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The Alamo (Soundtrack)

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Download links and information about The Alamo (Soundtrack) by Dimitri Tiomkin. This album was released in 1960 and it belongs to World Music, Country, Songwriter/Lyricist, Theatre/Soundtrack, Contemporary Folk genres. It contains 25 tracks with total duration of 01:05:11 minutes.

Artist: Dimitri Tiomkin
Release date: 1960
Genre: World Music, Country, Songwriter/Lyricist, Theatre/Soundtrack, Contemporary Folk
Tracks: 25
Duration: 01:05:11
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Tracks

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No. Title Length
1. Overture 3:06
2. Main Title 2:07
3. Legend of the Alamo 0:39
4. Sam Houston 0:26
5. Davy Crockett and the Tennesseans 0:57
6. Cantina Music 2:10
7. Davy Crockett's Speech ("Republic Is One of Those Words...") 2:20
8. Love Scene 6:32
9. Crockett and the Tennesseans Enter the Alamo 2:33
10. The Mexicans Arrive 2:37
11. Intermission 1:00
12. Entr'acte 3:44
13. Tennessee Babe 2:29
14. Here's to the Ladies 1:10
15. Raid for Cattle 4:36
16. Santa Anna 1:09
17. Crossing the Line 2:49
18. The Green Leaves of Summer 3:19
19. Charge of Santa Anna / Death of Davy Crockett / the Final Assault 7:00
20. Finale 1:50
21. Exit Music 1:10
22. Davy Crockett and Flaca ("I'm Gonna Tell You Something, Flaca...") 3:46
23. Alternate Ending: the Eyes of Texas Are Upon You 1:10
24. Ballad of the Alamo 3:38
25. The Green Leaves of Summer 2:54

Details

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"'Republic' is one of those words that makes me tight in the throat." That's the sentiment of Davy Crockett (John Wayne) in The Alamo. Crockett goes on to equate the word's resonant quality with the moment when a man's young son "makes his first sound like a man," another highlight from "David Crockett's Speech," included on this soundtrack to The Alamo, Wayne's 1960 labor of love and box-office bust. Even if audiences didn't enjoy the film, they got behind Dimitri Tiomkin's score, which enjoyed a long run on the charts behind Marty Robbins' "Ballad of the Alamo" and "Green Leaves of Summer" from the Brothers Four. Of course, those are the pop entrances on the soundtrack. The majority is made up of a score that has its stirring moments (like "General Santa Anna"), but often drags along in an impersonation of the almost 200-minute film. The touches of old west/Mexican flavor are also relatively effective, yet completely typical and not very original. Fans of The Alamo or Wayne — who as Crockett contributes one other melodrama-steeped monologue — should find some interest in this soundtrack. But its hit singles are available elsewhere, and Tiomkin's score hasn't aged very well.