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Somebody Stole My Gal (Giants of Jazz)

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Download links and information about Somebody Stole My Gal (Giants of Jazz) by Bix Beiderbecke. This album was released in 2010 and it belongs to Jazz genres. It contains 25 tracks with total duration of 01:15:29 minutes.

Artist: Bix Beiderbecke
Release date: 2010
Genre: Jazz
Tracks: 25
Duration: 01:15:29
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Tracks

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No. Title Length
1. Somebody Stole My Gal (featuring Bix Beiderbecke And His Gang) 2:58
2. Since My Best Gal Turned Me Down (featuring Bix Beiderbecke And His Gang) 3:07
3. Rhythm King (featuring Bix Beiderbecke And His Gang) 3:22
4. Clarinet Marmalade 3:16
5. Three Blind Mice (featuring The Chicago Loopers) 2:57
6. Wringin' and Twistin' (featuring Frankie Trumbauer) 2:55
7. Humpty Dumpty 3:03
8. Krazy Kat 3:02
9. Baltimore 3:01
10. Crying All Day 3:05
11. A Good Man Is Hard to Find 3:04
12. Big Boy (featuring The Wolverine Orchestra) 2:49
13. Rockin' Chair (featuring Hoagy Carmichael, Hoagy Carmichael And His Orchestra) 3:28
14. Flock O' Blues (featuring Sioux City Six) 2:39
15. Toddlin' Blues 2:45
16. Sensation (featuring The Wolverine Orchestra) 2:41
17. I'm More Than Satisfied (featuring The Chicago Loopers) 3:19
18. Washboard Blues (featuring Paul Whiteman And His Orchestra) 4:14
19. Dusky Stevedore 3:16
20. Mississippi Mud 3:08
21. Oh, Baby (featuring The Wolverine Orchestra) 2:19
22. Susie (featuring The Wolverine Orchestra) 2:36
23. Lazy Daddy (featuring The Wolverine Orchestra) 2:44
24. Tia Juana (featuring The Wolverine Orchestra) 2:54
25. I Need Some Pettin' (featuring The Wolverine Orchestra) 2:47

Details

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This Time-Life Giants of Jazz collation gave the listener a thorough primer on a brief (1927 and 1928) but crucial period in Bix Beiderbecke's career... Beiderbecke was among the first important players in jazz to bring a sense of artistic consciousness to his work. He was schooled in the classics, had a decent foundation in theory, and was articulate enough to talk intelligently about what he played. Whereas Louis Armstrong fulminated with instinctive brillance and urgent power, Beiderbecke found it possible to create in a bold but circumspect manner. Of the 40 selections included on the three LPs, 34 were from the 1927-1928 period. No significant Beiderbecke landmarks were ignored and some lesser efforts were included, too, i.e., "Crying All Day," twhich was to Beiderbecke's "Singin' The Blues" as Coleman Hawkins' "Rainbow Mist" was to his "Body and Soul" or "Humpty Dumpty," with its insinuations of "Charleston Alley" and modest Beiderbecke solo presence. But we get "I'm Coming Virginia," "Jazz Me Blues," the driving and harmonically alert "Lonely Melody" with Paul Whiteman, and many other gems. ~ John McDonough, Downbeat, Rovi