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The Chanting Dread Inna Fine Style

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Download links and information about The Chanting Dread Inna Fine Style by Big Youth. This album was released in 1983 and it belongs to Reggae, World Music genres. It contains 14 tracks with total duration of 46:09 minutes.

Artist: Big Youth
Release date: 1983
Genre: Reggae, World Music
Tracks: 14
Duration: 46:09
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Tracks

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No. Title Length
1. My Time 2:52
2. Sky Juice 2:50
3. African Daughter 3:15
4. Mr. Buddy 3:24
5. All Nation Bow 2:57
6. Salvation Light 2:51
7. Dread In a Babylon 3:00
8. Mama Look 3:07
9. Streets In Africa 3:24
10. Jah Jah Love Dem 3:29
11. Bread In the Oven 3:27
12. Jah Golden Jubilee 4:07
13. Golden Dub 4:07
14. Words of the Prophet 3:19

Details

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Picking up where Some Great Big Youth left off, or more accurately left out, this compilation gathers up earlier cuts, and thus is a decided improvement over its predecessor. Once again, the set is culled from releases from Big Youth's own Negusa Negast label, all backed by guitarist Earl "Chinna" Smith's marvelous Soul Syndicate band. Big Youth toasts over many classic rhythms, although as was usual by now, most have been so stripped down that they can be difficult to recognize. The exuberantly bouncy "Skyjuice," for example, employs John Holt's "Sister Big Stuff," and was also used by Dennis Alcapone for his hit "Teach the Children." Another much recycled rhythm, the Paragons' "Only a Smile," here is re-created as "Dread Inna Babylon." U Roy versioned the song as well on "Flashing My Whip," but in this DJ clash, Big Youth's is far superior. "Mama Look" employs Dennis Brown's masterpiece, "Money in My Pocket," one of several versions Big Youth cut of that hit, and boasts a fabulously loose and relaxed toast, the DJ at his best. Brown's vocals have been stripped from that, but they do feature on "Streets in Africa," where he's backed by the Heptones. (The song itself is a cover of War's "The World Is a Ghetto.") Cool ruler Gregory Isaacs can also be found within this set. By this point in his career, Big Youth was at his toasting best when rapping about cultural themes, and Chanting is stuffed with these cuts. The Soul Syndicate provide a steaming, rootsy backing that meshes perfectly with the DJ's toasts. Chanting dread in a fine style indeed.