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A Company of Voices - Conspirare in Concert

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Download links and information about A Company of Voices - Conspirare in Concert by Craig Hella Johnson, Conspirare. This album was released in 2009 and it belongs to genres. It contains 18 tracks with total duration of 01:08:35 minutes.

Artist: Craig Hella Johnson, Conspirare
Release date: 2009
Genre:
Tracks: 18
Duration: 01:08:35
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Tracks

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No. Title Length
1. Sure on This Shining Night 4:31
2. Let the River Run 2:20
3. The Water is Wide 3:45
4. Didn't My Lord Deliver Daniel? 2:28
5. Will There Really Be a "Morning"? 3:24
6. Light of a Clear Blue Morning 4:32
7. Wayfarin' Stranger / You're No Good / De Profundis / See My Eyes / Crying / Drop, Drop Slow Tears 5:03
8. Agnus Dei 8:38
9. Deep River 2:16
10. Gabriel's Oboe 2:26
11. Soneto de la Noche 5:55
12. When I Fall in Love / Nearer My God to Thee 3:42
13. What If 3:27
14. Requiem 3:44
15. 1000 Beauiful Things 3:14
16. Triptych (Excerpt) 2:21
17. I Love You - What a Wonderful World 3:41
18. The First of My Lovers 3:08

Details

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Recorded live in October 2008, A Company of Voices testifies to the craft and imagination that arranger/conductor Craig Hella Johnson and his group Conspirare bring to the choral tradition. With a feel for unlikely points of connection, the Austin, Texas–based ensemble interweave folk and Broadway material with classical pieces and age-old spirituals. Johnson infuses Conspirare with a sense of freedom that can be positively daring. His self-described musical “collages” are often audacious and stunning, as this album’s blending of “Wayfarin’ Stranger,” “You’re No Good," and “De Profundis” makes clear. Pop songs like Carly Simon’s “Let the River Run” and Annie Lennox’s “1000 Beautiful Things” are given revelatory treatments, while interpretations of modern classical works like Eric Whitacre’s “What If” and Tarik O’Regan’s “Triptych” are engaging and provocative. Conspirare soars through African-American hymns (“Didn’t My Lord Deliver Daniel?”), captures the majesty of liturgical pieces (Samuel Barber’s “Agnus Dei”), and illuminates Appalachian-style balladry (Dolly Parton’s “Will There Really Be a ‘Morning’?").