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Gospel Bluegrass Homecoming, Vol. 1

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Download links and information about Gospel Bluegrass Homecoming, Vol. 1 by Bill, Gloria Gaither.... This album was released in 2003 and it belongs to Gospel, Country, Outlaw Country, Pop genres. It contains 22 tracks with total duration of 01:13:31 minutes.

Artist: Bill, Gloria Gaither...
Release date: 2003
Genre: Gospel, Country, Outlaw Country, Pop
Tracks: 22
Duration: 01:13:31
Buy on iTunes $9.99

Tracks

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No. Title Length
1. This Little Light of Mine (featuring Marty Stuart) 2:52
2. Just Over In Heaven 2:35
3. We Shall Inherit 2:42
4. The Gospel Plow 3:06
5. Lee Highway Blues 2:15
6. Yes, I Know 5:17
7. A Robin Built a Nest On Daddy's Grave 3:07
8. Gloryland 2:33
9. When the Angels Sing 3:27
10. You Don't Love God If You Don't Love Your Neighbor 3:24
11. Swing Low, Sweet Chariot 3:16
12. Halfway Home Cafe 4:13
13. Bluegrass Breakdown 4:42
14. Is Not This the Land of Beulah? 3:05
15. Get Up In Jesus' Name 2:37
16. So Many Years, So Many Blessings 3:07
17. Honey In the Rock 1:53
18. I Believe 2:27
19. Get Down On Your Knees and Pray 4:06
20. Sunday Meetin' Time 3:15
21. I Find Jesus 4:14
22. Will the Circle Be Unbroken 5:18

Details

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The words "Country" and "Bluegrass" in the title of this live various-artists album don't necessarily suggest gospel music, but "Homecoming" signals that this is a release from the Gaither combine, and thus must be religiously oriented. The 20 tracks are handled by 19 different performers in traditional country and bluegrass styles, and the lineup is stellar, including George Jones, Vince Gill, Ralph Stanley, Marty Stuart, Rhonda Vincent, and Doyle Lawson, to cite some names that may be familiar beyond the gospel field. They fit right in with the all-gospel artists in songs that praise God, confess earthly troubles, and look forward to a heavenly reward. Jason Crabb contributes the maudlin, if devout "I Sure Miss You," directed at a departed loved one and expressing the comfort of religion to compensate for loss. After all, the dead are in heaven, where the faithful hope to follow them soon. Bluegrass gospel often reveals this strain of solemnity and outright mourning, and Gill brings it back feelingly at the end with his reading of "Go Rest High on That Mountain," making it a fitting conclusion.