Off the Radar
Download links and information about Off the Radar by Earthling. This album was released in 1995 and it belongs to Electronica, Dancefloor, Dance Pop genres. It contains 16 tracks with total duration of 01:30:23 minutes.
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| Artist: | Earthling |
| Release date: | 1995 |
| Genre: | Electronica, Dancefloor, Dance Pop |
| Tracks: | 16 |
| Duration: | 01:30:23 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Echo on My Mind (Starmix) | 5:29 |
| 2. | Echo on My Mind, Pt. 2 (Bonus Beats) | 3:35 |
| 3. | Echo on My Mind, Pt. 2 | 6:18 |
| 4. | Echo on My Mind, Pt. 2 (Cuts Mix) | 3:37 |
| 5. | Nothingness | 10:01 |
| 6. | Nothing | 8:56 |
| 7. | 1st Transmission (Acoustlick) | 5:05 |
| 8. | 1st Transmission (Earthead) | 4:29 |
| 9. | 1st Transmission (Bombay Mix) | 5:22 |
| 10. | 1st Transmission | 6:03 |
| 11. | Because the Night | 5:05 |
| 12. | Soup or No Soup (Alternative Version) | 4:41 |
| 13. | Infinite M (Alternative Version) | 5:46 |
| 14. | Nefisa (Portishead Mix) | 5:43 |
| 15. | Nefisa (Electronique Mix) | 5:30 |
| 16. | Nefisa (Faraway Moses Mix) | 4:43 |
Details
[Edit]You wouldn't readily identify such boundary-skipping madness with Ilford, Essex. Radar kicks off with the six-minute epic "1st Transmission," a single first previewed on U.K. TV's Later with Jools Holland. Rapper Mau's free-association lyrics — "I'm rock, I'm roll, I'm Nat King Cole" — adopt a quickfire estuary-English patois that harks back to the scat-jazz era. The whole album is saturated with unlikely reference points, Mau namechecking celebrities from Harvey Keitel to Juliette Binoche. The musical platform is ably assembled by co-writer Tim Saul (who was involved in Portishead's Dummy) and could be likened to a jazz enthusiast's take on trip-hop, though the sound is more eclectic than that description suggests. "I Love Albert Einstein," for example, contains a sample drawn from Athletico Spizz 80's "No Room." But it is Mau's old-skool, free-flowing hip-hop style that carries the day. One of those hugely rewarding albums that emphatically fails to sell beyond the confines of a vociferous but marginal audience.