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An Evening With Dorothy Fields

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Download links and information about An Evening With Dorothy Fields by Dorothy Fields. This album was released in 1998 and it belongs to Pop, Theatre/Soundtrack genres. It contains 38 tracks with total duration of 01:18:36 minutes.

Artist: Dorothy Fields
Release date: 1998
Genre: Pop, Theatre/Soundtrack
Tracks: 38
Duration: 01:18:36
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Tracks

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No. Title Length
1. I Feel a Song Coming On 4:55
2. Camp Paradox Song 6:05
3. I Can't Give You Anything But Love 3:15
4. On the Sunny Side of the Street 1:11
5. Blue Again 2:03
6. Cuban Love Song 1:54
7. Lovely to Look At 3:03
8. Remind Me 3:51
9. (This Is) A Fine Romance 1:18
10. Bojangles of Harlem 1:27
11. Pick Yourself Up 1:09
12. The Way You Look Tonight 3:07
13. April Fooled Me 2:16
14. Stars In My Eyes 3:13
15. Close As Pages In a Book 4:26
16. He Had Refinement 3:07
17. Look's Who's Dancing 0:41
18. Love Is the Reason 0:51
19. Make the Man Love Me 1:52
20. I'll Buy You a Star 3:02
21. The Uncle Sam Rag 5:11
22. I Love to Cry At Weddings 1:53
23. (Hey) Big Spender 1:55
24. Where Am I Going 2:03
25. If They Could See Me Now 1:30
26. If There Were More People Like You 2:33
27. I Won't Dance 0:40
28. Diga Diga Doo 0:21
29. Look Who's In Love 0:31
30. This Is It 0:24
31. I'm In the Mood for Love 0:50
32. Don't Blame Me 0:51
33. I Dream Too Much 1:04
34. You Couldn't Be Cuter 0:24
35. Exactly Like You 1:08
36. Up In Central Park 0:33
37. The Big Back Yard 2:23
38. I Can't Give You Anything But Love 1:36

Details

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The lag of 26 years between this performance by lyricist Dorothy Fields at the Lyrics & Lyricists series at the 92 Street YMHA in New York and its release on record is practically criminal. Fields had a remarkable career, from her early hits like "I Can't Give You Anything but Love" in the late 1920s to the Broadway musical Seesaw in 1973 (a year after this performance was given), and she was a little less than two years from her death when she took the stage at the YMHA, accompanied by pianist Richard Leonard, and augmented by singers Bobbi Baird, Adrienne Angel, John Peck, and Bob Gorman. Though far from a professional singer herself, she held her own on songs for which her range was suited. As she warned early on, the 79-minute set was long on songs (35 of them, some treated only briefly) and short on analysis. She told the story of her career in affectionate anecdotes, favorably mentioning all 12 of her composer-collaborators without, for example, ever explaining why she switched from Jimmy McHugh to Jerome Kern in the '30s. The Broadway and Hollywood lore was punctuated with her remarkable body of work — "On the Sunny Side of the Street," "(This Is) A Fine Romance," and "The Way You Look Tonight," among many others. Her final collaborator, Cy Coleman, came up for a series of songs from Sweet Charity, including "(Hey) Big Spender" and "If They Could See Me Now," as well as what would turn out to be a cut song from Seesaw, "If There Were More People Like You." Fields' catalog is so rich that she was forced to shoehorn favorites like "I Won't Dance" and "I'm in the Mood for Love" into a set-closing medley; too bad the performance wasn't twice as long.