The Minor Fall, the Major Lift (The best of Claire Hamill)
Download links and information about The Minor Fall, the Major Lift (The best of Claire Hamill) by Claire Hamill. This album was released in 2007 and it belongs to New Age, Rock, Alternative, Songwriter/Lyricist genres. It contains 35 tracks with total duration of 02:29:58 minutes.
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| Artist: | Claire Hamill |
| Release date: | 2007 |
| Genre: | New Age, Rock, Alternative, Songwriter/Lyricist |
| Tracks: | 35 |
| Duration: | 02:29:58 |
| Buy it NOW at: | |
| Buy on iTunes $17.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Urge for Going (from the album "One House Left Standing") | 6:44 |
| 2. | River Song (from the album "One House Left Standing") | 4:14 |
| 3. | The Man Who Cannot See Tomorrow's Sunshine (from the album "One House Left Standing") | 2:40 |
| 4. | Baseball Blues (from the album "One House Left Standing") | 4:16 |
| 5. | Speedbreaker (from the album "October") | 3:09 |
| 6. | Crying Under the Bedclothes (from the album "October") | 3:33 |
| 7. | To the Stars (from the album "October") | 2:02 |
| 8. | Warrior of the Water (from the album "October") | 2:53 |
| 9. | You Take My Breath Away (from the album "Stage Door Johnnies") | 2:35 |
| 10. | All the Cakes She Baked Him (from the album "Stage Door Johnnies") | 3:21 |
| 11. | Something to Believe In (from the album "Stage Door Johnnies") | 4:10 |
| 12. | Geronimo's Caddilac (from the album "Stage Door Johnnies") | 4:22 |
| 13. | One Sunday Morning (from the album "Abracadabra") | 3:29 |
| 14. | Forbidden Fruit (from the album "Abracadabra") | 2:58 |
| 15. | For Sailors (from the album "Abracadabra") | 4:20 |
| 16. | Celluloid Heroes (from the album "Abracadabra") | 5:02 |
| 17. | The Moon Is a Powerful Lover (from the album "Touchpaper") | 5:02 |
| 18. | Two Fools In a Storm (from the album "Touchpaper") | 3:46 |
| 19. | Denmark (from the album "Touchpaper") | 3:24 |
| 20. | First Night In New York (from the album "Touchpaper") | 4:24 |
| 21. | Awaken; Larkrise (from the album "Voices") | 4:01 |
| 22. | Icicle Rain (from the album "Voices") | 5:15 |
| 23. | Tides (from the album "Voices") | 4:37 |
| 24. | Trees (from the album "Love In The Afternoon") | 5:07 |
| 25. | Japanese Lullabye (from the album "Love In The Afternoon") | 3:43 |
| 26. | Glastonbury (from the album "Love In The Afternoon") | 5:18 |
| 27. | Love In the Afternoon (from the album "Love In The Afternoon") | 4:59 |
| 28. | Someday We'll Be Together (Released as a single in 1989) | 5:08 |
| 29. | Mother of All (from the album "Summer") | 3:18 |
| 30. | The Last Shirt (from the album "Summer") | 6:37 |
| 31. | He Moved Through the Fair (from the album "Summer") | 5:41 |
| 32. | Oregon Inlet (from the album "The Lost And The Lovers") | 4:31 |
| 33. | We'll Be Glad We Cried (from the album "The Lost And The Lovers") | 4:56 |
| 34. | Beautiful Moon (from the album "The Lost And The Lovers") | 5:58 |
| 35. | Blue (from the album "The Lost And The Lovers") | 4:25 |
Details
[Edit]Teenage songstress Claire Hamill was all of 16 when she was signed to Island Records and taken into the studio by label head Chris Blackwell to record her debut album, 1972's One House Left Standing. A lovely, gentle set, reflective of the times and the singer/songwriter climes, it garnered enough attention for a follow-up, October. It was a grand start for Hamill's long career, still going strong after all these years. The Minor Fall, The Major Lift pays tribute to the legendary artist with a sumptuous two-CD compilation that encompasses her entire career and draws selections from each of her nine albums. In 1974, the fast-maturing artist moved from Island to Ray Davies' KONK label, with the Kinks mainstay overseeing her Stage Door Johnnies set. An American tour followed, with Hamill returning with her own band and a demand to self-produce her next album. Davies agreed, and Abracadabra resulted, a special set only somewhat marred by her lack of experience on the other side of the board. Punk's rise was Hamill's downfall, or at least the end of her solo career — for a time. It wasn't until the '80s that Hamill resuscitated her solo career, reopening her account with the synth-heavy and dance-friendly Touch Paper. However, it was 1987's Voices that finally garnered Hamill the acclaim she'd so long deserved, as she dove headfirst into the new world music genre. Years passed before Hamill delivered her next set, returning to her roots for the pastoral glories of Love in the Afternoon. Invariably, a more synth-oriented set followed, Summer, with the compilation drawing to a close with a quartet of numbers taken from her last album, the lush The Lost & the Lovers. By that time, American singer Eva Cassidy had already taken Hamill's "You Take My Breath Away" into the charts, reactivating interest in the British singer. Over the years, Hamill has shifted styles on many occasions, but what hasn't changed is the beauty of her songwriting or her exquisite crystal-clear vocals. A legend finally getting her due, and the perfect introduction for a new generation of fans to come.