Live From Deep in the Heart of Texas
Download links and information about Live From Deep in the Heart of Texas by Commander Cody And His Lost Planet Airmen. This album was released in 1974 and it belongs to Rock, Rock & Roll, Country genres. It contains 13 tracks with total duration of 41:20 minutes.
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| Artist: | Commander Cody And His Lost Planet Airmen |
| Release date: | 1974 |
| Genre: | Rock, Rock & Roll, Country |
| Tracks: | 13 |
| Duration: | 41:20 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Armadillo Stomp (1973 Austin, TX) | 2:00 |
| 2. | Good Rockin' Tonight (1973 Austin, TX) | 2:46 |
| 3. | I'm Coming Home (1973 Austin, TX) | 2:41 |
| 4. | Seeds and Stems Again Blues (1973 Austin, TX) | 4:03 |
| 5. | When the Sun Sets on the Sage (1973 Austin, TX) | 3:45 |
| 6. | Little Sally Walker (1973 Austin, TX) | 2:25 |
| 7. | Git It (1973 Austin, TX) | 2:26 |
| 8. | Oh Momma Momma (1973 Austin, TX) (featuring Commander Cody, His Lost Planet Airmen) | 4:21 |
| 9. | Cryin' Time (1973 Austin, TX) | 3:08 |
| 10. | Diggy Liggy Lo (1973 Austin, TX) | 2:27 |
| 11. | Riot in Cell Block #9 (1973 Austin, TX) (featuring Commander Cody, His Lost Planet Airmen) | 3:15 |
| 12. | Too Much Fun (1973 Austin, TX) | 3:25 |
| 13. | Mean Woman Blues (1973 Austin, TX) | 4:38 |
Details
[Edit]This is Commander Cody & His Lost Planet Airmen at their best, live on-stage and out on the road with the New Riders of the Purple Sage. What a bill and what a grand time for a live album. This is how it really was — wild, loud, and fun. Again, they intersperse their own songs with old favorites. "Armadillo Stomp" was penned for this event, and a woolly version of "Down to Seeds and Stems Again Blues" has the crowd on its feet. Their "Oh Momma Momma" and "Too Much Fun" become legendary during this performance. But, it is their reworking of Buck Owens' "Crying Time" that makes them such a wonderful country band. Johnny Horton's "I'm Comin' Home" is also masterful, as is their take on a favorite cowboy tune, "Sunset on the Sage." "Mean Woman Blues" is another highlight. As for the Commander, his wanton style is perfectly at home when he takes the Leiber & Stoller tune "Riot in Cell Block #9" and makes it his own vehicle for a musical theatrical performance. Every cut is perfection, every cut is substantial. This 1973 performance, captured here for posterity, is evidence enough to suggest that Commander Cody & His Lost Planet Airmen were one fine honky tonk band, perhaps one of the finest.