In the Land of Hi-Fi
Download links and information about In the Land of Hi-Fi by Dinah Washington. This album was released in 1956 and it belongs to Blues, Jazz, Vocal Jazz, Pop genres. It contains 12 tracks with total duration of 30:32 minutes.
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| Artist: | Dinah Washington |
| Release date: | 1956 |
| Genre: | Blues, Jazz, Vocal Jazz, Pop |
| Tracks: | 12 |
| Duration: | 30:32 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Our Love Is Here to Stay (featuring Hal Mooney) | 3:06 |
| 2. | Let Me Love You (featuring Hal Mooney) | 2:08 |
| 3. | There'll Be a Jubilee (featuring Hal Mooney) | 2:06 |
| 4. | My Ideal (featuring Hal Mooney) | 2:19 |
| 5. | I've Got a Crush On You (featuring Hal Mooney) | 3:03 |
| 6. | Let's Do It (featuring Hal Mooney) | 2:35 |
| 7. | Nothing Ever Changes My Love for You (featuring Hal Mooney) | 2:33 |
| 8. | What'll I Tell My Heart (featuring Hal Mooney) | 3:16 |
| 9. | Sunny Side of the Street (featuring Hal Mooney) | 2:26 |
| 10. | Say It Isn't So (featuring Hal Mooney) | 2:40 |
| 11. | Sometimes I'm Happy (featuring Hal Mooney) | 2:16 |
| 12. | If I Were a Bell | 2:04 |
Details
[Edit]As with most Dinah Washington records, In the Land of Hi-Fi includes an eclectic program of ballads and swingers, all of which become prime vehicles for the singer's dramatic, blues-tinged vocal stylings. Framed by Hal Mooney's mix of string-laden arrangements and big-band charts, Washington imparts both tenderness and passion to slow numbers like "I've Got a Crush on You" and "Say It Isn't So," while getting into some charged vocal buildups on swingers like "Our Love Is Here to Stay" and "If I Were a Bell." In addition to the gospel-imbued number "There'll Be a Jubilee," Latin-tinged cuts like the beautiful bolero-style "Let Me Love You" and the lounge mambo "Nothing Ever Changes My Love for You" provide nice contrast to this jazz and pop set. Topped off with fine contributions by alto saxophonist Cannonball Adderley and pianist Junior Mance, In the Land of Hi-Fi is yet another impressive set among the many fine EmArcy records Washington cut in the '50s.