Love Eyes: The Moods of Romance
Download links and information about Love Eyes: The Moods of Romance by Dominic Frontiere. This album was released in 1960 and it belongs to Jazz, Pop, Theatre/Soundtrack, Smooth Jazz genres. It contains 12 tracks with total duration of 37:35 minutes.
Artist: | Dominic Frontiere |
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Release date: | 1960 |
Genre: | Jazz, Pop, Theatre/Soundtrack, Smooth Jazz |
Tracks: | 12 |
Duration: | 37:35 |
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Tracks
[Edit]No. | Title | Length |
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1. | Jealous | 3:51 |
2. | Sultry | 4:10 |
3. | Innocent | 3:01 |
4. | Fickle | 2:25 |
5. | Wistful | 3:22 |
6. | Joyous | 2:37 |
7. | Teen-Age | 2:49 |
8. | Sensuous | 3:04 |
9. | Beatnick | 2:40 |
10. | Lonely | 2:59 |
11. | Childish | 3:37 |
12. | Sophisticated | 3:00 |
Details
[Edit]Dominic Frontiere followed the exotic and eclectic Pagan Festival with this album of program music in which each two- to four-minute piece musically expressed its one-word title. The album title promised love and romance, but the song titles went somewhat beyond that charter, including words like "Teen-Age" and "Beatnick." Frontiere approached his subjects with a Hollywood film composer's sense of using musical signifiers in obvious ways. A prominent influence was Henry Mancini, whose jazzy sensibility informed "Sultry" and "Beatnick." "Teen-Age" employed a pre-rock & roller's sense of what rock & roll was all about, strapping a hard rhythm under lurching strings. "Childish" made extensive use of nursery-rhyme tunes. All of this was the kind of musical shorthand understood by the music departments of the movie studios, and Love Eyes was, in effect, a demonstration record displaying its composer's understanding of what constituted appropriate musical accompaniment to film in the early '60s. No wonder, then, that it was Frontiere's last album as a leader, after which he occupied himself primarily scoring movies and television shows.