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Bug Music

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Download links and information about Bug Music by Don Byron. This album was released in 1996 and it belongs to Jazz, Theatre/Soundtrack genres. It contains 16 tracks with total duration of 50:58 minutes.

Artist: Don Byron
Release date: 1996
Genre: Jazz, Theatre/Soundtrack
Tracks: 16
Duration: 50:58
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Tracks

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No. Title Length
1. The Dicty Glide 3:18
2. Frasquita Serenade 2:52
3. St. Louis Blues 2:53
4. Wondering Where 2:52
5. Bounce of the Sugar Plum Fairies 1:41
6. Charles Prelude 2:48
7. Royal Garden Blues 1:54
8. Siberian Sleighride 2:52
9. The Penguin 2:49
10. The Quintet Plays Carmen 2:51
11. Powerhouse 2:55
12. Tobacco Auctioneer 2:36
13. War Dance for Wooden Indians 2:36
14. Cotton Club Stomp 2:49
15. Blue Bubbles 3:25
16. Snibor 9:47

Details

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Bug Music is a tribute to the music of the Raymond Scott Quintette, the John Kirby Sextet and Duke Ellington, headed by the remarkably versatile clarinetist Don Byron. Raymond Scott's legendary compositions feature eccentric song titles (including, on this set, "Siberian Sleighride," "Tobacco Auctioneer" and "War Dance for Wooden Indians"), complex and thoroughly composed arrangements (all of which were originally memorized rather than being written out) and unique melodies. Kirby's brand of swing, which is quite complementary to Scott's novelties, often utilized themes from classical music and had solos, but were also tightly arranged (even "St. Louis Blues" and "Royal Garden Blues"). The CD begins and ends with four Ellington/Strayhorn pieces that fit well into the idiom (particularly "The Dicty Glide" and "Cotton Club Stomp"). In addition to Byron, the key players on the project include altoist Steve Wilson (one of the best of the younger swing stylists), trombonist Craig Harris and pianist Uri Caine, in addition to four other horns and several rhythm sections. Other than a silly rendition of Ellington's "Blue Bubbles" and an adventurous interpretation of "Snibor," the selections are played with respect and great understanding of the somewhat forgotten style. None of the modern musicians sound as if swing were only their second language, making the continually surprising set a major success.