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Open House

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Download links and information about Open House by Dennis Russell Davies, St. Paul Chamber Orchestra, Paul Sperry, Kenneth Klein, The New York Virtuosi Chamber Symphony. This album was released in 2012 and it belongs to genres. It contains 13 tracks with total duration of 57:25 minutes.

Artist: Dennis Russell Davies, St. Paul Chamber Orchestra, Paul Sperry, Kenneth Klein, The New York Virtuosi Chamber Symphony
Release date: 2012
Genre:
Tracks: 13
Duration: 57:25
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Tracks

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No. Title Length
1. Songs from 'The Occasions': Motet I: The Pledge 5:28
2. Songs from 'The Occasions': Motet IV: Lontano, ero con te 4:38
3. Songs from 'The Occasions': Motet V: Addii, fischi nel buio 2:39
4. Songs from 'The Occasions': Motet IX: Il ramarro, se scocca 3:29
5. Songs from 'The Occasions': Motet XVI: Il fiore che ripete 4:45
6. Songs from 'The Occasions': Autumn Cellars 3:10
7. Open House: I. Open House 2:12
8. Open House: II. Give Way, Ye Gates 4:02
9. Open House: III. The Waking 6:54
10. Open House: IV. The Serpent 2:43
11. Open House: V. I Knew A Woman 4:19
12. Open House: VI. First Meditation 8:07
13. Open House: VII. The Right Thing 4:59

Details

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Paul Sperry's 2012 release on Innova consists of two important performances separated by almost 23 years: William Bolcom's Open House, A Song Cycle to Seven Poems of Theodore Roethke, was recorded with Dennis Russell Davies and the St. Paul Chamber Orchestra for Nonesuch in 1975, and Robert Beaser's Songs from The Occasions of Eugenio Montale was recorded with Kenneth Klein and the New York Virtuosi in 1998. Despite the passage of time, Sperry's voice is strong and limber in both performances, and his powers of communication are well-matched in the two recordings, which display a wide range of moods and expressions, and not a few technical challenges. Yet there are important differences. Beaser's songs are scored for tenor and a septet of flute, clarinet, horn, violin, viola, cello, and piano, which is sparely used, while in Bolcom's cycle, the tenor is more substantially accompanied by a chamber orchestra. As a result, Beaser's music often calls for a quiet, intimate delivery, while Bolcom's is much more theatrical and extroverted. There is also the difference between the close-up digital recording of the 1998 performance and the analog sound of 1975, which puts Sperry at noticeable distance. The value of this CD to followers of these composers is quite high, because Open House was only ever available on LP and Songs from The Occasions appears never to have been commercially available.