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The Bootleg Series, Vol. 6: Live 1964 - Concert At Philharmonic Hall

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Download links and information about The Bootleg Series, Vol. 6: Live 1964 - Concert At Philharmonic Hall by Bob Dylan. This album was released in 1965 and it belongs to Rock, Folk Rock, Songwriter/Lyricist, Psychedelic, Contemporary Folk genres. It contains 19 tracks with total duration of 01:33:27 minutes.

Artist: Bob Dylan
Release date: 1965
Genre: Rock, Folk Rock, Songwriter/Lyricist, Psychedelic, Contemporary Folk
Tracks: 19
Duration: 01:33:27
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Tracks

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No. Title Length
1. The Times They Are A-Changin' (Live) 3:29
2. Spanish Harlem Incident (Live) 2:42
3. Talkin' John Birch Paranoid Blues (Live) 3:52
4. To Ramona (Live) 5:00
5. Who Killed Davey Moore? (Live) 3:41
6. Gates of Eden (Live) 7:30
7. If You Gotta Go, Go Now (Or Else You Got to Stay All Night) [Live] 3:22
8. It's Alright, Ma (I'm Only Bleeding) [Live] 9:26
9. I Don't Believe You (She Acts Like We Never Have Met) [Live] 3:41
10. Mr. Tambourine Man (Live) 6:04
11. A Hard Rain's A-Gonna Fall (Live) 7:44
12. Talkin' World War III Blues (Live) 5:41
13. Don't Think Twice, It's All Right (Live) 4:02
14. The Lonesome Death of Hattie Carroll (Live) 6:27
15. Mama, You Been On My Mind (Live) (featuring Joan Baez) 3:05
16. Silver Dagger (Live) (featuring Joan Baez) 3:41
17. With God On Our Side (Live) (featuring Joan Baez) 6:08
18. It Ain't Me, Babe (Live) (featuring Joan Baez) 3:51
19. All I Really Want to Do (Live) 4:01

Details

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He was wearing his Bob Dylan mask, he famously announced at this Halloween 1964 show, but he was actually opening up more and more of himself. This entry in The Bootleg Series finds Dylan revisiting hard-hitting protest classics ("The Lonesome Death of Hattie Carroll," "With God on Our Side") while presenting newer, less political songs from Another Side ("All I Really Want to Do," "To Ramona") and unreleased gems of both stripes ("Talkin' World War III Blues," "If You Gotta Go, Go Now"). Four songs with cohort Joan Baez also thrilled the folk-oriented crowd. It would be months before he'd shock them with his first side of electric music, but Dylan was already pushing plenty of boundaries.