Black In the Saddle
Download links and information about Black In the Saddle by Cowboy Troy. This album was released in 2007 and it belongs to Hip Hop/R&B, Rap, Rock, Hard Rock, Heavy Metal, Country genres. It contains 12 tracks with total duration of 45:50 minutes.
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| Artist: | Cowboy Troy |
| Release date: | 2007 |
| Genre: | Hip Hop/R&B, Rap, Rock, Hard Rock, Heavy Metal, Country |
| Tracks: | 12 |
| Duration: | 45:50 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
| Buy on Songswave €1.30 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Buffalo Stampede (feat. M. Shadows) (featuring M. Shadows) | 4:05 |
| 2. | Lock Me Up (feat. Angela Hacker & J-Money) (featuring Angela Hacker) | 2:58 |
| 3. | How Can You Hate Me? | 3:49 |
| 4. | Take Your Best Shot Now (feat. J-Money) (featuring J. Money) | 4:04 |
| 5. | Hick Chick (feat. Angela Hacker) (featuring Angela Hacker) | 3:42 |
| 6. | Man With the Microphone | 4:18 |
| 7. | My Bowtie | 2:56 |
| 8. | Cruise Control (feat. James Otto) (featuring James Otto) | 3:45 |
| 9. | Paranoid Like Me ['Tis the Season of Discontent] | 5:08 |
| 10. | Blackneck Boogie | 3:03 |
| 11. | Hick Chick [Dance Mix] | 3:45 |
| 12. | I Play Chicken With the Train [Barn Dance Mix] | 4:17 |
Details
[Edit]Crossing rap with country and riding hell-bent for the charts, Cowboy Troy turns Black In the Saddle into a hoedown and a throwdown. This charter member of Big & Rich’s Muzik Mafia and co-host of TV’s Nashville Star shows his determination to prove that his initial success was no fluke. His pungent “hick-hop” concoction deep-fries heavy-metal guitars, garnishes them with pedal-steel licks and serves them up with a rapid-fire rap attack reminiscent of vintage Run-D.M.C. Tracks like “Buffalo Stampede” and “Blackneck Boogie” work both as dance-floor jams and declarations of artistic freedom. In “How Can You Hate Me,” Troy takes on the stereotypes facing an African-American country artist with withering humor. While most of the album has an ornery edge, “Paranoid Like Me (“Tis the Season of Discontent)” takes a moodier tack as Troy ruminates over malice and mistrust. More typical is “Hick Chick,” a hard-crunching commentary on today’s honky-tonk angels. Troy plays it loud ‘n’ proud throughout, keeping his smile intact even as he muscles his way past racial profiles and redneck roadblocks. Rap on, Cowboy.