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1953-1954 the Very Best Of

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Download links and information about 1953-1954 the Very Best Of by Dizzy Gillespie. This album was released in 2006 and it belongs to Jazz, Latin, Bop genres. It contains 19 tracks with total duration of 01:07:13 minutes.

Artist: Dizzy Gillespie
Release date: 2006
Genre: Jazz, Latin, Bop
Tracks: 19
Duration: 01:07:13
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Tracks

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No. Title Length
1. A Night In Tunisia (1946) 3:09
2. Swing Low, Sweet Cadillac 2:50
3. Manteca 3:07
4. Rumbola 3:24
5. Caravan 7:15
6. Jump Did-Le Ba 2:30
7. Hey Pete 5:09
8. 52nd Street Theme 3:15
9. Bloomdido 3:27
10. Blue Mood 3:30
11. Anthropology 2:39
12. St. Louis Blues 3:09
13. A Night In Tunisia 4:18
14. Groovin' High 2:43
15. Con Alma 5:04
16. Jumpin' With Symphony Sid 3:06
17. In the Land of Oo-Bla-Dee 2:39
18. Salt Peanuts 3:01
19. Disorder At the Border 2:58

Details

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Volume ten in the Classics Dizzy Gillespie chronology documents this trumpeter's recording activities from December 9, 1953 to June 8, 1954. As one of producer Norman Granz's many star players, Diz was able to organize both hard bop and Cuban-styled bop bands comprised of able improvisers. The opening track, "Impromptu," is a nearly-eight-minute jam taken at 75mph by the "Dizzy Gillespie-Stan Getz Sextet" with lightning-fingered pianist Oscar Peterson, guitarist Herb Ellis (heard here in an unusually rambunctious mood); bassist Ray Brown, and drummer Max Roach. The 20-piece big band assembled on May 24, 1954 recorded a piquant 16-and-a-half-minute "Manteca" suite in five movements using arrangements by Chico O'Farrill. The personnel listing is extraordinary, with J.J. Johnson, Ernie Royal and Quincy Jones in the brass section with Diz; Hilton Jefferson, Hank Mobley, Lucky Thompson and Danny Bank in the reed department, as well as two bassists and four expert Latin American percussionists augmenting the kit drumming of Charlie Persip. On the following day, four members of this mammoth ensemble returned to form a quintet; in addition to pianist Wade Legge and bassist Lou Hackney, Hank Mobley was the designated saxophonist for this assignment, a relaxed blowing session with two vocals by the leader. Gillespie put together an octet for the next date, which took place on June 3, 1954, using flautist Gilbert Valdez and a lively Latino rhythm section including conga master Candido Camero. Four titles cut on June 8, 1954 by the Dizzy Gillespie Sextet featured trombonist Jimmy Cleveland in addition to the five men who comprised the Quintet from two weeks earlier. (Although a note in the enclosed discography claims that Cleveland is omitted on "Rumbola," he is clearly audible throughout). This last session, and indeed this entire segment of Gillespie's career, resulted in substantial music of great passion and depth. "Blue Mood" is particularly satisfying because Gillespie, like Charlie Parker, was an adept bluesman.