|
No. |
Title |
Length |
| 1. |
Symphony No. 2, Op. 9 "Antar": 1. Largo - Allegro giocoso - Adagio - Largo - (Tempo I) - Allegretto Vivace - Largo (Tempo I) [Stereo] (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
11:42 |
| 2. |
Symphony No. 2, Op. 9 "Antar": 2. Allegro - Molto allegro - Meno mosso, allargando - Allegro (Tempo I) (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
5:06 |
| 3. |
Symphony No. 2, Op. 9 "Antar": 3. Allegro risoluto alla marcia (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
5:39 |
| 4. |
Symphony No. 2, Op. 9 "Antar": 4. Allegretto vivace - Andante amoroso - Animato assai - Tempo I (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
8:27 |
| 5. |
Stenka Razin - Symphonic Poem, Op. 13 (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
14:50 |
| 6. |
Thamar - Symphonic Poem (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
20:36 |
| 7. |
Kikimora, Op. 63 (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
6:22 |
| 8. |
L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Première partie: Introduction. "J'ai pas envie de faire ma page" (L'Orchestre De La Suisse Romande, Ernest Ansermet, Flore Wend) |
4:30 |
| 9. |
L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Première partie: "Votre serviteur humble, Bergère" (L'Orchestre De La Suisse Romande, Hugues Cuénod / Hugues Cuenod, Lucien Lovano, Marie-Lise De Montmollin, Ernest Ansermet, Pierre Mollet, Flore Wend, Genevieve Touraine) |
5:37 |
| 10. |
L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Première partie: "Oh! Ma belle tasse chinoise!" (L'Orchestre De La Suisse Romande, Ernest Ansermet, Flore Wend, Motet De Geneve, Adrienne Migliette, Gisele Bobillier, Juliette Bise) |
5:52 |
| 11. |
L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Première partie: "Ah! C'est Elle! C'est Elle!" (L'Orchestre De La Suisse Romande, Suzanne Danco, Ernest Ansermet, Flore Wend) |
7:22 |
| 12. |
L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Première partie: "Deux robinets coulent dans un réservoir!" (L'Orchestre De La Suisse Romande, Hugues Cuénod / Hugues Cuenod, Ernest Ansermet, Pierre Mollet, Flore Wend, Motet De Geneve, Genevieve Touraine) |
3:56 |
| 13. |
L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Deuxième partie: "Ah! Quelle joie de te retrouver, Jardin!" (L'Orchestre De La Suisse Romande, Lucien Lovano, Marie-Lise De Montmollin, Ernest Ansermet, Flore Wend, Adrienne Migliette, Genevieve Touraine) |
4:52 |
| 14. |
L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Deuxième partie: Danse des rainettes (L'Orchestre De La Suisse Romande, Suzanne Danco, Hugues Cuénod / Hugues Cuenod, Ernest Ansermet, Flore Wend) |
4:22 |
| 15. |
L'Enfant et les sortilèges - Fantaisie lyrique en deux parties - Deuxième partie: "Ah! C'est l'Enfant au couteau" (L'Orchestre De La Suisse Romande, Ernest Ansermet, Flore Wend, Motet De Geneve) |
5:24 |
| 16. |
Ma mère l'oye - Suite: Prélude et Danse du Rouet (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
6:16 |
| 17. |
Ma mère l'oye - Suite: Pavane de la Belle au bois dormant (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
1:32 |
| 18. |
Ma mère l'oye - Suite: Petit Poucet (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
3:02 |
| 19. |
Ma mère l'oye - Suite: Laideronnette, Impératrice des Pagodes (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
3:31 |
| 20. |
Ma mère l'oye - Suite: Les entretiens de la Belle et de la Bête (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
3:58 |
| 21. |
Ma mère l'oye - Suite: Le jardin féerique (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
4:03 |
| 22. |
Peer Gynt, Op. 23 - Incidental Music, Act 1 - Prelude (London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
5:12 |
| 23. |
Peer Gynt, Op. 23 - Incidental Music: Morning Mood (London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
4:33 |
| 24. |
Peer Gynt, Op. 23 - Incidental Music: The Death Of Ase (London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
4:33 |
| 25. |
Peer Gynt, Op. 23 - Incidental Music: Anitra's Dance (London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
3:29 |
| 26. |
Peer Gynt, Op. 23 - Incidental Music: in The Hall Of The Mountain King (London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
2:41 |
| 27. |
Peer Gynt, Op. 23 - Incidental Music: Ingrid's Lament (London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
3:49 |
| 28. |
Peer Gynt, Op. 23 - Incidental Music: Arabian Dance (London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
4:40 |
| 29. |
Peer Gynt, Op. 23 - Incidental Music: Peer Gynt's Homecoming. Stormy Evening On the Sea (London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
2:38 |
| 30. |
Peer Gynt, Op. 23 - Incidental Music: Solveig's Song (London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
5:51 |
| 31. |
Peer Gynt, Op. 23 - Incidental Music: Dance Of The Mountain King's Daughter (London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
1:51 |
| 32. |
Piano Concerto in A Minor, Op. 16: 1. Allegro molto moderato (Clifford Curzon, London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
12:42 |
| 33. |
Piano Concerto in A Minor, Op. 16: 2. Adagio (Clifford Curzon, London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
6:05 |
| 34. |
Piano Concerto in A Minor, Op. 16: 3. Allegro moderato molto e marcato - Quasi presto - Andante maestoso (Clifford Curzon, London Symphony Orchestra And Chorus, Oivin Fjeldstad) |
10:27 |
| 35. |
Ouverture Solennelle "1812,", Op. 49 (London Symphony Orchestra And Chorus, Kenneth Alwyn, The Band Of The Grenadier Guards) |
14:56 |
| 36. |
Capriccio italien, Op. 45 (London Symphony Orchestra And Chorus, Kenneth Alwyn) |
13:57 |
| 37. |
Slavonic March, Op. 31 (London Symphony Orchestra And Chorus, Kenneth Alwyn) |
9:57 |
| 38. |
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato (Julius Katchen, London Symphony Orchestra And Chorus, Georg Solti) |
9:45 |
| 39. |
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto (Julius Katchen, London Symphony Orchestra And Chorus, Georg Solti) |
11:56 |
| 40. |
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando (Julius Katchen, London Symphony Orchestra And Chorus, Georg Solti) |
11:09 |
| 41. |
Symphony No. 9 in C, D.944 - "The Great": 1. Andante - Allegro ma non troppo (Josef Krips, London Symphony Orchestra And Chorus) |
13:56 |
| 42. |
Symphony No. 9 in C, D.944 - "The Great": 2. Andante con moto (Josef Krips, London Symphony Orchestra And Chorus) |
13:42 |
| 43. |
Symphony No. 9 in C, D.944 - "The Great": 3. Scherzo (Allegro vivace) (Josef Krips, London Symphony Orchestra And Chorus) |
9:49 |
| 44. |
Symphony No. 9 in C, D.944 - "The Great": 4. Allegro vivace (Josef Krips, London Symphony Orchestra And Chorus) |
11:53 |
| 45. |
Symphony No. 8 in B Minor, D.759 - "Unfinished": 1. Allegro moderato (Wiener Philharmoniker, Josef Krips) |
15:02 |
| 46. |
Symphony No. 8 in B Minor, D.759 - "Unfinished": 2. Andante con moto (Wiener Philharmoniker, Josef Krips) |
11:51 |
| 47. |
Symphony No. 2 in D, Op. 43: 1. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro (London Symphony Orchestra And Chorus, Pierre Monteux) |
10:09 |
| 48. |
Symphony No. 2 in D, Op. 43: 2. Tempo andante, ma rubato - Andante sostenuto (London Symphony Orchestra And Chorus, Pierre Monteux) |
14:31 |
| 49. |
Symphony No. 2 in D, Op. 43: 3. Vivacissimo - Lento e suave - Largamente (London Symphony Orchestra And Chorus, Pierre Monteux) |
6:13 |
| 50. |
Symphony No. 2 in D, Op. 43: 4. Finale (Allegro moderato) (London Symphony Orchestra And Chorus, Pierre Monteux) |
12:48 |
| 51. |
Symphony No. 7 in D Minor, Op. 70: 1. Allegro maestoso (London Symphony Orchestra And Chorus, Pierre Monteux) |
10:45 |
| 52. |
Symphony No. 7 in D Minor, Op. 70: 2. Poco adagio (London Symphony Orchestra And Chorus, Pierre Monteux) |
10:37 |
| 53. |
Symphony No. 7 in D Minor, Op. 70: 3. Scherzo (Vivace) (London Symphony Orchestra And Chorus, Pierre Monteux) |
7:25 |
| 54. |
Symphony No. 7 in D Minor, Op. 70: 4. Finale (Allegro) (London Symphony Orchestra And Chorus, Pierre Monteux) |
8:48 |
| 55. |
La Bohème, Act I: "Questo Mar Rosso" (Tullio Serafin, Carlo Bergonzi, Cesare Siepi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
4:33 |
| 56. |
La Bohème, Act I: Pensier profondo" (Tullio Serafin, Carlo Bergonzi, Cesare Siepi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
1:23 |
| 57. |
La Bohème, Act I: "Legna!" (Tullio Serafin, Carlo Bergonzi, Cesare Siepi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari) |
4:01 |
| 58. |
La Bohème, Act I: "Si può" - "Chi è là?" (Tullio Serafin, Carlo Bergonzi, Cesare Siepi, Fernando Corena, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari) |
5:43 |
| 59. |
La Bohème, Act I: "Io resto" (Tullio Serafin, Carlo Bergonzi, Cesare Siepi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari) |
1:12 |
| 60. |
La Bohème, Act I: "Chi è là?" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
1:17 |
| 61. |
La Bohème, Act I: "Si sente meglio?" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
2:39 |
| 62. |
La Bohème, Act I: "Che gelida manina" (Tullio Serafin, Carlo Bergonzi, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
4:51 |
| 63. |
La Bohème, Act I: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Cesare Siepi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari) |
6:13 |
| 64. |
La Bohème, Act I: "O soave fanciulla" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
4:03 |
| 65. |
La Bohème, Act II: "Arranci, datteri!" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Cesare Siepi, Fernando Corena, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari, Coro Dell'Accademia Nazionale Di Santa Cecilia) |
2:55 |
| 66. |
La Bohème, Act II: "Chi guardi?" - "Ecco i giocattoli di Parpignol" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Cesare Siepi, Ettore Bastianini, Piero De Palma, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari, Coro Dell'Accademia Nazionale Di Santa Cecilia) |
3:27 |
| 67. |
La Bohème, Act II: "Viva Parpignol." - "Una cuffietta a pizzi" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Cesare Siepi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari, Coro Dell'Accademia Nazionale Di Santa Cecilia) |
2:26 |
| 68. |
La Bohème, Act II: "Oh!.Essa!.Musetta!" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Cesare Siepi, Fernando Corena, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari, Gianna D'Angelo, Coro Dell'Accademia Nazionale Di Santa Cecilia) |
3:23 |
| 69. |
La Bohème, Act II: "Quando m'en vo'" (Musetta's Waltz) (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Cesare Siepi, Fernando Corena, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari, Gianna D'Angelo) |
5:06 |
| 70. |
La Bohème, Act II: "Chi l'ha richiesto?.Caro! - Fuori il danaro!" (Tullio Serafin, Carlo Bergonzi, Cesare Siepi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari, Gianna D'Angelo, Coro Dell'Accademia Nazionale Di Santa Cecilia) |
2:28 |
| 71. |
La Bohème, Act III: "Ohè, là, le guardie!" - "Aprite!" (Tullio Serafin, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Gianna D'Angelo, Coro Dell'Accademia Nazionale Di Santa Cecilia, Giorgio Onesti) |
4:21 |
| 72. |
La Bohème, Act III: "Sa dirmi, scusi" (Tullio Serafin, Renata Tebaldi, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Giorgio Onesti, Attilio D'Orazi) |
1:10 |
| 73. |
La Bohème, Act III: "Mimì!" - "Rodolfo m'ama e mi fugge" (Tullio Serafin, Renata Tebaldi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
5:21 |
| 74. |
La Bohème, Act III: "Marcello. Finalmente!" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
1:19 |
| 75. |
La Bohème, Act III: "Mimì è una civetta" (Tullio Serafin, Carlo Bergonzi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
1:20 |
| 76. |
La Bohème, Act III: "Mimì è tanto malata!" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
3:19 |
| 77. |
La Bohème, Act III: "Donde lieta uscì" (Tullio Serafin, Renata Tebaldi, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
3:26 |
| 78. |
La Bohème, Act III: "Dunque: è proprio finita!.Addio, dolce svegliare" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Gianna D'Angelo) |
6:25 |
| 79. |
La Bohème, Act IV: "In un coupé?" (Tullio Serafin, Carlo Bergonzi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
1:51 |
| 80. |
La Bohème, Act IV: "O Mimì, tu più non torni" (Duetto) - "Che ora sia" (Tullio Serafin, Carlo Bergonzi, Cesare Siepi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari) |
5:07 |
| 81. |
La Bohème, Act IV: "Gavotta" (Tullio Serafin, Carlo Bergonzi, Cesare Siepi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari) |
1:46 |
| 82. |
La Bohème, Act IV: "C'è Mimì." (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Cesare Siepi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari, Gianna D'Angelo) |
6:01 |
| 83. |
La Bohème, Act IV: "Vecchia zimarra, senti" (Tullio Serafin, Cesare Siepi, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari) |
2:30 |
| 84. |
La Bohème, Act IV: "Sono andati" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Orchestra Dell Accademia Nazionale Di Santa Cecilia) |
6:06 |
| 85. |
La Bohème, Act IV: "Che avvien?.Che ha detto il medico?" (Tullio Serafin, Carlo Bergonzi, Renata Tebaldi, Cesare Siepi, Ettore Bastianini, Orchestra Dell Accademia Nazionale Di Santa Cecilia, Renato Cesari, Gianna D'Angelo) |
5:39 |
| 86. |
La gazza ladra: Overture (London Symphony Orchestra And Chorus, Piero Gamba) |
8:55 |
| 87. |
La scala di seta: Overture (London Symphony Orchestra And Chorus, Piero Gamba) |
6:02 |
| 88. |
Il barbiere di Siviglia: Overture (Sinfonia) (London Symphony Orchestra And Chorus, Piero Gamba) |
6:56 |
| 89. |
Semiramide: Overture (London Symphony Orchestra And Chorus, Piero Gamba) |
11:11 |
| 90. |
William Tell: Overture (London Symphony Orchestra And Chorus, Piero Gamba) |
11:35 |
| 91. |
Violin Concerto in E Minor, Op. 64: 1. Allegro molto appassionato (Ruggiero Ricci, London Symphony Orchestra And Chorus, Piero Gamba) |
12:54 |
| 92. |
Violin Concerto in E Minor, Op. 64: 2. Andante (Ruggiero Ricci, London Symphony Orchestra And Chorus, Piero Gamba) |
7:37 |
| 93. |
Violin Concerto in E Minor, Op. 64: 3. Allegro non troppo - Allegro molto vivace (Ruggiero Ricci, London Symphony Orchestra And Chorus, Piero Gamba) |
6:16 |
| 94. |
Swan Lake: Introduction (Concertgebouworkest, Anatole Fistoulari) |
2:59 |
| 95. |
Swan Lake, Act I: No. 1 Scène (Allegro giusto) (Concertgebouworkest, Anatole Fistoulari) |
2:17 |
| 96. |
Swan Lake, Act I: No. 2 Valse (Corps de Ballet) (Concertgebouworkest, Anatole Fistoulari) |
4:25 |
| 97. |
Swan Lake, Act I: No. 8 Danse des coupes (Tempo di polacca) (Concertgebouworkest, Anatole Fistoulari) |
3:39 |
| 98. |
Swan Lake, Act II: No. 10 Scène (Moderato) (Concertgebouworkest, Anatole Fistoulari) |
2:50 |
| 99. |
Swan Lake, Act II: No. 11 Scène (Allegro moderato) (Concertgebouworkest, Anatole Fistoulari) |
4:36 |
| 100. |
Swan Lake, Act II: No. 13d Danse des petits cygnes (Allegro moderato) (Concertgebouworkest, Anatole Fistoulari) |
1:15 |
| 101. |
Swan Lake, Op. 20, Act 2: No. 13e Danse des cygnes (Concertgebouworkest, Tibor De Machula, Steven Staryk, Anatole Fistoulari, Phia Berghout) |
6:09 |
| 102. |
Swan Lake, Act III: No. 20 Danse hongroise (Czárdás) (Concertgebouworkest, Steven Staryk, Anatole Fistoulari) |
2:45 |
| 103. |
Swan Lake, Act III: Pas de deux (Concertgebouworkest, Anatole Fistoulari) |
2:54 |
| 104. |
Swan Lake, Act III: No. 24 Scène (Allegro - Valse - Allegro vivo) (Concertgebouworkest, Anatole Fistoulari) |
2:12 |
| 105. |
Swan Lake, Act IV: No. 27 Danses des petits cygnes (Moderato) (Concertgebouworkest, Anatole Fistoulari) |
3:38 |
| 106. |
Swan Lake, Act IV: No. 29 Scène finale (Andante) (Concertgebouworkest, Anatole Fistoulari) |
6:05 |
| 107. |
Mam'zelle Angot - ballet - Arr. Gordon Jacob: Overture (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Anatole Fistoulari) |
2:38 |
| 108. |
Mam'zelle Angot - ballet - Arr. Gordon Jacob: 3. Mazurka (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Anatole Fistoulari) |
1:05 |
| 109. |
Mam'zelle Angot - ballet - Arr. Gordon Jacob: 5. Tempo di marcia - Gavotte (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Anatole Fistoulari) |
1:50 |
| 110. |
Mam'zelle Angot - ballet - Arr. Gordon Jacob: 8.Allegro-Gavotte (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Anatole Fistoulari) |
4:06 |
| 111. |
Mam'zelle Angot - ballet - Arr. Gordon Jacob: 11. Allegro-Presto XII. Adagio (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Anatole Fistoulari) |
6:46 |
| 112. |
Mam'zelle Angot - ballet - Arr. Gordon Jacob: 13. Allegro moderato (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Anatole Fistoulari) |
7:29 |
| 113. |
Feuerfest, Op. 269 (Wiener Philharmoniker, Willi Boskovsky) |
2:51 |
| 114. |
Kaiserwalzer, Op. 437 (Wiener Philharmoniker, Willi Boskovsky) |
10:10 |
| 115. |
Jokey-Polka, Op. 278 (Wiener Philharmoniker, Willi Boskovsky) |
1:53 |
| 116. |
Wo die Zitronen blüh'n, Op. 364 (Wiener Philharmoniker, Willi Boskovsky) |
8:22 |
| 117. |
Napoleon-Marsch, Op. 156 (Wiener Philharmoniker, Willi Boskovsky) |
2:44 |
| 118. |
Fächer - polonaise, Op. 525 (Wiener Philharmoniker, Willi Boskovsky) |
3:04 |
| 119. |
Loreley-Rhein-Klänge, Op. 154 (Wiener Philharmoniker, Willi Boskovsky) |
7:52 |
| 120. |
Die Fledermaus-Quadrille, Op. 363 (Wiener Philharmoniker, Willi Boskovsky) |
7:48 |
| 121. |
Tausendundeine Nacht, Op. 346 (Wiener Philharmoniker, Willi Boskovsky) |
8:19 |
| 122. |
Geschichten aus dem Wienerwald, Op. 325 (Anton Karas, Wiener Philharmoniker, Willi Boskovsky) |
11:07 |
| 123. |
Dorfschwalben aus Österreich (Village Swallows from Austria"), Op. 164 (Wiener Philharmoniker, Josef Krips, Hilde Gueden) |
5:56 |
| 124. |
Frühlingsstimmen ("Voices Of Spring") (Wiener Philharmoniker, Josef Krips, Hilde Gueden) |
5:32 |
| 125. |
Otello, Act I: Una vela! Una vela! (Herbert Von Karajan, Wiener Philharmoniker, Tom Krause, Aldo Protti, Wiener Staatsopernchor, Nello Romanato, Athos Cesarini) |
4:15 |
| 126. |
Otello, Act I: Esultate! (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Wiener Staatsopernchor) |
2:17 |
| 127. |
Otello, Act I: Roderigo, ebben che pensi? (Herbert Von Karajan, Wiener Philharmoniker, Aldo Protti, Athos Cesarini) |
2:24 |
| 128. |
Otello, Act I: Fuoco di gioia! (Herbert Von Karajan, Wiener Philharmoniker, Wiener Staatsopernchor) |
2:45 |
| 129. |
Otello, Act I: Roderigo, beviam! (Herbert Von Karajan, Wiener Philharmoniker, Aldo Protti, Wiener Staatsopernchor, Nello Romanato, Athos Cesarini) |
1:18 |
| 130. |
Otello, Act I: Inaffia l'ugola! Trinca, tracanna (Brindisi) (Herbert Von Karajan, Wiener Philharmoniker, Aldo Protti, Wiener Staatsopernchor, Nello Romanato, Athos Cesarini) |
4:12 |
| 131. |
Otello, Act I: Capitano, v'attende la fazione ai baluardi (Herbert Von Karajan, Wiener Philharmoniker, Tom Krause, Aldo Protti, Wiener Staatsopernchor, Nello Romanato, Athos Cesarini) |
1:18 |
| 132. |
Otello, Act I: Abbasso le spade! (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Tom Krause, Aldo Protti, Nello Romanato) |
3:06 |
| 133. |
Otello, Act I: Già nella notte densa.Venga la morte (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco) |
10:48 |
| 134. |
Otello, Act II: Non ti crucciar (Herbert Von Karajan, Wiener Philharmoniker, Aldo Protti, Nello Romanato) |
2:38 |
| 135. |
Otello, Act II: Vanne! la tua meta già vedo (Herbert Von Karajan, Wiener Philharmoniker, Aldo Protti) |
0:30 |
| 136. |
Otello, Act II: Credo in un Dio crudel (Herbert Von Karajan, Wiener Philharmoniker, Aldo Protti) |
6:01 |
| 137. |
Otello, Act II: Ciò m'accora (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Aldo Protti, Wiener Staatsopernchor) |
5:17 |
| 138. |
Otello, Act II: Dove guardi splendono (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco, Aldo Protti, Wiener Staatsopernchor, Wiener Kinderchor) |
3:57 |
| 139. |
Otello, Act II: D'un uom che geme sotto il tuo disdegno (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco) |
1:54 |
| 140. |
Otello, Act II: Se inconscia, contro te, sposo, ho peccato (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco, Aldo Protti, Ana Raquel Satre) |
3:14 |
| 141. |
Otello, Act II: Desdemona rea! (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Aldo Protti) |
0:43 |
| 142. |
Otello, Act II: Tu?! Indietro! fuggi! (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco) |
1:01 |
| 143. |
Otello, Act II: Ora e per sempre addio (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco) |
1:07 |
| 144. |
Otello, Act II: Pace, signor (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Aldo Protti) |
2:23 |
| 145. |
Otello, Act II: Era la notte, Cassio dormia (Herbert Von Karajan, Wiener Philharmoniker, Aldo Protti) |
2:39 |
| 146. |
Otello, Act II: Oh! mostruosa colpa!.Ah! mille vite (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Aldo Protti) |
1:49 |
| 147. |
Otello, Act II: Si, pel ciel marmoreo giuro! (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Aldo Protti) |
2:40 |
| 148. |
Otello, Act III: La vedetta del porto (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Libero Arbace) |
1:28 |
| 149. |
Otello, Act III: Continua (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Aldo Protti) |
1:10 |
| 150. |
Otello, Act III: Dio ti giocondi, o sposo (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco) |
4:30 |
| 151. |
Otello, Act III: Esterrefatta fisso (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco) |
5:21 |
| 152. |
Otello, Act III: Dio! mi potevi scagliar (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco) |
3:07 |
| 153. |
Otello, Act III: Cassio è là! (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Aldo Protti) |
0:52 |
| 154. |
Otello, Act III: Vieni; l'aula è deserta (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Aldo Protti, Nello Romanato) |
0:45 |
| 155. |
Otello, Act III: .e intanto, giacchè non si stanca mai (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Aldo Protti, Nello Romanato) |
4:00 |
| 156. |
Otello, Act III: "Quest'è il segnale.Sì, qui l'adducci" (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Aldo Protti, Nello Romanato) |
1:44 |
| 157. |
Otello, Act III: Ballet Music (Herbert Von Karajan, Wiener Philharmoniker) |
6:24 |
| 158. |
Otello, Act III: Viva! Evviva! Viva il Leon di San Marco! (Herbert Von Karajan, Wiener Philharmoniker, Wiener Staatsopernchor) |
0:30 |
| 159. |
Otello, Act III: Il Doge ed il Senato salutano (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco, Fernando Corena, Aldo Protti, Wiener Staatsopernchor, Ana Raquel Satre) |
3:00 |
| 160. |
Otello, Act III: Messeri! Il Doge (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Aldo Protti, Nello Romanato, Athos Cesarini) |
1:43 |
| 161. |
Otello, Act III: A terra!.si.nel livido fango (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi) |
2:02 |
| 162. |
Otello, Act III: Quell' innocente un fremito (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco, Fernando Corena, Aldo Protti, Wiener Staatsopernchor, Nello Romanato, Ana Raquel Satre, Athos Cesarini) |
4:29 |
| 163. |
Otello, Act III: Fuggite! (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco, Fernando Corena, Aldo Protti, Wiener Staatsopernchor) |
2:22 |
| 164. |
Otello, Act IV: Era più calmo? (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Ana Raquel Satre) |
3:56 |
| 165. |
Otello, Act IV: Mia madre aveva una povera ancella (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi) |
0:58 |
| 166. |
Otello, Act IV: "Piangea cantando nell'erma landa." (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Ana Raquel Satre) |
7:12 |
| 167. |
Otello, Act IV: Ave Maria, piena di grazia (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi) |
4:59 |
| 168. |
Otello, Act IV: (Otello compare) (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco) |
3:37 |
| 169. |
Otello, Act IV: Diceste questa sera le vostre preci? (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco) |
3:03 |
| 170. |
Otello, Act IV: Aprite! Aprite! (Herbert Von Karajan, Wiener Philharmoniker, Renata Tebaldi, Mario Del Monaco, Fernando Corena, Tom Krause, Aldo Protti, Nello Romanato, Ana Raquel Satre) |
3:17 |
| 171. |
Otello, Act IV: Niun mi tema (Herbert Von Karajan, Wiener Philharmoniker, Mario Del Monaco, Fernando Corena, Tom Krause, Nello Romanato) |
4:53 |
| 172. |
Etudes: Ouverture (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
4:03 |
| 173. |
Etudes: 1. Pour l'enchainement des traits (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
2:26 |
| 174. |
Etudes: 2. Pour le pizzicato (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
3:00 |
| 175. |
Etudes: 3. Pour l'expression et le "sostenuto" (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
3:27 |
| 176. |
Etudes: 4. Pour le style fugue (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
6:00 |
| 177. |
Concerto for 7 Wind Instruments, Percussion & Strings: 1. Allegro (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
6:17 |
| 178. |
Concerto for 7 Wind Instruments, Percussion & Strings: 2. Adagietto (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
6:01 |
| 179. |
Concerto for 7 Wind Instruments, Percussion & Strings: 3. Allegro vivace (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
6:39 |
| 180. |
Symphony No. 2 for trumpet and strings: 1. Molto moderato - allegro (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
11:26 |
| 181. |
Symphony No. 2 for trumpet and strings: 2. Adagio mesto (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
7:27 |
| 182. |
Symphony No. 2 for trumpet and strings: 3. Vivace, non troppo (L'Orchestre De La Suisse Romande, Ernest Ansermet) |
5:16 |
| 183. |
La fille mal gardée, Act I: 1. Intro II Dance III Lise and the Ribbon Lise (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, John Lanchbery) |
7:06 |
| 184. |
La fille mal gardée, Act I: 10. Thomas and Alain (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, John Lanchbery) |
3:13 |
| 185. |
La fille mal gardée, Act I: 12. Picnic - XV The Fanny Ellsler Pas-de-Deux (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, John Lanchbery) |
14:52 |
| 186. |
La fille mal gardée, Act I: 16. Simone - XIX Storm and Finale (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, John Lanchbery) |
7:41 |
| 187. |
La fille mal gardée, Act II: 22. Spinning - XXIV Harvesters (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, John Lanchbery) |
9:34 |
| 188. |
La fille mal gardée, Act II: 27. Thomas, Alain and the Notaries (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, John Lanchbery) |
1:04 |
| 189. |
La fille mal gardée, Act II: 29. Pas-de-Deux - 30 Finale (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, John Lanchbery) |
7:01 |
| 190. |
Ballet Music From "Faust" (Orchestra Of The Royal Opera House, Covent Garden, Covent Garden, Georg Solti) |
15:54 |
| 191. |
Piano Concerto No. 1 in D Minor, Op. 15: 1. Maestoso - Poco più moderato (Clifford Curzon, London Symphony Orchestra And Chorus, George Szell) |
22:09 |
| 192. |
Piano Concerto No. 1 in D Minor, Op. 15: 2. Adagio (Clifford Curzon, London Symphony Orchestra And Chorus, George Szell) |
16:01 |
| 193. |
Piano Concerto No. 1 in D Minor, Op. 15: 3. Rondo (Allegro non troppo) (Clifford Curzon, London Symphony Orchestra And Chorus, George Szell) |
11:55 |
| 194. |
Piano Concerto No. 27 in B-Flat, K. 595: 1. Allegro (Wiener Philharmoniker, Clifford Curzon, George Szell) |
14:03 |
| 195. |
Piano Concerto No. 27 in B-Flat, K. 595: 2. Larghetto (Wiener Philharmoniker, Clifford Curzon, George Szell) |
9:04 |
| 196. |
Piano Concerto No. 27 in B-Flat, K. 595: 3. Allegro (Wiener Philharmoniker, Clifford Curzon, George Szell) |
8:32 |
| 197. |
Scottish Fantasy, Op. 46: 1. Adagio cantabile (David Oistrakh, London Symphony Orchestra And Chorus, Jascha Horenstein) |
8:43 |
| 198. |
Scottish Fantasy, Op. 46: 2. Scherzo - Allegro; Adagio (David Oistrakh, London Symphony Orchestra And Chorus, Jascha Horenstein) |
5:19 |
| 199. |
Scottish Fantasy, Op. 46: 3. Andante sostenuto (David Oistrakh, London Symphony Orchestra And Chorus, Jascha Horenstein) |
7:44 |
| 200. |
Scottish Fantasy, Op. 46: 4. Finale (Allegro guerriero) (David Oistrakh, London Symphony Orchestra And Chorus, Jascha Horenstein) |
9:26 |
| 201. |
Violin Concerto (1939): 1. Mässig bewegte halbe (David Oistrakh, Hindemith Paul, London Symphony Orchestra And Chorus) |
9:32 |
| 202. |
Violin Concerto (1939): 2. Langsam (David Oistrakh, Hindemith Paul, London Symphony Orchestra And Chorus) |
9:49 |
| 203. |
Violin Concerto (1939): 3. Lebhaft (David Oistrakh, Hindemith Paul, London Symphony Orchestra And Chorus) |
10:27 |
| 204. |
Serenade in B-Flat, K. 361 "Gran partita": 1. Largo - Allegro molto (Jack Brymer, London Wind Soloists) |
7:40 |
| 205. |
Serenade in B-Flat, K. 361 "Gran partita": 2. Menuetto (Allegretto) - Trio I-II (Jack Brymer, London Wind Soloists) |
5:41 |
| 206. |
Serenade in B-Flat, K. 361 "Gran partita": 3. Adagio (Jack Brymer, London Wind Soloists) |
5:35 |
| 207. |
Serenade in B-Flat, K. 361 "Gran partita": 4. Menuetto (Allegretto) - Trio I-II (Jack Brymer, London Wind Soloists) |
4:49 |
| 208. |
Serenade in B-Flat, K. 361 "Gran partita": 5. Romanze (Adagio - Allegretto - Adagio) (Jack Brymer, London Wind Soloists) |
6:47 |
| 209. |
Serenade in B-Flat, K. 361 "Gran partita": 6. Thema con 6 variazioni (Andante) (Jack Brymer, London Wind Soloists) |
10:12 |
| 210. |
Serenade in B-Flat, K. 361 "Gran partita": 7. Finale (Molto allegro) (Jack Brymer, London Wind Soloists) |
3:26 |
| 211. |
Serenade in C Minor, K. 388 "Nacht Musik": 1. Allegro (Jack Brymer, London Wind Soloists) |
8:26 |
| 212. |
Serenade in C Minor, K. 388 "Nacht Musik": 2. Andante (Jack Brymer, London Wind Soloists) |
4:52 |
| 213. |
Serenade in C Minor, K. 388 "Nacht Musik": 3. Menuetto in canone (Jack Brymer, London Wind Soloists) |
4:57 |
| 214. |
Serenade in C Minor, K. 388 "Nacht Musik": 4. Allegro (Jack Brymer, London Wind Soloists) |
6:33 |
| 215. |
Symphony No. 1 in E Minor, Op. 39: 1. Andante, ma non troppo - Allegro energico (Wiener Philharmoniker, Lorin Maazel) |
10:44 |
| 216. |
Symphony No. 1 in E Minor, Op. 39: 2. Andante (ma non troppo lento) (Wiener Philharmoniker, Lorin Maazel) |
8:36 |
| 217. |
Symphony No. 1 in E Minor, Op. 39: 3. Scherzo (Allegro) (Wiener Philharmoniker, Lorin Maazel) |
4:57 |
| 218. |
Symphony No. 1 in E Minor, Op. 39: 4. Finale (Quasi una fantasia) (Wiener Philharmoniker, Lorin Maazel) |
11:46 |
| 219. |
Karelia Suite, Op. 11: 1. Intermezzo (Moderato) (Wiener Philharmoniker, Lorin Maazel) |
3:37 |
| 220. |
Karelia Suite, Op. 11: 2. Ballade (Tempo di menuetto) (Wiener Philharmoniker, Lorin Maazel) |
6:28 |
| 221. |
Karelia Suite, Op. 11: 3. Alla marcia (Moderato) (Wiener Philharmoniker, Lorin Maazel) |
4:08 |
| 222. |
Symphony No. 4 in A Minor, Op. 63: 1. Tempo molto moderato, quasi adagio (Wiener Philharmoniker, Lorin Maazel) |
10:17 |
| 223. |
Symphony No. 4 in A Minor, Op. 63: 2. Allegro molto vivace (Wiener Philharmoniker, Lorin Maazel) |
4:06 |
| 224. |
Symphony No. 4 in A Minor, Op. 63: 3. Il tempo largo (Wiener Philharmoniker, Lorin Maazel) |
9:07 |
| 225. |
Symphony No. 4 in A Minor, Op. 63: 4. Allegro (Wiener Philharmoniker, Lorin Maazel) |
9:14 |
| 226. |
Háry János Suite: Prelude; The Fairy Tale Begins (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
3:32 |
| 227. |
Háry János Suite: Viennese Musical Clock (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
2:11 |
| 228. |
Háry János Suite: Song (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz, John Leach) |
6:00 |
| 229. |
Háry János Suite: The Battle And Defeat Of Napoleon (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
4:01 |
| 230. |
Háry János Suite: Intermezzo (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz, John Leach) |
5:01 |
| 231. |
Háry János Suite: Entrance Of The Emperor And His Court (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
2:58 |
| 232. |
Háry János, Singspiel in 5 Scenes, Op. 15: Chicken Song ("Hej két tikom") (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz, Olga Szönyi / Olga Szonyi) |
1:54 |
| 233. |
Háry János, Singspiel in 5 Scenes, Op. 15: Orzse's Song ("Szegény vagyok") (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz, John Leach, Olga Szönyi / Olga Szonyi) |
3:22 |
| 234. |
Galántai táncok (Dances of Galánta): 1. Lento - maestoso (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
5:13 |
| 235. |
Galántai táncok (Dances of Galánta): 2. Allegretto moderato (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
2:46 |
| 236. |
Galántai táncok (Dances of Galánta): 3. Allegro con moto, grazioso (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
1:22 |
| 237. |
Galántai táncok (Dances of Galánta): 4. Allegro (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
2:56 |
| 238. |
Galántai táncok (Dances of Galánta): 5. Allegro vivace (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
3:29 |
| 239. |
The Peacock (Fölszállot a páva), for unaccompanied chorus (London Symphony Chorus, István Kertész / Istvan Kertesz) |
3:01 |
| 240. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 1. Moderato (Theme) (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
3:34 |
| 241. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation. 1: Con brio (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
0:23 |
| 242. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 2 (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
0:21 |
| 243. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 3: Più mosso (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
0:17 |
| 244. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 4: Poco calmato (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
0:23 |
| 245. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 5: Appassionato (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
0:50 |
| 246. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 6: Tempo (calmato) (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
0:43 |
| 247. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 7: Vivo (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
0:22 |
| 248. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 8: Più vivo (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
0:38 |
| 249. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 9 (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
1:19 |
| 250. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 10: Molto vivo (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
0:40 |
| 251. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 11: Andante espressivo (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
2:53 |
| 252. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 12: Adagio (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
3:41 |
| 253. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 13: Tempo de Marcia funebre (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
1:49 |
| 254. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 14: Andante, poco rubato (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
2:54 |
| 255. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 15: Allegro giocoso (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
0:34 |
| 256. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": Variation 16: Maestoso (London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
1:11 |
| 257. |
Variations on a Hungarian Folk Song for Orchestra, "The Peacock": 6. Finale: Vivace (London Symphony Chorus, London Symphony Orchestra And Chorus, István Kertész / Istvan Kertesz) |
4:04 |
| 258. |
Symphony for Cello and Orchestra, Op. 68: Allegro maestoso (Benjamin Britten, Mstislav Rostropovich, English Chamber Orchestra) |
12:31 |
| 259. |
Symphony for Cello and Orchestra, Op. 68: Presto inquieto (Benjamin Britten, Mstislav Rostropovich, English Chamber Orchestra) |
3:39 |
| 260. |
Symphony for Cello and Orchestra, Op. 68: Adagio (Benjamin Britten, Mstislav Rostropovich, English Chamber Orchestra) |
10:33 |
| 261. |
Symphony for Cello and Orchestra, Op. 68: Passacaglia (Benjamin Britten, Mstislav Rostropovich, English Chamber Orchestra) |
7:24 |
| 262. |
Cello Concerto in C, H.VIIb, No. 1: 1. Moderato (Benjamin Britten, Mstislav Rostropovich, English Chamber Orchestra) |
9:47 |
| 263. |
Cello Concerto in C, H.VIIb, No. 1: 2. Adagio (Benjamin Britten, Mstislav Rostropovich, English Chamber Orchestra) |
9:33 |
| 264. |
Cello Concerto in C, H.VIIb, No. 1: 3. Finale (Allegro molto) (Benjamin Britten, Mstislav Rostropovich, English Chamber Orchestra) |
6:41 |
| 265. |
Symphony No. 9 in D Minor, Op. 125 - "Choral": 1. Allegro ma non troppo, un poco maestoso (Wiener Philharmoniker) |
16:39 |
| 266. |
Symphony No. 9 in D Minor, Op. 125 - "Choral": 2. Molto vivace (Wiener Philharmoniker) |
10:12 |
| 267. |
Symphony No. 9 in D Minor, Op. 125 - "Choral": 3. Adagio molto e cantabile (Wiener Philharmoniker) |
15:52 |
| 268. |
Symphony No. 9 in D Minor, Op. 125 - "Choral": 4. Presto - Allegro assai (Wiener Philharmoniker, Joan Sutherland, Martti Talvela, James King, Wiener Staatsopernchor, Marilyn Horne, Hans Schmidt-Isserstedt) |
25:46 |
| 269. |
Symphony No. 2 in C Minor - "Resurrection": 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck (London Symphony Orchestra And Chorus, Georg Solti) |
20:59 |
| 270. |
Symphony No. 2 in C Minor - "Resurrection": 2. Andante moderato. Sehr gemächlich (London Symphony Orchestra And Chorus, Georg Solti) |
10:32 |
| 271. |
Symphony No. 2 in C Minor - "Resurrection": 3. Scherzo: in ruhig fliessender Bewegung (London Symphony Orchestra And Chorus, Georg Solti) |
10:15 |
| 272. |
Symphony No. 2 in C Minor - "Resurrection": 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht" (Helen Watts, London Symphony Orchestra And Chorus, Georg Solti) |
4:27 |
| 273. |
Symphony No. 2 in C Minor - "Resurrection": 5a. Im Tempo des Scherzos. Wild herausfahrend - (London Symphony Orchestra And Chorus, Georg Solti) |
14:17 |
| 274. |
Symphony No. 2 in C Minor - "Resurrection": 5d. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso) - Text after F.G. Klopstock: "Auferstehung" (London Symphony Chorus, Helen Watts, Heather Harper, London Symphony Orchestra And Chorus, Georg Solti) |
20:07 |
| 275. |
Messa da Requiem: 1. Requiem (Wiener Philharmoniker, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Staatsopernchor, Marilyn Horne, Georg Solti) |
9:07 |
| 276. |
Messa da Requiem: 2a. Dies irae (Wiener Philharmoniker, Wiener Staatsopernchor, Georg Solti) |
2:21 |
| 277. |
Messa da Requiem: 2b. Tuba mirum - 2c. Mors Stupebit (Wiener Philharmoniker, Martti Talvela, Wiener Staatsopernchor, Georg Solti) |
3:02 |
| 278. |
Messa da Requiem: 2d. Liber scriptus (Wiener Philharmoniker, Wiener Staatsopernchor, Marilyn Horne, Georg Solti) |
4:58 |
| 279. |
Messa da Requiem: 2e. Quid sum miser (Wiener Philharmoniker, Luciano Pavarotti, Joan Sutherland, Marilyn Horne, Georg Solti) |
3:43 |
| 280. |
Messa da Requiem: 2f. Rex tremendae (Wiener Philharmoniker, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Staatsopernchor, Marilyn Horne, Georg Solti) |
3:41 |
| 281. |
Messa da Requiem: 2g. Recordare (Wiener Philharmoniker, Joan Sutherland, Marilyn Horne, Georg Solti) |
4:02 |
| 282. |
Messa da Requiem: 2h. Ingemisco (Wiener Philharmoniker, Luciano Pavarotti, Georg Solti) |
3:36 |
| 283. |
Messa da Requiem: 2i. Confutatis (Wiener Philharmoniker, Martti Talvela, Wiener Staatsopernchor, Georg Solti) |
5:21 |
| 284. |
Messa da Requiem: 2j. Lacrymosa (Wiener Philharmoniker, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Staatsopernchor, Marilyn Horne, Georg Solti) |
6:00 |
| 285. |
Messa da Requiem: 3a. Offertorium: Domine, Jesu Christe (Wiener Philharmoniker, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Marilyn Horne, Georg Solti) |
4:19 |
| 286. |
Messa da Requiem: 3b. Offertorium: Hostias (Wiener Philharmoniker, Wiener Staatsopernchor, Georg Solti) |
5:53 |
| 287. |
Messa da Requiem: 4. Sanctus (Wiener Philharmoniker, Joan Sutherland, Wiener Staatsopernchor, Marilyn Horne, Georg Solti) |
2:37 |
| 288. |
Messa da Requiem: 5. Agnus Dei (Wiener Philharmoniker, Joan Sutherland, Wiener Staatsopernchor, Marilyn Horne, Georg Solti) |
4:53 |
| 289. |
Messa da Requiem: 6. Lux aeterna (Wiener Philharmoniker, Luciano Pavarotti, Martti Talvela, Marilyn Horne, Georg Solti) |
6:39 |
| 290. |
Messa da Requiem: 7a. Libera me: Libera me (Wiener Philharmoniker, Joan Sutherland, Wiener Staatsopernchor, Georg Solti) |
2:34 |
| 291. |
Messa da Requiem: 7b. Libera me: Dies irae (Wiener Philharmoniker, Joan Sutherland, Wiener Staatsopernchor, Georg Solti) |
2:24 |
| 292. |
Messa da Requiem: 7d. Libera me: Requiem aeternam (Wiener Philharmoniker, Joan Sutherland, Wiener Staatsopernchor, Georg Solti) |
2:53 |
| 293. |
Messa da Requiem: 7c. Libera me: Libera me (Wiener Philharmoniker, Joan Sutherland, Wiener Staatsopernchor, Georg Solti) |
5:40 |
| 294. |
Symphony No. 3 in A Minor, Op. 56 - "Scottish": 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima (Claudio Abbado, London Symphony Orchestra And Chorus) |
12:41 |
| 295. |
Symphony No. 3 in A Minor, Op. 56 - "Scottish": 2. Vivace non troppo (Claudio Abbado, London Symphony Orchestra And Chorus) |
4:15 |
| 296. |
Symphony No. 3 in A Minor, Op. 56 - "Scottish": 3. Adagio (Claudio Abbado, London Symphony Orchestra And Chorus) |
10:11 |
| 297. |
Symphony No. 3 in A Minor, Op. 56 - "Scottish": 4. Allegro vivacissimo - Allegro maestoso assai (Claudio Abbado, London Symphony Orchestra And Chorus) |
9:24 |
| 298. |
Symphony No. 4 in A, Op. 90 - "Italian": 1. Allegro vivace (Claudio Abbado, London Symphony Orchestra And Chorus) |
10:28 |
| 299. |
Symphony No. 4 in A, Op. 90 - "Italian": 2. Andante con moto (Claudio Abbado, London Symphony Orchestra And Chorus) |
6:57 |
| 300. |
Symphony No. 4 in A, Op. 90 - "Italian": 3. Con moto moderato (Claudio Abbado, London Symphony Orchestra And Chorus) |
6:37 |
| 301. |
Symphony No. 4 in A, Op. 90 - "Italian": 4. Saltarello (Presto) (Claudio Abbado, London Symphony Orchestra And Chorus) |
5:44 |
| 302. |
Sextet in D, Op. 110: 1. Allegro vivace (Wiener Oktett) |
12:20 |
| 303. |
Sextet in D, Op. 110, MWV Q16: 2. Adagio (Wiener Oktett) |
4:34 |
| 304. |
Sextet in D, Op. 110: 3. Minuetto (Agitato) (Wiener Oktett) |
2:44 |
| 305. |
Sextet in D, Op. 110: 4. Allegro vivace (Wiener Oktett) |
10:52 |
| 306. |
Piano Quintet in C Minor: 1. Andante (Wiener Oktett) |
4:36 |
| 307. |
Piano Quintet in C Minor: 2. Scherzo (Allegro non troppo) (Wiener Oktett) |
5:34 |
| 308. |
Piano Quintet in C Minor: 3. Finale (Allegro moderato) (Wiener Oktett) |
10:23 |
| 309. |
Grand Septet in B-Flat Major: 1. Adagio (Wiener Oktett) |
8:01 |
| 310. |
Grand Septet in B-Flat Major: 2. Poco adagio (Wiener Oktett) |
8:48 |
| 311. |
Grand Septet in B-Flat Major: 3. Finale (Allegro con spirito) (Wiener Oktett) |
6:17 |
