Create account Log in

Wallace, Bennie: In Berlin

[Edit]

Download links and information about Wallace, Bennie: In Berlin by Bennie Wallace. This album was released in 2001 and it belongs to Jazz genres. It contains 7 tracks with total duration of 01:05:53 minutes.

Artist: Bennie Wallace
Release date: 2001
Genre: Jazz
Tracks: 7
Duration: 01:05:53
Buy on iTunes $9.99
Buy on Amazon $8.99

Tracks

[Edit]
No. Title Length
1. Porgy and Bess: It ain't necessarily so (featuring George Cables, Peter Washington, Herlin Riley) 14:34
2. Porgy and Bess: I loves you Porgy (featuring George Cables, Peter Washington, Herlin Riley) 5:40
3. It Has Happened To Me (featuring George Cables, Peter Washington, Herlin Riley) 8:32
4. It's Only a Paper Moon (featuring George Cables, Peter Washington, Herlin Riley) 10:05
5. Oh, Kay!: Someone to watch over me (featuring George Cables, Peter Washington, Herlin Riley) 7:10
6. Thangs (featuring George Cables, Peter Washington, Herlin Riley) 13:21
7. At Lulu White's (featuring George Cables, Peter Washington, Herlin Riley) 6:31

Details

[Edit]

For decades, Bennie Wallace has performed with a hard-hitting, angular style all his own. Why his name is not associated with the giants of the horn is a mystery, as he has produced a body of work in the genre of hard bop that is equal to many of the better-known tenor saxophonists. This outstanding live recording is further evidence of Wallace's skills. The advantage over his studio sessions is that the tracks are longer, allowing the saxophonist to stretch at length. Combining a selection of familiar standards (a few Gershwin tunes plus Harold Arlen's "It's Only a Paper Moon") with a few originals, and adding an all-star rhythm section, Wallace delights with an uncommon exuberance that captures a tight, well-oiled quartet at the height of its abilities. Whether playing a ballad or an up-tempo burner, the saxophonist infuses his personality into every note. His trademark intervallic leaps are unforgettable, as is his gorgeous, big-toned Hawkins-derived sound. George Cables knows how to accompany saxophonists (he's been doing it successfully for years), and his solo work and supporting thrusts help make this the fine session it is. In the end, though, it is Wallace's show, and those who have not yet been introduced to his unique style should find this particularly fascinating.