|
No. |
Title |
Length |
| 1. |
Cantanta, BWV 21 "Ich hatte viel Bekümmernis" / Erster Teil: Sinfonia (Karl Richter) |
2:57 |
| 2. |
Cantanta, BWV 21 "Ich hatte viel Bekümmernis" / Erster Teil: 2. Chor: Ich hatte viel Bekümmernis (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
4:02 |
| 3. |
Cantanta, BWV 21 "Ich hatte viel Bekümmernis" / Erster Teil: 3. Arie: Seufzer, Tränen, Kummer, Not (Edith Mathis, Karl Richter) |
4:39 |
| 4. |
Cantanta, BWV 21 "Ich hatte viel Bekümmernis" / Erster Teil: 4. Rec: Wie hast du dich, mein Gott (Ernst Haefliger, Karl Richter) |
1:42 |
| 5. |
Cantanta, BWV 21 "Ich hatte viel Bekümmernis" / Erster Teil: 5. Arie: Bäche von gesalznen Zähren (Ernst Haefliger, Karl Richter) |
7:13 |
| 6. |
Cantanta, BWV 21 "Ich hatte viel Bekümmernis" / Erster Teil: 6. Chor: Was betrübst du dich, meine Seele (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
4:47 |
| 7. |
Cantanta, BWV 21 "Ich hatte viel Bekümmernis" / Zweiter Teil: 7. Rec: Ach Jesu, meine Ruh, mein Licht (Edith Mathis, Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
1:46 |
| 8. |
Cantanta, BWV 21 "Ich hatte viel Bekümmernis" / Zweiter Teil: 8. Duett: Komm, mein Jesu, und erquicke (Edith Mathis, Karl Richter) |
4:15 |
| 9. |
Cantanta, BWV 21 "Ich hatte viel Bekümmernis" / Zweiter Teil: 9. Chor und Choral: Sei nun wieder zufrieden (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
5:32 |
| 10. |
Cantanta, BWV 21 "Ich hatte viel Bekümmernis" / Zweiter Teil: 10. Arie: Erfreue dich, Seele (Ernst Haefliger, Karl Richter) |
3:16 |
| 11. |
Cantanta, BWV 21 "Ich hatte viel Bekümmernis" / Zweiter Teil: 11. Chor: Das Lamm, das erwürget ist (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
3:36 |
| 12. |
Cantata No. 24 "Ein ungefärbt Gemüte", BWV 24: 1. Arie: Ein ungefärbt Gemüte (Anna Reynolds, Karl Richter) |
5:00 |
| 13. |
Cantata No. 24 "Ein ungefärbt Gemüte", BWV 24: 2. Rec: Die Redlichkeit ist eine von den Gottesgaben (Peter Schreier, Karl Richter) |
1:53 |
| 14. |
Cantata No. 24 "Ein ungefärbt Gemüte", BWV 24: 3. Chor: Alles nun, das ihr wollet (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
3:13 |
| 15. |
Cantata No. 24 "Ein ungefärbt Gemüte", BWV 24: 4. Rec: Die Heuchelei ist eine Brut (Dietrich Fischer - Dieskau, Karl Richter) |
1:50 |
| 16. |
Cantata No. 24 "Ein ungefärbt Gemüte", BWV 24: 5. Arie: Treu und Wahrheit sei der Grund (Peter Schreier, Karl Richter) |
3:28 |
| 17. |
Cantata No. 24 "Ein ungefärbt Gemüte", BWV 24: 6. Choral: O Gott, du frommer Gott (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
2:07 |
| 18. |
Cantata, BWV 65 "Sie werden aus Saba alle kommen": 1. Coro: Sie werden aus Saba alle kommen (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
3:34 |
| 19. |
Cantata, BWV 65 "Sie werden aus Saba alle kommen": 2. Choral: Die Könige aus Saba kamen dar (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
0:42 |
| 20. |
Cantata, BWV 65 "Sie werden aus Saba alle kommen": 3. Recitativo: Was dort Jesaias vorhergesehn (Theo Adam, Karl Richter) |
2:13 |
| 21. |
Cantata, BWV 65 "Sie werden aus Saba alle kommen": 4. Aria: Gold und Ophir ist zu schlecht (Theo Adam, Karl Richter) |
2:37 |
| 22. |
Cantata, BWV 65 "Sie werden aus Saba alle kommen": 5. Recitativo: Verschmähe nicht, du, meiner Seelen Licht (Ernst Haefliger, Karl Richter) |
1:31 |
| 23. |
Cantata, BWV 65 "Sie werden aus Saba alle kommen": 6. Aria: Nimm mich dir zu eigen hin (Ernst Haefliger, Karl Richter) |
3:21 |
| 24. |
Cantata, BWV 65 "Sie werden aus Saba alle kommen": 7. Choral: Ei nun, mein Gott, so fall ich dir getrost (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
1:28 |
| 25. |
Nun komm, der Heiden Heiland, BWV 61: 1. Ouverture "Nun komm, der Heiden Heiland" (Choir) (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
2:48 |
| 26. |
Nun komm, der Heiden Heiland, BWV 61: 2. Recitative "Der Heiland ist gekommen" (Tenor) (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
1:20 |
| 27. |
Nun komm, der Heiden Heiland, BWV 61: 3. Aria "Komm, Jesu, komm zu deiner Kirche" (Tenor) (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
4:17 |
| 28. |
Nun komm, der Heiden Heiland, BWV 61: 4. Recitative "Siehe, ich stehe vor der Tür" (Baritone) (John Eliot Gardiner, English Baroque Soloists, Olaf Bär / Olaf Bar) |
1:08 |
| 29. |
Nun komm, der Heiden Heiland, BWV 61: 5. Aria "Öffne dich, mein ganzes Herz" (Soprano) (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Timothy Mason) |
3:47 |
| 30. |
Nun komm, der Heiden Heiland, BWV 61: 6. Chorale "Amen" (The Monteverdi Choir, John Eliot Gardiner, Anthony Rolfe Johnson, Nancy Argenta, English Baroque Soloists, Olaf Bär / Olaf Bar) |
0:45 |
| 31. |
"Schwingt freudig euch empor" BWV 36 / Pt. 1: 1. Chorus "Schwingt freudig euch empor" (Choir) (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
4:11 |
| 32. |
"Schwingt freudig euch empor" BWV 36 / Pt. 1: 2. Chorale-Duet "Nun komm, der Heiden Heiland" (Soprano, Mezzo-soprano) (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Petra Lang, Anthony Robson) |
3:21 |
| 33. |
"Schwingt freudig euch empor" BWV 36 / Pt. 1: 3. Aria "Die Liebe zieht mit sanften Schritten" (Tenor) (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists, Anthony Robson) |
4:50 |
| 34. |
"Schwingt freudig euch empor" BWV 36 / Pt. 1: 4. Chorale "Zwingt die Saiten" (Choir) (The Monteverdi Choir, John Eliot Gardiner, Anthony Rolfe Johnson, Nancy Argenta, English Baroque Soloists, Petra Lang) |
1:19 |
| 35. |
"Schwingt freudig euch empor" BWV 36 / Pt. 2: 5. Aria "Willkommen, werter Schatz" (Baritone) (John Eliot Gardiner, English Baroque Soloists, Olaf Bär / Olaf Bar) |
3:32 |
| 36. |
"Schwingt freudig euch empor" BWV 36 / Pt. 2: 6. Chorale "Der du bist dem Vater gleich" (Choir) (The Monteverdi Choir, John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Petra Lang, Olaf Bär / Olaf Bar) |
1:44 |
| 37. |
"Schwingt freudig euch empor" BWV 36 / Pt. 2: 7. Aria "Auch mit gedämpften, schwachen Stimmen" (Soprano) (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Timothy Mason, Alison Bury) |
8:54 |
| 38. |
"Schwingt freudig euch empor" BWV 36 / Pt. 2: 8. Chorale "Lob sei Gott, dem Vater" (Choir) (The Monteverdi Choir, John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Petra Lang, Olaf Bär / Olaf Bar) |
0:37 |
| 39. |
"Schwingt freudig euch empor" BWV 36 / Pt. 2: 7. Aria "Auch mit gedämpften, schwachen Stimmen" (Soprano) (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
6:46 |
| 40. |
"Nun komm, der Heiden Heiland", BWV 62: 1. Chorus "Nun komm, der Heiden Heiland" (Choir) (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
4:27 |
| 41. |
"Nun komm, der Heiden Heiland", BWV 62: 2. Aria "Bewundert, o Menschen" (Tenor) (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
6:20 |
| 42. |
"Nun komm, der Heiden Heiland", BWV 62: 3. Recitative "So geht aus Gottes Herrlichkeit" (Baritone) (John Eliot Gardiner, English Baroque Soloists, Olaf Bär / Olaf Bar) |
0:40 |
| 43. |
"Nun komm, der Heiden Heiland", BWV 62: 4. Aria "Streite, siege, starker Held" (Baritone) (John Eliot Gardiner, English Baroque Soloists, Olaf Bär / Olaf Bar) |
5:21 |
| 44. |
"Nun komm, der Heiden Heiland", BWV 62: 5. Recitative "Wir ehren diese Herrlichkeit" (Soprano, Mezzo-Soprano) (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Petra Lang) |
0:49 |
| 45. |
"Nun komm, der Heiden Heiland", BWV 62: 6. Chorale "Lob sei Gott, dem Vater" (Choir) (The Monteverdi Choir, John Eliot Gardiner, Anthony Rolfe Johnson, Nancy Argenta, English Baroque Soloists, Petra Lang, Olaf Bär / Olaf Bar) |
0:40 |
| 46. |
"Ich will den Kreuzstab gerne tragen" Cantata, BWV 56: 1. Aria: "Ich will den Kreuzstab gerne tragen" (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
7:00 |
| 47. |
"Ich will den Kreuzstab gerne tragen" Cantata, BWV 56: 2. Recitativo: "Mein Wandel auf der Welt" (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
2:06 |
| 48. |
"Ich will den Kreuzstab gerne tragen" Cantata, BWV 56: 3. Aria: "Endlich, endlich wird mein Joch" (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
5:43 |
| 49. |
"Ich will den Kreuzstab gerne tragen" Cantata, BWV 56: 4. Recitativo: "Ich stehe fertig und bereit" (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
1:46 |
| 50. |
"Ich will den Kreuzstab gerne tragen" Cantata, BWV 56: 5. Choral: "Komm, o Tod, du Schlafes Bruder" (Rainer Kussmaul, Berliner Barock Solisten, Members Of The RIAS-Kammerchor) |
1:27 |
| 51. |
"Der Friede sei mit dir" Cantata, BWV 158: 1. Recit: Der Friede sei mit dir (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
1:42 |
| 52. |
"Der Friede sei mit dir" Cantata, BWV 158: 2. Aria & Choral: Welt, ade, ich bin dein müde (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
5:48 |
| 53. |
"Der Friede sei mit dir" Cantata, BWV 158: 3. Recit: Nun Herr, regiere meinen Sinn (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
1:33 |
| 54. |
"Der Friede sei mit dir" Cantata, BWV 158: 4. Choral: Hier ist das rechte Osterlamm (Rainer Kussmaul, Berliner Barock Solisten) |
1:13 |
| 55. |
Cantata "Ich habe genug" BWV 82: 1. Aria: Ich habe genug, ich habe den Heiland (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
6:47 |
| 56. |
Cantata "Ich habe genug" BWV 82: 2. Recitativo: Ich habe genug! Mein Trost ist nur allein (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
1:15 |
| 57. |
Cantata "Ich habe genug" BWV 82: 3. Aria: Schlummert ein, ihr matten Augen (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
9:06 |
| 58. |
Cantata "Ich habe genug" BWV 82: 4. Recitativo: Mein Gott! wann kommt das schöne Nun! (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
0:49 |
| 59. |
Cantata "Ich habe genug" BWV 82: 5. Aria: Ich freue mich auf meinen Tod (Thomas Quasthoff, Rainer Kussmaul, Berliner Barock Solisten) |
3:18 |
| 60. |
Cantata, BWV 80 "Ein feste Burg ist unser Gott": Chor: "Ein feste Burg ist unser Gott" (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
5:52 |
| 61. |
Cantata, BWV 80 "Ein feste Burg ist unser Gott": Duett: Alles was von Gott geboren / Mit unsrer Macht (Edith Mathis, Dietrich Fischer - Dieskau, Karl Richter) |
3:41 |
| 62. |
Cantata, BWV 80 "Ein feste Burg ist unser Gott": Rezitativ: "Erwäge doch, Kind Gottes" (Dietrich Fischer - Dieskau, Karl Richter) |
2:13 |
| 63. |
Cantata, BWV 80 "Ein feste Burg ist unser Gott": Arie: "Komm in mein Herzens Haus" (Edith Mathis, Karl Richter) |
3:27 |
| 64. |
Cantata, BWV 80 "Ein feste Burg ist unser Gott": Choral: "Und wenn die Welt voll Teufel wär" (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
4:03 |
| 65. |
Cantata, BWV 80 "Ein feste Burg ist unser Gott": Rezitativ: "So stehe denn bei Christi blutgefärbter Fahne" (Peter Schreier, Karl Richter) |
1:28 |
| 66. |
Cantata, BWV 80 "Ein feste Burg ist unser Gott": Duett: "Wie selig sind doch, die Gott im Munde tragen" (Peter Schreier, Trudeliese Schmidt, Karl Richter) |
4:10 |
| 67. |
Cantata, BWV 80 "Ein feste Burg ist unser Gott": Choral: "Das Wort sie sollen lassen stahn" (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
1:27 |
| 68. |
Cantata No. 26 "Ach wie flüchtig, ach wie nichtig", BWV 26: Chor: Ach wie flüchtig, ach wie nichtig (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
3:17 |
| 69. |
Cantata No. 26 "Ach wie flüchtig, ach wie nichtig", BWV 26: Aria: So schnell ein rauschend Wasser schiesst (Peter Schreier, Karl Richter) |
6:53 |
| 70. |
Cantata No. 26 "Ach wie flüchtig, ach wie nichtig", BWV 26: Rec.: Die Freude wird zu Traurigkeit (Trudeliese Schmidt, Karl Richter) |
1:07 |
| 71. |
Cantata No. 26 "Ach wie flüchtig, ach wie nichtig", BWV 26: Aria: An irdische Schätze das Herze zu hängen (Dietrich Fischer - Dieskau, Karl Richter) |
4:44 |
| 72. |
Cantata No. 26 "Ach wie flüchtig, ach wie nichtig", BWV 26: Rec.: Die höchste Herrlichkeit und Pracht (Edith Mathis, Karl Richter) |
0:45 |
| 73. |
Cantata No. 26 "Ach wie flüchtig, ach wie nichtig", BWV 26: Choral: Ach wie flüchtig, ach wie nichtig (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
0:49 |
| 74. |
Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ": 1. Chor: Du Friedefürst, Herr Jesu Christ (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
5:04 |
| 75. |
Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ": 2. Arie: Ach, unaussprechlich ist die Not (Trudeliese Schmidt, Karl Richter) |
3:21 |
| 76. |
Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ": 3. Rec: Gedenke doch, o Jesu (Peter Schreier, Karl Richter) |
0:47 |
| 77. |
Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ": 4. Terzett: Ach, wir bekennen unsre Schuld (Peter Schreier, Edith Mathis, Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
5:46 |
| 78. |
Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ": 5. Rec: Ach, lass uns durch die scharfen Ruten (Trudeliese Schmidt, Karl Richter) |
1:18 |
| 79. |
Cantata, BWV 116 "Du Friedefürst, Herr Jesu Christ": 6. Choral: Erleuchtet auch unser Sinn und Herz (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
0:59 |
| 80. |
"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: Chor: "Wachet auf, ruft uns die Stimme" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists, Anthony Robson) |
6:17 |
| 81. |
"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: Rezitativ: "Er kommt, er kommt, der Bräutigam kommt!" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:51 |
| 82. |
"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: Arie (Duett): "Wann kommst du, mein Heil?" (John Eliot Gardiner, English Baroque Soloists, Stephen Varcoe, Ruth Holton, Alison Bury) |
5:32 |
| 83. |
"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: Choral: "Zion hört die Wächter singen" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
3:49 |
| 84. |
"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: Rezitativ: "So geh' herein zu mir" (John Eliot Gardiner, English Baroque Soloists, Stephen Varcoe) |
1:25 |
| 85. |
"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: Arie: "Mein Freund ist mein!" (John Eliot Gardiner, English Baroque Soloists, Stephen Varcoe, Ruth Holton, Anthony Robson) |
5:05 |
| 86. |
"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: Choral: "Gloria sei dir gesungen" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:37 |
| 87. |
Herz und Mund und Tat und Leben, Cantata BWV 147: 1. Coro: "Herz und Mund und Tat und Leben" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists, Crispian Steele-Perkins) |
4:00 |
| 88. |
Herz und Mund und Tat und Leben, Cantata BWV 147: 2. Recitativo: "Gebenedeiter Mund!" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
1:44 |
| 89. |
Herz und Mund und Tat und Leben, Cantata BWV 147: 3. Aria: "Schäme dich, o Seele nicht" (John Eliot Gardiner, Michael Chance, English Baroque Soloists, Anthony Robson) |
3:14 |
| 90. |
Herz und Mund und Tat und Leben, Cantata BWV 147: 4. Recitativo: "Verstockung kann Gewaltige verblenden" (John Eliot Gardiner, English Baroque Soloists, Stephen Varcoe) |
1:34 |
| 91. |
Herz und Mund und Tat und Leben, Cantata BWV 147: 5. Aria: "Bereite dir, Jesu" (John Eliot Gardiner, English Baroque Soloists, Ruth Holton, Alison Bury) |
4:29 |
| 92. |
Herz und Mund und Tat und Leben, Cantata BWV 147: 6. Choral: "Wohl mir, dass ich Jesum habe" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists, Crispian Steele-Perkins) |
2:28 |
| 93. |
Herz und Mund und Tat und Leben, Cantata BWV 147: 7. Aria: "Hilf, Jesu, hilf" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
3:16 |
| 94. |
Herz und Mund und Tat und Leben, Cantata BWV 147: 8. Recitativo: "Der höchsten Allmacht Wunderhand" (John Eliot Gardiner, Michael Chance, English Baroque Soloists, Anthony Robson) |
2:16 |
| 95. |
Herz und Mund und Tat und Leben, Cantata BWV 147: 9. Aria: "Ich will von Jesu Wundern singen" (John Eliot Gardiner, English Baroque Soloists, Stephen Varcoe) |
2:33 |
| 96. |
Herz und Mund und Tat und Leben, Cantata BWV 147: 10. Choral: "Jesus bleibet meine Freude" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists, Crispian Steele-Perkins) |
2:31 |
| 97. |
Cantata, BWV 210 "O holder Tag, erwünschte Zeit": 1. Recit: O holder Tag, erwünschte Zeit (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
0:56 |
| 98. |
Cantata, BWV 210 "O holder Tag, erwünschte Zeit": 2. Aria: Spielet, ihr beseelten Lieder (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
6:14 |
| 99. |
Cantata, BWV 210 "O holder Tag, erwünschte Zeit": 3. Recit: Doch haltet ein, ihr muntern Saiten (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
1:01 |
| 100. |
Cantata, BWV 210 "O holder Tag, erwünschte Zeit": 4. Aria: Ruhet hie, matte Töne (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
4:59 |
| 101. |
Cantata, BWV 210 "O holder Tag, erwünschte Zeit": 5. Recit: So glaubt man denn, daß die Musik verführe (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
2:03 |
| 102. |
Cantata, BWV 210 "O holder Tag, erwünschte Zeit": 6. Aria: Schweigt, ihr Flöten, schweigt ihr Töne (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
3:47 |
| 103. |
Cantata, BWV 210 "O holder Tag, erwünschte Zeit": 7. Recit: Was Luft? was Grab? (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
1:35 |
| 104. |
Cantata, BWV 210 "O holder Tag, erwünschte Zeit": 8. Aria: Großer Gönner, dein Vergnügen (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
3:15 |
| 105. |
Cantata, BWV 210 "O holder Tag, erwünschte Zeit": 9. Recit: Hochteurer Mann, so fahre ferner fort (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
1:19 |
| 106. |
Cantata, BWV 210 "O holder Tag, erwünschte Zeit": 10. Aria: Seid beglückt (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
4:39 |
| 107. |
Cantata No. 202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: 1. Adagio: Weichet nur, betrübte Schatten (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
4:42 |
| 108. |
Cantata No. 202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: 2. Recit: Die Welt wird wieder neu (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
0:26 |
| 109. |
Cantata No. 202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: 3. Aria: Phöbus eilt mit schnellen Pferden (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
2:55 |
| 110. |
Cantata No. 202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: 4. Recit: D'rum sucht auch Amor sein Vergnügen (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
0:41 |
| 111. |
Cantata No. 202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: 5. Aria: Wenn die Frühlingslüfte streichen (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
2:20 |
| 112. |
Cantata No. 202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: 6. Recit: Und dieses ist das Glücke (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
0:45 |
| 113. |
Cantata No. 202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: 7. Aria: Sich üben im Lieben (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
3:57 |
| 114. |
Cantata No. 202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: 8. Recit: So sei das Band der keuschen Liebe (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
0:24 |
| 115. |
Cantata No. 202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: 9. Gavotte: Sehet in Zufriedenheit (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
1:23 |
| 116. |
Cantata No. 202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: 5. Aria: Wenn die Frühlingslüfte streichen (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
2:38 |
| 117. |
"Jauchzet Gott in allen Landen" Cantata, BWV 51: Aria: "Jauchzet Gott in allen Landen" (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
3:53 |
| 118. |
"Jauchzet Gott in allen Landen" Cantata, BWV 51: Recitativo: "Wir beten zu dem Tempel an" (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
2:08 |
| 119. |
"Jauchzet Gott in allen Landen" Cantata, BWV 51: Aria: "Höchster, Höchster mache deine Güte ferner alle Morgen neu" (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
3:11 |
| 120. |
"Jauchzet Gott in allen Landen" Cantata, BWV 51: Chorale: "Sei Lob und Preis mit Ehren" (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
3:11 |
| 121. |
"Jauchzet Gott in allen Landen" Cantata, BWV 51: Aria: "Alleluja" (Musica Antiqua Koln, Christine Schäfer / Christine Schafer, Reinhard Goebel) |
2:13 |
| 122. |
"Coffee Cantata" BWV 211: Schweigt stille, plaudert nicht.Hat man nicht mit seinen Kindern (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
4:07 |
| 123. |
"Coffee Cantata" BWV 211: "Ei! wie schmeckt der Coffee susse" (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
5:08 |
| 124. |
"Coffee Cantata" BWV 211: Mädchen, die von harten Sinnen (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
3:49 |
| 125. |
"Coffee Cantata" BWV 211: Heute noch (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
7:06 |
| 126. |
"Coffee Cantata" BWV 211: Die Katze lässt das Mausen nicht (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
4:24 |
| 127. |
Cantata, BWV 212 "Peasant Cantata": 1. Ouverture (The Academy Of Ancient Music, Christopher Hogwood) |
2:02 |
| 128. |
Cantata, BWV 212 "Peasant Cantata": 2-3. Mer hahn en neue Oberkeet.Nu, Mieke, gib dein Guschel immer her (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
1:18 |
| 129. |
Cantata, BWV 212 "Peasant Cantata": 4-5 Ach es schmeckt doch gar zu gut (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
1:20 |
| 130. |
Cantata, BWV 212 "Peasant Cantata": 6-7. Ach, Herr Schösser, geht nicht gar zu schlimm (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
1:34 |
| 131. |
Cantata, BWV 212 "Peasant Cantata": 8-9. Unser trefflicher, lieber Kammerherr (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
2:06 |
| 132. |
Cantata, BWV 212 "Peasant Cantata": 10-11: Das ist galant, es spricht niemand (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
1:51 |
| 133. |
Cantata, BWV 212 "Peasant Cantata": 12-13. Fünfzig Taler bares Geld (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
1:08 |
| 134. |
Cantata, BWV 212 "Peasant Cantata": 14-15: Klein-Zsocher müsse so zart und süße (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
5:51 |
| 135. |
Cantata, BWV 212 "Peasant Cantata": 16-17: Es nehme zehntausend Dukaten (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
0:58 |
| 136. |
Cantata, BWV 212 "Peasant Cantata": 18-19: Gib, Schöne, viel Söhne (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
0:48 |
| 137. |
Cantata, BWV 212 "Peasant Cantata": 20-21: Dein Wachstum sei feste (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
5:57 |
| 138. |
Cantata, BWV 212 "Peasant Cantata": 22. Arie: Und daß ihr's alle wißt (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
1:12 |
| 139. |
Cantata, BWV 212 "Peasant Cantata": 24. Chor (Duetto): Wir gehn nun, wo der Dudelsack (David Thomas, Emma Kirkby, The Academy Of Ancient Music, Christopher Hogwood) |
1:04 |
| 140. |
Cantata, BWV 197 "Gott ist unsere Zuversicht": Aria "Vergnügen und Lust" (Soprano) (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
3:16 |
| 141. |
Cantata, BWV 58 "Ach Gott, wie manches Herzeleid": Aria "Ich bin vergnügt in meinem Leiden" (Soprano) (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
3:46 |
| 142. |
Cantata, BWV 204 "Ich bin vergnügt": Aria "Die Schätzbarkeit der weiten Erde" (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
4:06 |
| 143. |
Cantata, BWV 97 "In allen meinen Taten": Aria "Ich traue seiner Gnaden" (Tenore) (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
5:21 |
| 144. |
Cantata, BWV 115 "Mache dich, mein Geist, bereit": Aria "Bete, bete aber auch dabei" (Soprano) (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
7:07 |
| 145. |
Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": Aria "Jesus soll mein erstes Wort" (Soprano) (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
4:12 |
| 146. |
Mass in B Minor, BWV 232 / Sanctus: Benedictus (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
4:15 |
| 147. |
Mass in B Minor, BWV 232 / Gloria: Laudamus te (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
4:42 |
| 148. |
Mass in B Minor, BWV 232 / Kyrie: Kyrie Eleison (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
12:15 |
| 149. |
Mass in B Minor, BWV 232 / Kyrie: Christe eleison (Maria Stader, Hertha Töpper / Hertha Topper, Karl Richter) |
5:49 |
| 150. |
Mass in B Minor, BWV 232 / Kyrie: Kyrie eleison (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
3:52 |
| 151. |
Mass in B Minor, BWV 232 / Gloria: Gloria in excelsis Deo (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
2:01 |
| 152. |
Mass in B Minor, BWV 232 / Gloria: Et in terra pax (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
4:48 |
| 153. |
Mass in B Minor, BWV 232 / Gloria: Laudamus te (Hertha Töpper / Hertha Topper, Karl Richter) |
4:31 |
| 154. |
Mass in B Minor, BWV 232 / Gloria: Gratias agimus tibi (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
3:28 |
| 155. |
Mass in B Minor, BWV 232 / Gloria: Domine Deus (Maria Stader, Ernst Haefliger, Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
6:36 |
| 156. |
Mass in B Minor, BWV 232 / Gloria: Qui tollis peccata mundi (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
4:02 |
| 157. |
Mass in B Minor, BWV 232 / Gloria: Qui sedes ad dexteram Patris (Hertha Töpper / Hertha Topper, Karl Richter) |
4:28 |
| 158. |
Mass in B Minor, BWV 232 / Gloria: Quoniam tu solus sanctus (Kieth Engen, Karl Richter) |
5:53 |
| 159. |
Mass in B Minor, BWV 232 / Gloria: Cum Sancto Spiritu (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
4:11 |
| 160. |
Mass in B Minor, BWV 232 / Credo: Credo in unum Deum (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
2:39 |
| 161. |
Mass in B Minor, BWV 232 / Credo: Patrem omnipotentem (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
2:08 |
| 162. |
Mass in B Minor, BWV 232 / Credo: Et in unum Dominum (Maria Stader, Hertha Töpper / Hertha Topper, Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
5:25 |
| 163. |
Mass in B Minor, BWV 232 / Credo: Et incarnatus est (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
3:44 |
| 164. |
Mass in B Minor, BWV 232 / Credo: Crucifixus (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
3:05 |
| 165. |
Mass in B Minor, BWV 232 / Credo: Et resurrexit (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
4:28 |
| 166. |
Mass in B Minor, BWV 232 / Credo: Et in Spiritum Sanctum (Dietrich Fischer - Dieskau, Karl Richter) |
5:38 |
| 167. |
Mass in B Minor, BWV 232 / Credo: Confiteor unum baptisma (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
5:06 |
| 168. |
Mass in B Minor, BWV 232 / Credo: Et expecto resurrectionem (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
2:14 |
| 169. |
Mass in B Minor, BWV 232 / Sanctus: Sanctus (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
5:47 |
| 170. |
Mass in B Minor, BWV 232 / Sanctus: Osanna in excelsis (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
2:54 |
| 171. |
Mass in B Minor, BWV 232 / Sanctus: Benedictus (Ernst Haefliger, Karl Richter) |
4:56 |
| 172. |
Mass in B Minor, BWV 232 / Sanctus: Osanna in excelsis (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
2:54 |
| 173. |
Mass in B Minor, BWV 232 / Agnus Dei: Agnus Dei (Hertha Töpper / Hertha Topper, Karl Richter) |
6:36 |
| 174. |
Mass in B Minor, BWV 232 / Agnus Dei: Dona nobis pacem (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
3:25 |
| 175. |
Cantata, BWV 187 "Es wartet alles auf dich" / Zweiter Teil: Aria "Gott versorget alles Leben" (Soprano) (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
3:24 |
| 176. |
"Ich bin vergnügt mit meinem Glücke" Cantata, BWV 84: 3. Aria: Ich esse mit Freuden mein weniges Brot (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
4:59 |
| 177. |
Cantata, BWV 105 "Herr, gehe nicht ins Gericht": 5. Aria: "Kann ich nur Jesum mir zum Freunde machen" (Itzhak Perlman, Kathleen Battle, John Nelson, Orchestra Of St. Luke's) |
5:30 |
| 178. |
Magnificat in D Major, BWV 243: Chorus: "Magnificat" (Münchener Bach - Orchester / Munchener Bach - Orchester, Karl Richter) |
3:02 |
| 179. |
Magnificat in D Major, BWV 243: Aria: "Et exsultavit spiritus meus" (Hertha Töpper / Hertha Topper, Karl Richter) |
2:45 |
| 180. |
Magnificat in D Major, BWV 243: Quia respexit.Omnes generationes (Maria Stader, Karl Richter) |
4:31 |
| 181. |
Magnificat in D Major, BWV 243: Aria: "Quia fecit mihi magna" (bass) (Dietrich Fischer - Dieskau, Karl Richter) |
2:17 |
| 182. |
Magnificat in D Major, BWV 243: Aria (Duet): "Et misericordia" (alto, tenor) (Ernst Haefliger, Hertha Töpper / Hertha Topper, Karl Richter) |
3:48 |
| 183. |
Magnificat in D Major, BWV 243: Chorus: "Fecit potentiam" (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
2:22 |
| 184. |
Magnificat in D Major, BWV 243: Aria: "Deposuit potentes" (tenor) (Ernst Haefliger, Karl Richter) |
2:11 |
| 185. |
Magnificat in D Major, BWV 243: Aria: "Esurientes implevit bonis" (alto) (Hertha Töpper / Hertha Topper, Karl Richter) |
2:58 |
| 186. |
Magnificat in D Major, BWV 243: Chorus: Suscepit Israel (Maria Stader, Hertha Töpper / Hertha Topper, Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
1:52 |
| 187. |
Magnificat in D Major, BWV 243: Chorus: "Sicut locutus est" (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
1:54 |
| 188. |
Magnificat in D Major, BWV 243: Chorus: "Gloria Patri" (Münchener Bach - Chor / Munchener Bach - Chor, Karl Richter) |
2:22 |
| 189. |
St. John Passion, BWV 245 / Pt. One: No. 1 Chorus: "Herr, unser Herrscher" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
9:15 |
| 190. |
St. John Passion, BWV 245 / Pt. One: No. 2 Evangelista,Jesus,Chorus: "Jesus ging mit seinen Juengern ." - "Jesum von Nazareth" - "Jesus spricht zu ihnen" - "Jesum von Nazareth" - "Jesus antwortete" (The Monteverdi Choir, John Eliot Gardiner, Cornelius Hauptmann, Anthony Rolfe Johnson, English Baroque Soloists, Stephen Varcoe) |
2:14 |
| 191. |
St. John Passion, BWV 245 / Pt. One: No. 3 Choral: "O große Lieb, o Lieb ohn' alle Maße" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
0:47 |
| 192. |
St. John Passion, BWV 245 / Pt. One: No. 4 Evangelist, Jesus: "Auf daß das Wort erfüllet würde" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists, Stephen Varcoe) |
1:01 |
| 193. |
St. John Passion, BWV 245 / Pt. One: No. 5 Choral: "Dein Will gescheh, Herr Gott zugleich" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
0:50 |
| 194. |
St. John Passion, BWV 245 / Pt. One: No. 6 Evangelist:" Die Schar aber" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:45 |
| 195. |
St. John Passion, BWV 245 / Pt. One: No. 7 Aria (Alt): "Von den Stricken meiner Sünden" (John Eliot Gardiner, Michael Chance, English Baroque Soloists, Anthony Robson, Valerie Darke) |
4:45 |
| 196. |
St. John Passion, BWV 245 / Pt. One: No. 8 Evangelist: "Simon Petrus aber folgete Jesu nach" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:15 |
| 197. |
St. John Passion, BWV 245 / Pt. One: No. 9 Aria(Sopran): Ich folge dir gleichfalls" (John Eliot Gardiner, English Baroque Soloists, Ruth Holton) |
3:23 |
| 198. |
St. John Passion, BWV 245 / Pt. One: No. 10 Evangelist, Ancilla, Petrus, Jesus, Servus: "Derselbige Jünger war dem Hohenpriester bekannt" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists, Stephen Varcoe, Simon Birchall, Andrew Murgatroyd, Gill Ross) |
2:46 |
| 199. |
St. John Passion, BWV 245 / Pt. One: No. 11 Choral: "Wer hat dich so geschlagen" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:30 |
| 200. |
St. John Passion, BWV 245 / Pt. One: No. 12 Evangelist, Chorus, Evangelist, Petrus, Servus: " Und Hannas sandte ihn gebunden " (The Monteverdi Choir, John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists, Simon Birchall, Andrew Murgatroyd) |
1:47 |
| 201. |
St. John Passion, BWV 245 / Pt. One: No. 13 Aria (Tenor): "Ach mein Sinn" (John Eliot Gardiner, English Baroque Soloists, Neill Archer) |
2:23 |
| 202. |
St. John Passion, BWV 245 / Pt. One: No. 14 Choral: "Petrus, der nicht denkt zurück" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:05 |
| 203. |
St. John Passion, BWV 245 / Pt. Two: No. 15 Choral: "Christus, der uns selig macht" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:06 |
| 204. |
St. John Passion, BWV 245 / Pt. Two: No. 16 Evangelist, Pilatus, Chorus: " Da führeten sie Jesum " (The Monteverdi Choir, John Eliot Gardiner, Cornelius Hauptmann, Anthony Rolfe Johnson, English Baroque Soloists, Stephen Varcoe) |
3:55 |
| 205. |
St. John Passion, BWV 245 / Pt. Two: No. 17 Choral: "Ach großer König, groß zu allen Zeiten" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:24 |
| 206. |
St. John Passion, BWV 245 / Pt. Two: No. 18 Evangelist, Pilatus, Jesus, Chorus, Evangelist: "Da sprach Pilatus zu ihnen" (The Monteverdi Choir, John Eliot Gardiner, Cornelius Hauptmann, Anthony Rolfe Johnson, English Baroque Soloists, Stephen Varcoe) |
1:51 |
| 207. |
St. John Passion, BWV 245 / Pt. Two: No. 19 Arioso (Baß): "Betrachte, meine Seele" (John Eliot Gardiner, Cornelius Hauptmann, English Baroque Soloists) |
2:19 |
| 208. |
St. John Passion, BWV 245 / Pt. Two: No. 20 Aria (Tenor): " Erwäge, wie sein blutgefärbter Rücken" (John Eliot Gardiner, English Baroque Soloists, Rufus Müller / Rufus Muller) |
8:08 |
| 209. |
St. John Passion, BWV 245 / Pt. Two: No. 21 Evangelist, Pilatus, Jesus, Chorus: " Und die Kriegsknechte flochten " (The Monteverdi Choir, John Eliot Gardiner, Cornelius Hauptmann, Anthony Rolfe Johnson, English Baroque Soloists, Stephen Varcoe) |
5:22 |
| 210. |
St. John Passion, BWV 245 / Pt. Two: No. 22 Choral: "Durch dein Gefängnis, Gottes Sohn" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
0:49 |
| 211. |
St. John Passion, BWV 245 / Pt. Two: No. 23 Evangelist, Pilatus, Chorus: " Die Juden aber schrieen und sprachen " (The Monteverdi Choir, John Eliot Gardiner, Cornelius Hauptmann, Anthony Rolfe Johnson, English Baroque Soloists) |
3:52 |
| 212. |
St. John Passion, BWV 245 / Pt. Two: No. 24 Aria (Baß) - Chor: "Eilt ihr angefochtnen Seelen" (The Monteverdi Choir, John Eliot Gardiner, Cornelius Hauptmann, English Baroque Soloists) |
3:53 |
| 213. |
St. John Passion, BWV 245 / Pt. Two: No. 25 Evangelist, Chorus, Pilatus: " Allda kreuzigten sie ihn " (The Monteverdi Choir, John Eliot Gardiner, Cornelius Hauptmann, Anthony Rolfe Johnson, English Baroque Soloists) |
2:05 |
| 214. |
St. John Passion, BWV 245 / Pt. Two: No. 26 Choral: "In meines Herzens Grunde" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
0:54 |
| 215. |
St. John Passion, BWV 245 / Pt. Two: No. 27 Evangelist, Chorus, Evangelist: " Die Kriegsknechte aber " (The Monteverdi Choir, John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists, Stephen Varcoe) |
3:19 |
| 216. |
St. John Passion, BWV 245 / Pt. Two: No. 28 Choral: " Er nahm alles wohl in acht" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:02 |
| 217. |
St. John Passion, BWV 245 / Pt. Two: No. 29 Evangelist, Jesus: " Und von Stund an " (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists, Stephen Varcoe) |
1:16 |
| 218. |
St. John Passion, BWV 245 / Pt. Two: No. 30 Aria (Alt): " Es ist vollbracht " (John Eliot Gardiner, Michael Chance, English Baroque Soloists, Richard Campbell) |
5:17 |
| 219. |
St. John Passion, BWV 245 / Pt. Two: No. 31 Evangelist: " Und neigte das Haupt und verschied " (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:22 |
| 220. |
St. John Passion, BWV 245 / Pt. Two: No. 32 Aria (baß) - Chorus: " Mein teurer Heiland " (The Monteverdi Choir, John Eliot Gardiner, Cornelius Hauptmann, English Baroque Soloists) |
4:01 |
| 221. |
St. John Passion, BWV 245 / Pt. Two: No. 33 Evangelist: " Und siehe da " (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:25 |
| 222. |
St. John Passion, BWV 245 / Pt. Two: No. 34 Arioso (Tenor): " Mein Herz, indem die ganze Welt " (John Eliot Gardiner, English Baroque Soloists, Neill Archer) |
0:56 |
| 223. |
St. John Passion, BWV 245 / Pt. Two: No. 35 Aria (soprano): " Zerfließe, mein Herz " (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists) |
6:54 |
| 224. |
St. John Passion, BWV 245 / Pt. Two: No. 36 Evangelist: "Die Juden aber" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
2:00 |
| 225. |
St. John Passion, BWV 245 / Pt. Two: No. 37 Choral:" O hilf, Christe, Gottes Sohn" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:02 |
| 226. |
St. John Passion, BWV 245 / Pt. Two: No. 38 Evangelist: "Darnach bat Pilatum" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
2:08 |
| 227. |
St. John Passion, BWV 245 / Pt. Two: No. 39 Chorus: "Ruht wohl, ihr heiligen Gebeine" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
6:46 |
| 228. |
St. John Passion, BWV 245 / Pt. Two: No. 40 Choral: "Ach Herr, laß dein lieb Engelein" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:45 |
| 229. |
St. Matthew Passion, BWV 244 / Pt. One: No. 1 Chorus I/II: "Kommt, ihr Töchter, helft mir klagen" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players, Ulla Munch) |
6:05 |
| 230. |
St. Matthew Passion, BWV 244 / Pt. One: No. 2 Evangelist, Jesus: "Da Jesus diese Rede vollendet hatte" (Mark Padmore, Peter Harvey, Paul McCreesh, Gabrieli Players) |
0:41 |
| 231. |
St. Matthew Passion, BWV 244 / Pt. One: No. 3 Choral: "Herzliebster Jesu, was hast du verbrochen" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
0:37 |
| 232. |
St. Matthew Passion, BWV 244 / Pt. One: No. 4 Evangelist, Chorus I/II, Jesus: "Da versammelten sich die Hohenpriester" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
3:12 |
| 233. |
St. Matthew Passion, BWV 244 / Pt. One: No. 5 Recitative (Alto): "Du lieber Heiland du" (Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Gabrieli Players) |
1:01 |
| 234. |
St. Matthew Passion, BWV 244 / Pt. One: No. 6 Aria (Alto): "Buss und Reu" (Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Gabrieli Players) |
4:14 |
| 235. |
St. Matthew Passion, BWV 244 / Pt. One: No. 7 Evangelist, Judas: "Da ging hin der Zwölfen einer" (Mark Padmore, Peter Harvey, Paul McCreesh, Gabrieli Players) |
0:33 |
| 236. |
St. Matthew Passion, BWV 244 / Pt. One: No. 8 Aria (Soprano): "Blute nur, du liebes Herz" (Julia Gooding, Paul McCreesh, Gabrieli Players) |
5:02 |
| 237. |
St. Matthew Passion, BWV 244 / Pt. One: No. 9 Evangelist, Chorus I, Jesus: "Aber am ersten Tage der süssen Brot" (Mark Padmore, Peter Harvey, Deborah York, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Gabrieli Players) |
2:17 |
| 238. |
St. Matthew Passion, BWV 244 / Pt. One: No. 10 Choral: "Ich bin's, ich sollte büssen" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
0:40 |
| 239. |
St. Matthew Passion, BWV 244 / Pt. One: No. 11 Evangelist, Jesus, Judas: "Er antwortete und sprach" (Mark Padmore, Peter Harvey, Paul McCreesh, Gabrieli Players) |
3:22 |
| 240. |
St. Matthew Passion, BWV 244 / Pt. One: No. 12 Recitative (Soprano): "Wiewohl mein Herz in Tränen schwimmt" (Deborah York, Paul McCreesh, Gabrieli Players) |
1:16 |
| 241. |
St. Matthew Passion, BWV 244 / Pt. One: No. 13 Aria (Soprano): "Ich will dir mein Herz schenken" (Deborah York, Paul McCreesh, Gabrieli Players) |
3:11 |
| 242. |
St. Matthew Passion, BWV 244 / Pt. One: No. 14 Evangelist, Jesus: "Und da sie den Lobgesang gesprochen hatten" (Mark Padmore, Peter Harvey, Paul McCreesh, Gabrieli Players) |
0:57 |
| 243. |
St. Matthew Passion, BWV 244 / Pt. One: No. 15 Choral: "Erkenne mich, mein Hüter" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
0:51 |
| 244. |
St. Matthew Passion, BWV 244 / Pt. One: No. 16 Evangelist, Jesus, Petrus: "Petrus aber antwortete" (Mark Padmore, Peter Harvey, Paul McCreesh, Gabrieli Players) |
1:03 |
| 245. |
St. Matthew Passion, BWV 244 / Pt. One: No. 17 Choral: "Ich will hier bei dir stehen" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
0:54 |
| 246. |
St. Matthew Passion, BWV 244 / Pt. One: No. 18 Evangelist, Jesus: "Da kam Jesus mit ihnen zu einem Hofe" (Mark Padmore, Peter Harvey, Paul McCreesh, Gabrieli Players) |
1:47 |
| 247. |
St. Matthew Passion, BWV 244 / Pt. One: No. 19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz" (Mark Padmore, James Gilchrist, Julia Gooding, Susan Bickley, Paul McCreesh, Stephan Loges, Gabrieli Players) |
1:51 |
| 248. |
St. Matthew Passion, BWV 244 / Pt. One: No. 20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen" (Mark Padmore, James Gilchrist, Julia Gooding, Susan Bickley, Paul McCreesh, Stephan Loges, Gabrieli Players) |
5:05 |
| 249. |
St. Matthew Passion, BWV 244 / Pt. One: No. 21 Evangelist, Jesus: "Und ging hin ein wenig" (Mark Padmore, Peter Harvey, Paul McCreesh, Gabrieli Players) |
0:42 |
| 250. |
St. Matthew Passion, BWV 244 / Pt. One: No. 22 Recitative (Bass): "Der Heiland fällt vor seinem Vater nieder" (Paul McCreesh, Stephan Loges, Gabrieli Players) |
0:50 |
| 251. |
St. Matthew Passion, BWV 244 / Pt. One: No. 23 Aria (Bass): "Gerne will ich mich bequemen" (Paul McCreesh, Stephan Loges, Gabrieli Players) |
4:55 |
| 252. |
St. Matthew Passion, BWV 244 / Pt. One: No. 24 Evangelist, Jesus: "Und er kam zu seinen Jüngern" (Mark Padmore, Peter Harvey, Paul McCreesh, Gabrieli Players) |
1:12 |
| 253. |
St. Matthew Passion, BWV 244 / Pt. One: No. 25 Choral: "Was mein Gott will, das g'scheh allzeit" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
0:50 |
| 254. |
St. Matthew Passion, BWV 244 / Pt. One: No. 26 Evangelist, Jesus, Judas: "Und er kam und fand sie aber schlafend" (Mark Padmore, Peter Harvey, Paul McCreesh, Gabrieli Players) |
2:20 |
| 255. |
St. Matthew Passion, BWV 244 / Pt. One: No. 27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
5:08 |
| 256. |
St. Matthew Passion, BWV 244 / Pt. One: No. 28 Evangelist, Jesus: "Und siehe, einer aus denen" (Mark Padmore, Peter Harvey, Paul McCreesh, Gabrieli Players) |
2:04 |
| 257. |
St. Matthew Passion, BWV 244 / Pt. One: No. 29 Choral: "O Mensch, bewein dein Sünde groß" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
6:02 |
| 258. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin" (James Gilchrist, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
3:46 |
| 259. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 31 Evangelist: "Die aber Jesum gegriffen hatten" (Mark Padmore, Paul McCreesh, Gabrieli Players) |
1:01 |
| 260. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 32 Choral: "Mir hat die Welt trüglich gericht" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
0:34 |
| 261. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten" (Mark Padmore, Paul McCreesh, Gabrieli Players) |
1:04 |
| 262. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille" (James Gilchrist, Paul McCreesh, Gabrieli Players) |
1:01 |
| 263. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 35 Aria (Tenor): "Geduld" (James Gilchrist, Paul McCreesh, Gabrieli Players) |
3:40 |
| 264. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 36 Evangelist, Pontifex, Jesus, Chorus I/II: "Und der Hohepriester antwortete" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
1:52 |
| 265. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 37 Choral: "Wer hat dich so geschlagen" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
0:45 |
| 266. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 38 Evangelist, Ancilla I/II, Petrus, Chorus II: "Petrus aber sass draussen im Palast" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
2:22 |
| 267. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 39 Aria (Alto): "Erbarme dich" (Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Gabrieli Players) |
6:13 |
| 268. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 40 Choral: "Bin ich gleich von dir gewichen" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
1:03 |
| 269. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: "Des Morgens aber hielten alle Hohepriester" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
1:37 |
| 270. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 42 Aria (Bass): "Gebt mir meinen Jesum wieder" (Paul McCreesh, Stephan Loges, Gabrieli Players) |
2:45 |
| 271. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 43 Evangelist, Pilatus, Jesus: "Sie hielten aber einen Rat" (Mark Padmore, Peter Harvey, Paul McCreesh, Gabrieli Players) |
2:02 |
| 272. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 44 Choral: "Befiel du deine Wege" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
0:56 |
| 273. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 45 Evangelist, Pilatus, Uxor Pilati, Chorus I/II: "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
2:08 |
| 274. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 46 Choral: "Wie wunderbarlich ist doch diese Strafe" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
0:38 |
| 275. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 47 Evangelist, Pilatus: "Der Landpfleger sagte" (Mark Padmore, Paul McCreesh, Gabrieli Players) |
0:21 |
| 276. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 48 Recitative (Soprano): "Er hat uns allen wohl getan" (Deborah York, Paul McCreesh, Gabrieli Players) |
1:01 |
| 277. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 49 Aria (Soprano): "Aus Liebe will mein Heiland sterben" (Deborah York, Paul McCreesh, Gabrieli Players) |
4:57 |
| 278. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 50 Evangelist, Chorus I/II, Pilatus: "Sie schrieen aber noch mehr" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
1:46 |
| 279. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 51 Recitative (Alto): "Erbarm es Gott" (Susan Bickley, Paul McCreesh, Gabrieli Players) |
0:58 |
| 280. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 52 Aria (Alto): "Können Tränen meiner Wangen" (Susan Bickley, Paul McCreesh, Gabrieli Players) |
6:50 |
| 281. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 53 Evangelist, Chorus I/II: "Da nahmen die Kriegsknechte" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
1:06 |
| 282. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 54 Choral: "O Haupt voll Blut und Wunden" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
1:59 |
| 283. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 55 Evangelist: "Und da sie ihn verspottet hatten" (Mark Padmore, Paul McCreesh, Gabrieli Players) |
0:55 |
| 284. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 56 Recitative (Bass): "Ja freilich will in uns das Fleisch und Blut" (Peter Harvey, Paul McCreesh, Gabrieli Players) |
0:45 |
| 285. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 57 Aria (Bass): "Komm, süsses Kreuz" (Peter Harvey, Paul McCreesh, Gabrieli Players) |
6:48 |
| 286. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 58 Evangelist, Chorus I/II: "Und da sie an die Stätte kamen" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
3:18 |
| 287. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 59 Recitative (Alto): "Ach Golgatha" (Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Gabrieli Players) |
1:22 |
| 288. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand" (Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Gabrieli Players) |
2:52 |
| 289. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 61 Evangelist, Jesus, Chorus I/II: "Und von der sechsten Stunde an" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
2:10 |
| 290. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 62 Choral: "Wenn ich einmal soll scheiden" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
1:08 |
| 291. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 63 Evangelist, Chorus I/II: "Und siehe da, der Vorhang im Tempel zerriss" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
2:28 |
| 292. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 64 Recitative (Bass): "Am Abend, da es kühle war" (Peter Harvey, Paul McCreesh, Gabrieli Players) |
2:02 |
| 293. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 65 Aria (Bass): "Mache dich, mein Herze, rein" (Peter Harvey, Paul McCreesh, Gabrieli Players) |
5:50 |
| 294. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 66 Evangelist, Chorus I/II, Pilatus: "Und Joseph nahm den Leib" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
2:36 |
| 295. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 67 Recitative (Soprano, Alto, Tenor, Bass, Chorus II): "Nun ist der Herr zur Ruh gebracht" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
1:46 |
| 296. |
St. Matthew Passion, BWV 244 / Pt. Two: No. 68 Chorus I/II: "Wir setzen uns mit Tränen nieder" (Mark Padmore, James Gilchrist, Peter Harvey, Deborah York, Julia Gooding, Susan Bickley, Kožená Magdalena / Kozena Magdalena, Paul McCreesh, Stephan Loges, Gabrieli Players) |
5:39 |
| 297. |
Christmas Oratorio, BWV 248 / Pt. One - For The First Day Of Christmas: No. 1 Chorus: "Jauchzet, frohlocket" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
7:41 |
| 298. |
Christmas Oratorio, BWV 248 / Pt. One - For The First Day Of Christmas: No. 2 Evangelist: "Es begab sich aber zu der Zeit" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
1:10 |
| 299. |
Christmas Oratorio, BWV 248 / Pt. One - For The First Day Of Christmas: No. 3 Rezitativ (Alt): "Nun wird mein liebster Bräutigam" (John Eliot Gardiner, English Baroque Soloists, Anne Sofie Von Otter) |
0:51 |
| 300. |
Christmas Oratorio, BWV 248 / Pt. One - For The First Day Of Christmas: No. 4 Aria (Alto): " Bereite dich, Zion" (John Eliot Gardiner, English Baroque Soloists, Anne Sofie Von Otter, Anthony Robson) |
5:02 |
| 301. |
Christmas Oratorio, BWV 248 / Pt. One - For The First Day Of Christmas: No. 5 Choral: "Wie soll ich dich empfangen" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:03 |
| 302. |
Christmas Oratorio, BWV 248 / Pt. One - For The First Day Of Christmas: No. 6 Evangelist: "Und sie gebar ihren ersten Sohn" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:20 |
| 303. |
Christmas Oratorio, BWV 248 / Pt. One - For The First Day Of Christmas: No. 7 Chorale: "Er ist auf Erden kommen arm", Recitativ (Bass): Wer will die Liebe recht erhöhn" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists, Olaf Bär / Olaf Bar) |
2:56 |
| 304. |
Christmas Oratorio, BWV 248 / Pt. One - For The First Day Of Christmas: No. 8 Aria (Baß): "Großer Herr, o starker König" (John Eliot Gardiner, English Baroque Soloists, Olaf Bär / Olaf Bar) |
4:21 |
| 305. |
Christmas Oratorio, BWV 248 / Pt. One - For The First Day Of Christmas: No. 9 Choral: "Ach mein herzliebes Jesulein" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:13 |
| 306. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 10 Sinfonia (John Eliot Gardiner, English Baroque Soloists) |
5:17 |
| 307. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 11 Evangelist: "Und es waren Hirten in derselben Gegend" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:34 |
| 308. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 12 Chorale: "Brich an, o schönes Morgenlicht" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:00 |
| 309. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 13 Evangelist, Engel: "Und der Engel sprach zu Ihnen" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists, Ruth Holton) |
0:37 |
| 310. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 14 Rezitativ (Baß): "Was Gott dem Abraham Verheißen" (John Eliot Gardiner, English Baroque Soloists, Olaf Bär / Olaf Bar) |
0:40 |
| 311. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet" (John Eliot Gardiner, English Baroque Soloists, Hans Peter Blochwitz, Lisa Beznosiuk) |
3:18 |
| 312. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 16 Evangelist: "Und das habt zum Zeichen" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:22 |
| 313. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 17 Chorale: "Schaut hin, dort liegt im finstern Stall" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
0:38 |
| 314. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 18 Rezitativ (Baß): "So geht denn hin, ihr Hirten, geht" (John Eliot Gardiner, English Baroque Soloists, Olaf Bär / Olaf Bar) |
0:48 |
| 315. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 19 Aria (Alto): "Schlafe, mein Liebster, geniesse der Ruh" (John Eliot Gardiner, English Baroque Soloists, Anne Sofie Von Otter) |
9:20 |
| 316. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 20 Evangelist: "Und alsbald war da bei dem Engel" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:14 |
| 317. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 21 Chor: "Ehre sei Gott in der Höhe" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
2:26 |
| 318. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 22 Rezitativ (Baß): "So recht, ihr Engel, jauchzt und singet" (John Eliot Gardiner, English Baroque Soloists, Olaf Bär / Olaf Bar) |
0:22 |
| 319. |
Christmas Oratorio, BWV 248 / Pt. Two - For The Second Day Of Christmas: No. 23 Chorale: "Wir singen dir in deinem Heer" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:08 |
| 320. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 24 Chor: "Herrscher des Himmels, erhöre das Lallen" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:50 |
| 321. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 25 Evangelist: "Und da die Engel von ihnen gen Himmel fuhren" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:08 |
| 322. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 26 Chor: "Lasset uns nun gehen gen Bethlehem" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
0:38 |
| 323. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 27 Rezitativ (Baß): "Er hat sein Volk getröst" (John Eliot Gardiner, English Baroque Soloists, Olaf Bär / Olaf Bar) |
0:35 |
| 324. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 28 Choral: "Dies hat er alles uns getan" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
0:42 |
| 325. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen" (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Olaf Bär / Olaf Bar, Anthony Robson, Valerie Darke) |
6:48 |
| 326. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 30 Evangelist: "Und sie kamen eilend" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
1:08 |
| 327. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 31 Aria (Alt): "Schließe, mein Herze, dies selige Wunder" (John Eliot Gardiner, English Baroque Soloists, Anne Sofie Von Otter) |
4:59 |
| 328. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 32 Recitativ (Alt): "Ja, ja, mein Herz soll es bewahren" (John Eliot Gardiner, English Baroque Soloists, Anne Sofie Von Otter) |
0:20 |
| 329. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 33 Choral: "Ich will dich mit Fleiß bewahren" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
0:50 |
| 330. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 34 Evangelist: "Und die Hirten kehrten wieder um" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:22 |
| 331. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 35 Choral: "Seid froh dieweil" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
0:42 |
| 332. |
Christmas Oratorio, BWV 248 / Pt. Three - For The Third Day Of Christmas: No. 24 Chor: "Herrscher des Himmels, erhöre das Lallen" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:55 |
| 333. |
Christmas Oratorio, BWV 248 / Pt. Four - For New Year's Day: No. 36 Chor: "Fallt mit Danken, fallt mit Loben" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
5:31 |
| 334. |
Christmas Oratorio, BWV 248 / Pt. Four - For New Year's Day: No. 37 Evangelist: "Und da acht Tage um waren" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:32 |
| 335. |
Christmas Oratorio, BWV 248 / Pt. Four - For New Year's Day: No. 38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen" (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Olaf Bär / Olaf Bar) |
2:15 |
| 336. |
Christmas Oratorio, BWV 248 / Pt. Four - For New Year's Day: No. 39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen" (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Anthony Robson) |
5:39 |
| 337. |
Christmas Oratorio, BWV 248 / Pt. Four - For New Year's Day: No. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne" (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Olaf Bär / Olaf Bar) |
1:21 |
| 338. |
Christmas Oratorio, BWV 248 / Pt. Four - For New Year's Day: No. 41 Aria (Tenor): "Ich will nur dir zu Ehren leben" (John Eliot Gardiner, English Baroque Soloists, Hans Peter Blochwitz, Maya Homburger, Alison Bury) |
4:23 |
| 339. |
Christmas Oratorio, BWV 248 / Pt. Four - For New Year's Day: No. 42 Choral: "Jesus richte mein Beginnen" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:58 |
| 340. |
Christmas Oratorio, BWV 248 / Pt. Five - For The 1st Sunday in The New Year: No. 43 Chor: "Ehre sei dir, Gott, gesungen" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
5:55 |
| 341. |
Christmas Oratorio, BWV 248 / Pt. Five - For The 1st Sunday in The New Year: No. 44 Evangelist: "Da Jesu geboren war zu Bethlehem" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:22 |
| 342. |
Christmas Oratorio, BWV 248 / Pt. Five - For The 1st Sunday in The New Year: No. 45 Chor: "Wo ist der neugeborne König der Juden?" - Rezitativ (Alt): "Sucht ihn in meiner Brust" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists, Anne Sofie Von Otter) |
1:40 |
| 343. |
Christmas Oratorio, BWV 248 / Pt. Five - For The 1st Sunday in The New Year: No. 46 Choral: "Dein Glanz all Finsternis verzehrt" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
0:45 |
| 344. |
Christmas Oratorio, BWV 248 / Pt. Five - For The 1st Sunday in The New Year: No. 47 Aria (Bass): "Erleucht auch meine finstre Sinnen" (John Eliot Gardiner, English Baroque Soloists, Olaf Bär / Olaf Bar, Anthony Robson) |
3:59 |
| 345. |
Christmas Oratorio, BWV 248 / Pt. Five - For The 1st Sunday in The New Year: No. 48 Evangelist: "Da das der König Herodes hörte" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:11 |
| 346. |
Christmas Oratorio, BWV 248 / Pt. Five - For The 1st Sunday in The New Year: No. 49 Rezitativ (Alt): "Warum wollt ihr erschrecken?" (John Eliot Gardiner, English Baroque Soloists, Anne Sofie Von Otter) |
0:30 |
| 347. |
Christmas Oratorio, BWV 248 / Pt. Five - For The 1st Sunday in The New Year: No. 50 Evangelist: "Und ließ versammeln alle Hohepriester" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
1:24 |
| 348. |
Christmas Oratorio, BWV 248 / Pt. Five - For The 1st Sunday in The New Year: No. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?" (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Anne Sofie Von Otter, Hans Peter Blochwitz) |
5:34 |
| 349. |
Christmas Oratorio, BWV 248 / Pt. Five - For The 1st Sunday in The New Year: No. 52 Rezitativ (Alt): "Mein Liebster herrschet schon" (John Eliot Gardiner, English Baroque Soloists, Anne Sofie Von Otter) |
0:25 |
| 350. |
Christmas Oratorio, BWV 248 / Pt. Five - For The 1st Sunday in The New Year: No. 53 Choral: "Zwar ist solche Herzensstube" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
0:46 |
| 351. |
Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 54 Chor: "Herr, wenn die stolzen Feinde schnauben" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
4:58 |
| 352. |
Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 55 Evangelist: "Da berief Herodes die Weisen heimlich" - Herodes: "Ziehet hin und forschet fleißig" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists, Olaf Bär / Olaf Bar) |
0:42 |
| 353. |
Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen" (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists) |
0:55 |
| 354. |
Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 57 Aria (Sopran): "Nur ein Wink von seinen Händen" (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists) |
4:23 |
| 355. |
Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 58 Evangelist: "Als sie nun den König gehöret hatten" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
1:02 |
| 356. |
Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 59 Chorale: "Ich steh an deiner Krippen hier" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
1:02 |
| 357. |
Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 60 Evangelist: "Und Gott befahl ihnen im Traum" (John Eliot Gardiner, Anthony Rolfe Johnson, English Baroque Soloists) |
0:23 |
| 358. |
Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 61 Rezitativ (Tenor): "So geht! Genug, mein Schatz geht nicht von hier" (John Eliot Gardiner, English Baroque Soloists, Hans Peter Blochwitz) |
1:51 |
| 359. |
Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken" (John Eliot Gardiner, English Baroque Soloists, Hans Peter Blochwitz, Anthony Robson, Valerie Darke) |
3:59 |
| 360. |
Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?" (John Eliot Gardiner, Nancy Argenta, English Baroque Soloists, Anne Sofie Von Otter, Hans Peter Blochwitz, Olaf Bär / Olaf Bar) |
0:37 |
| 361. |
Christmas Oratorio, BWV 248 / Pt. Six - For The Feast Of Epiphany: No. 64 Choral: "Nun seid ihr wohl gerochen" (The Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists) |
3:25 |
| 362. |
Singet dem Herrn ein neues Lied, BWV 225 (Die Regensburger Domspatzen, Capella Academica, Wien) |
14:18 |
| 363. |
Der Geist hilft unsrer Schwachheit auf, BWV 226 (Die Regensburger Domspatzen, Capella Academica, Wien) |
8:14 |
| 364. |
Jesu meine Freude, BWV 227 (Die Regensburger Domspatzen, Capella Academica, Wien) |
23:34 |
| 365. |
Fürchte dich nicht, BVW 228 (Die Regensburger Domspatzen, Capella Academica, Wien) |
10:09 |
| 366. |
Komm, Jesu, komm, BWV 229 (Die Regensburger Domspatzen, Capella Academica, Wien) |
9:29 |
| 367. |
Die goldne Sonne, BWV 451 (Peter Schreier, Karl Richter) |
1:13 |
| 368. |
O Jesulein süß, o Jesulein mild, BWV 493 (Peter Schreier, Karl Richter) |
1:40 |
| 369. |
Ich steh an deiner Krippen hier, BWV 469 (Peter Schreier, Karl Richter) |
1:31 |
| 370. |
Die bittre Leidenszeit beginnet, BWV 450 (Peter Schreier, Karl Richter) |
4:48 |
| 371. |
Mein Jesu, was für Seelenweh, BWV 487 (Peter Schreier, Karl Richter) |
3:22 |
| 372. |
Jesus, unser Trost und Leben, BWV 475 (Peter Schreier, Karl Richter) |
1:40 |
| 373. |
Gott lebet noch, BWV 461 (Peter Schreier, Karl Richter) |
2:20 |
| 374. |
Kommt wieder aus der finstren Gruft, BWV 480 (Peter Schreier, Karl Richter) |
1:39 |
| 375. |
Der Tag ist hin, BWV 447 (Peter Schreier, Karl Richter) |
2:19 |
| 376. |
Der lieben Sonne Licht und Pracht, BWV 446 (Peter Schreier, Karl Richter) |
2:01 |
| 377. |
Beschränkt, ihr Weisen dieser Welt, BWV 443 (Peter Schreier, Karl Richter) |
2:29 |
| 378. |
Was bist du doch, o Seele, BWV 506 (Peter Schreier, Karl Richter) |
2:15 |
| 379. |
Eins ist Not! Ach Herr, diese eine, BWV 453 (Peter Schreier, Karl Richter) |
2:06 |
| 380. |
Brunnquell aller Güter BWV, 445 (Peter Schreier, Karl Richter) |
2:59 |
| 381. |
Ich halte treulich still, BWV 466 (Peter Schreier, Karl Richter) |
1:56 |
| 382. |
Dich bet ich an, BWV 449 (Peter Schreier, Karl Richter) |
1:55 |
| 383. |
Gib dich zufrieden und sei stille, BWV 460 (Peter Schreier, Karl Richter) |
3:17 |
| 384. |
Liebster Herr Jesu, wo bleibst du so lange? BWV 484 (Peter Schreier, Karl Richter) |
2:41 |
| 385. |
O wie selig seid ihr doch, BWV 495 (Peter Schreier, Karl Richter) |
1:35 |
| 386. |
Komm, süßer Tod, BWV 478 (Peter Schreier, Karl Richter) |
2:38 |
