. 57, Tableau I: Daphnis Reasserts His Love for Chloe - The Dorcon-Daphnis Dance |
0:45 |
| 6. |
Daphnis et Chloe, M. 57, Tableau I: Dorcon's Grotesque Dance |
1:53 |
| 7. |
Daphnis et Chloe, M. 57, Tableau I: The Gracious Dance of Chloe |
2:54 |
| 8. |
Daphnis et Chloe, M. 57, Tableau I: The Triumph of Daphnis and the Ecstatic Uninon with Chloe |
0:58 |
| 9. |
Daphnis et Chloe, M. 57, Tableau I: Entrance of the Temptress Lyceion and the Dance of Veils |
2:35 |
| 10. |
Daphnis et Chloe, M. 57, Tableau I: The Invasion of the Pirates and Dophnis' Unsuccessful Efforts to Save Chloe |
1:33 |
| 11. |
Daphnis et Chloe, M. 57, Tableau I: Invocation to Pan by the Nymphs and the Prayer of Daphnis |
5:05 |
| 12. |
Daphnis et Chloe, M. 57, Tableau II: Interlude |
2:22 |
| 13. |
Daphnis et Chloe, M. 57, Tableau II: The Orgiastic Dance of the Pirates |
3:54 |
| 14. |
Daphnis et Chloe, M. 57, Tableau II: Bryaxis orders Chloe to Be Brought Forward to Dance |
0:42 |
| 15. |
Daphnis et Chloe, M. 57, Tableau II: Chloe's Dance of Supplication |
4:31 |
| 16. |
Daphnis et Chloe, M. 57, Tableau II: Creatures of Pan Appear and Frighten the Pirates Who Fell in Terror, Leaving Chloe Alone with a Shining Crown |
1:11 |
| 17. |
Daphnis et Chloe, M. 57, Tableau III: Sunrise |
3:48 |
| 18. |
Daphnis et Chloe, M. 57, Tableau III: Daphnis and Chloe Are Reunited |
1:50 |
| 19. |
Daphnis et Chloe, M. 57, Tableau III: Lammon Tells How Pan Saved Chloe in Memory of His Love for the Nymph, Syrinx |
2:05 |
| 20. |
Daphnis et Chloe, M. 57, Tableau III: Pan Fashions a Flute Some Reeds, on Which He Declares His Love for Syrinx |
2:36 |
| 21. |
Daphnis et Chloe, M. 57, Tableau III: Abandoning Their Roles, the Lovers Embrace and Kneel at the Alter of the Nymphs |
2:13 |
| 22. |
Daphnis et Chloe, M. 57, Tableau III: Girls Dressed as Bacchantes Enter with Tomborines |
0:13 |
| 23. |
Daphnis et Chloe, M. 57, Tableau III: Young Men Invade the Scende, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers |
4:53 |
| 24. |
Mother Goose Suite, M. 60: No. 1, Pavan of the Sleeping Beauty (featuring Boston Symphony Orchestra Charles Munch) |
1:50 |
| 25. |
Mother Goose Suite, M. 60: No. 2, Hop-o'- My Thumb (featuring Boston Symphony Orchestra Charles Munch) |
3:58 |
| 26. |
Mother Goose Suite, M. 60: No. 3, Laideronette, Empress of the Pagodas (featuring Boston Symphony Orchestra Charles Munch) |
3:27 |
| 27. |
Mother Goose Suite, M. 60: No. 5, Beauty and the Beast Converse (featuring Boston Symphony Orchestra Charles Munch) |
4:53 |
| 28. |
Mother Goose Suite, M. 60: No. 6, Fairy Garden (featuring Boston Symphony Orchestra Charles Munch) |
4:05 |
