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Bratko Bibič and the Madleys of Bridko Bebič / Bratko Bibic and the Madleys of Bridko Bebic

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Download links and information about Bratko Bibič and the Madleys of Bridko Bebič / Bratko Bibic and the Madleys of Bridko Bebic by Bratko Bibič / Bratko Bibic. This album was released in 1995 and it belongs to Avant Garde Jazz, Rock, Avant Garde Metal, World Music genres. It contains 10 tracks with total duration of 52:41 minutes.

Artist: Bratko Bibič / Bratko Bibic
Release date: 1995
Genre: Avant Garde Jazz, Rock, Avant Garde Metal, World Music
Tracks: 10
Duration: 52:41
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Tracks

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No. Title Length
1. Ṧackamra (Aus Der Schatzkammer Des Unbewusstes) 5:56
2. EF-EM-ER 5:39
3. Jane (featuring Shirley Anne Hofmann) 4:23
4. Tarotska (A Folk Song for a Beaten Accordion, Clarinet, Euphonium, …) (featuring Shirley Anne Hofmann, Bogo Pečnikar / Bogo Pecnikar) 4:31
5. Euforična (featuring Bogo Pečnikar / Bogo Pecnikar) 7:15
6. Fragile Part 3&4 4:14
7. Tangue (featuring Bogo Pečnikar / Bogo Pecnikar) 5:42
8. Madley (featuring Bogo Pečnikar / Bogo Pecnikar) 6:01
9. Lie-Bach (featuring Mica, Shirley Anne Hofmann, Matjaž Sekne / Matjaz Sekne) 5:58
10. Intro a la Impro 3:02

Details

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This album is Bratko Bibic's first solo effort after years spent in East-European avant-folk groups Begnagrad and Nimal. Although titled Bratko Bibic & the Madleys of Bridko Bebic, it doesn't feature the accordionist's backup band — the "real" Madleys had yet to be found. Accompanying him are ex-Begnagrad clarinetist Bogo Pecnikar, violinist Matjaž Sekne, and L'Ensemble Rayé's trombonist, Shirley Hofmann. Nimal drummer Momo Rossel engineered the sessions, which stretched over two years, but he doesn't play on the album. The only percussive sounds heard come from the accordion — Bibic is a master at exploiting every click and knock the instrument can produce. He also has a unique talent at writing heartwarming melodies and setting them to twisted stop-and-go rhythms. Drawing inspiration from Slovenian folk, he pushes the music further into avant-garde territory, using odd meters, atonality, and occasional free improv passages to find new paths to modern folk. All of this exploration is constantly pursued in a playful manner. This is music to hum along or dance to, although you may want to watch your step. Tunes like "Sackamra," "Jane," and "Madley" are simply beautiful — some would find their way into the repertoire of the supergroup Accordion Tribe a few years later. This album is not as strong as Na Domacem Vrtu, but it remains genuinely lovable, albeit hard to find. ~ François Couture, Rovi