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Songbook (Live)

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Download links and information about Songbook (Live) by Chris Cornell. This album was released in 2011 and it belongs to Rock, Alternative genres. It contains 17 tracks with total duration of 01:12:18 minutes.

Artist: Chris Cornell
Release date: 2011
Genre: Rock, Alternative
Tracks: 17
Duration: 01:12:18
Buy on iTunes $11.99
Buy on iTunes $11.99

Tracks

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No. Title Length
1. As Hope and Promise Fade (Live At Queen Elizabeth Theatre, Toronto, ON April 20, 2011) 3:47
2. Scar On the Sky (Live At Keswick Theatre, Glenside, PA April 10, 2011) 3:40
3. Call Me a Dog (Live At Queen Elizabeth Theatre, Toronto, ON April 20, 2011) 4:51
4. Ground Zero (Live At Vic Theatre, Chicago, IL April 22, 2011) 2:58
5. Can't Change Me (Live At Borgata Hotel Casino & Spa - Music Box, Atlantic City, NJ April 15, 2011) 4:18
6. I Am the Highway (Live At Queen Elizabeth Theatre, Toronto, ON April 20, 2011) 4:56
7. Thank You (Live At Esplanade Arts & Heritage Centre, Medicine Hat, Alberta, Canada April 27, 2011) 4:48
8. Cleaning My Gun (Live At Pabst Theatre, Milwaukee, WI April 23, 2011) 5:18
9. Wide Awake (Live At Sixth & I Historic Synagogue, Washington, DC April 17, 2011) 3:33
10. Fell On Black Days (Live At Keswick Theatre, Glenside, PA April 10, 2011) 5:05
11. All Night Thing (Live At Sixth & I Historic Synagogue, Washington, DC April 17, 2011) 3:25
12. Doesn't Remind Me (Live At Fitzgerald Theatre, St. Paul, MN April 24, 2011) 4:08
13. Like a Stone (Live At Queen Elizabeth Theatre, Toronto, ON April 20, 2011) 4:04
14. Black Hole Sun (Live At Red Robinson Show Theatre, Vancouver, Canada April 30, 2011) 4:37
15. Imagine (Live At Pabst Theatre, Milwaukee, WI April 23, 2011) 4:06
16. The Keeper 3:57
17. Black Hole Sun (Live At Queen Elizabeth Theatre, Toronto, ON April 20, 2011) 4:47

Details

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Much in the tradition of MTV Unplugged, Chris Cornell hit the road solo after his reunion with Soundgarden and performed songs from his whole career. He featured selections by Soundgarden and Audioslave, as well as solo efforts (including the experimental Scream release). Covers of Led Zeppelin’s “Thank You” and John Lennon’s “Imagine” fit perfectly with Cornell’s scope. As one of the ‘90s grunge scene’s most authoritative singers, if always more hard rock than punk, Cornell has the ability to evoke a multitude of emotions. “The Keeper” sounds optimistic and beautifully folk. “Fell on Black Days” has a grace and subtlety in this dialed-down setting. “Black Hole Sun” is presented twice, each with a gentility that points out the song’s ingenious melody. Audioslave’s “I Am the Highway” takes on a lonely effect. “Ground Zero” from Scream is essentially an electric rocker played on acoustic guitar. To hear Cornell so clearly, without stacks of amplifiers threatening to drown his vocals, is rewarding; it sounds like he’s enjoying himself immensely.