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Live Free or Die

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Download links and information about Live Free or Die by D. O. A.. This album was released in 2004 and it belongs to Rock, Punk, Metal, Alternative genres. It contains 20 tracks with total duration of 55:13 minutes.

Artist: D. O. A.
Release date: 2004
Genre: Rock, Punk, Metal, Alternative
Tracks: 20
Duration: 55:13
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Tracks

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No. Title Length
1. Agony and the Ecstasy 2:58
2. Earache 2:49
3. Brigands and Pirates 3:30
4. Masters of War 4:30
5. Fat Cat 2:21
6. Stand Up Now 2:05
7. F****d Up Bush 2:04
8. Drive My Car 3:20
9. Robin Hood 3:27
10. Can't Push Me Around 2:50
11. You Won't Stand Alone (ska-sized) 2:05
12. Mountains Eventually Fall 3:32
13. Eve of Destruction 2:51
14. We Don't Need No God Damn War 2:37
15. Road Kill 2:44
16. Kill Ya Later 2:27
17. Marijuana M**********r 1:35
18. I Make This World 3:11
19. The Concrete Beach 2:37
20. Bad Moon Risin' 1:40

Details

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Leave it to a Canadian to spell out something a fair amount of early 21st century Americans seem to have forgotten — then again, Joey Keithley, under the Joey S******d guise or not, has inadvertently made a career out of just that. If Live Free or Die isn't any reinvention of the wheel, on the heels of Keithley's brilliant autobiography I, S******d, it's a potent reminder of what energy and demons make him do what he does in the first place — rock loudly and politically, no holds barred. That said, those who haven't tuned into D.O.A. for a bit might be pleasantly surprised by some of the twists and turns on this one — for a start, a number of songs are the trio's own way around ska, backed up with some guest performers on horns. The results are the merrily-bouncing if lyrically sharp "Earache," "Drive My Car" (no, not that one) and "You Won't Stand Alone (ska-sized)," with a subtitle that gives it away. Covers play a strong role throughout, with such familiar landmarks of an earlier protest generation — "Masters of War" by Dylan (with Keithley doing a mean-as-hell version of the guitar melody), Barry McGuire's "Eve of Destruction" and "Bad Moon Rising" by Creedence Clearwater Revival — getting a brisk high-speed workover. Keithley himself sounds a bit in high and strangled voice throughout — perhaps not so oddly enough it calls to mind his friend and past collaborator Jello Biafra more than anyone else — while the performances are generally fine without being remarkable. But it's hard to fault a band that aims at a particular goal while still showing the strength of what Keithley brought to bear back in the late '70s — perhaps the more things change, the more things do stay the same after all.