|
No. |
Title |
Length |
| 1. |
Ekleipsis (Music of Ancient Greece) (Arianna Savall, Conrad Steinmann) |
4:54 |
| 2. |
Alleluia, Ha-Houwadha-lAruç… (Byzatine Chant) [Arabic Language] (Sœur Marie Keyrouz / Soeur Marie Keyrouz) |
2:45 |
| 3. |
Ya walidata-l-ilah (Melchite Sacred Chant) (Sœur Marie Keyrouz / Soeur Marie Keyrouz, Ensemble De La Paix) |
2:57 |
| 4. |
Dies irae (Gregorian Chant) (Alfred Deller, The Deller Consort) |
6:30 |
| 5. |
Agnus Dei, Omnipotens eterne (Mass from the Year 1000) (Anonymous 4) |
3:03 |
| 6. |
Offertory, Ascendens Ihesus in montem (Plainchant for Santiago da Compostela, Codex Calixtinus, ca. 1150) (Anonymous 4) |
3:48 |
| 7. |
Sitot me soi (The Art of the Troubadours, Southern France, 11th & 12th c.) (René Clemensic & Clemensic Consort / Rene Clemensic & Clemensic Consort) |
11:13 |
| 8. |
Hyer matin a l’enjornee (The Art of the Trouvères, Northern France, 12th & 13th c.) (The Harp Consort) |
0:54 |
| 9. |
Owê dirre nôt (Minnesänger, Holy Roman Empire, 13th c.) (The Newberry Consort, Mary Springfels) |
4:00 |
| 10. |
Viderunt omnes, Notum fecit Dominus (The Notre-Dame School, 12th c.) (Paul Hillier, Theatre Of Voices) |
11:03 |
| 11. |
Longum (Hocket from the Bamberg Manuscript, 13th c.) (Paul Hillier, Theatre Of Voices) |
1:00 |
| 12. |
Dame que je n’os noumer (Motet from the Montpellier Codex, 13th c.) (Anonymous 4) |
4:32 |
| 13. |
Kyrie, Kyria christifera (English Ladymass, Salisbury, 13th & 14th c.) (Anonymous 4) |
3:58 |
| 14. |
Mater ora filium (Sacred Music in 14th-c. England) (Paul Hillier, The Hilliard Ensemble) |
1:17 |
| 15. |
Echo la primavera (Italian Ars Nova) (Anonymous 4) |
1:15 |
| 16. |
De ma doulour (Ars Subtilor) (Crawford Young, Ferrara Ensemble) |
8:39 |
| 17. |
Salve scema sanctitatis, Salve salus servulorum, Cantant celi agmina (15th c. England) (Orlando Consort) |
6:49 |
| 18. |
O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony) (Paul Van Nevel) |
5:06 |
| 19. |
Missa Viri Galilaei: Agnus Dei (Philippe Herreweghe) |
1:59 |
| 20. |
Mass for 4 Voices: Kyrie (Paul Hillier) |
2:24 |
| 21. |
Messa a quatro voci da capella: Benedictus (Philippe Herreweghe) |
1:40 |
| 22. |
Ave dulcissima Maria (Renaissance Motet) (Philippe Herreweghe) |
4:29 |
| 23. |
Tallis’ Canon, Eighth Tune for Archbishop Parker’s Psalter (Age of the Reformation) (Paul Hillier, Theatre Of Voices) |
1:04 |
| 24. |
Anchor che col partire (Italian Madrigal) (Paul Hillier, The Hilliard Ensemble) |
2:16 |
| 25. |
Allala, pia Calia (Italian Madrigal) (Dominique Visse, Ensemble Clement Janequin) |
2:08 |
| 26. |
Crudele acerba (Italian Madrigal) (Rene Jacobs, Concerto Vocale) |
3:20 |
| 27. |
Constant Penelope (Song from the Elizabethan England) (Emma Kirkby, Fretwork) |
2:08 |
| 28. |
Flow, my tears (Song from the Elizabethan England) (Alfred Deller, Robert Spencer) |
5:17 |
