Out In Front

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Download links and information about Out In Front by Anita Ellis. This album was released in 2000 and it belongs to Jazz, Pop genres. It contains 24 tracks with total duration of 01:01:57 minutes.



Artist:	Anita Ellis
Release date:	2000
Genre:	Jazz, Pop
Tracks:	24
Duration:	01:01:57

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Tracks

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No.	Title	Length
1.	They Can’t Take That Away from Me (From the Film “Shall We Dance”)	2:28
2.	More Than You Know (From the Show “Great Day”)	2:12
3.	Put the Blame On Mame (From “Gilda”)	1:46
4.	The Money Song (From the Show “That’s the Ticket”)	3:13
5.	My Darling, My Darling (From Show “Where’s Charley”)	2:59
6.	Girls Were Made to Take Care of Boys (From the Film “One Sunday Afternoon”)	2:55
7.	I Love You (For Sentimental Reasons)	2:19
8.	Oh, But I Do! (From film “The Time, the Place, the Girl”)	2:16
9.	I Don’t Know Why	2:15
10.	For You, for Me, Forever More (From the Film “The Shocking Ms. Pilgrim”)	2:38
11.	The Whole World Is Singing My Song	2:22
12.	A Sunday Kind of Love	2:24
13.	In Love In Vain (From the Film “Centennial Summer”)	2:32
14.	Atlanta, G.A.	2:14
15.	I’ll Close My Eyes	2:42
16.	Amado Mio (From the Film “Gilda”)	2:14
17.	Come Rain or Come Shine (From Show “St. Louis Woman”)	2:34
18.	I Can’t Begin to Tell You (From the Film “The Dolly Sisters”)	2:57
19.	A Garden In the Rain	2:45
20.	Someone to Watch Over Me (From the Show “Oh Kay”)	3:02
21.	If I Were the Only Girl (If You Were the Only Girl) [Revived In the 1929 Film “Vagabond Lover”]	2:39
22.	Star Dust	3:17
23.	Somewhere In the Night (From the Film “Three Little Girls In Blue”)	2:51
24.	You Can’t See the Sun When You’re Cryin’ (From the Film “Shall We Dance”)	2:23

Details

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Anita Ellis achieved fame "ghost singing" for Rita Hayworth on the silver screen, but severe stage fright prevented her from becoming better known than she is. In the early '50s, years before her Epic and Elektra albums, she recorded transcriptions for the Standard Transcription service, two dozen of which are resurrected on Out in Front. The material consists mostly of standards and show tunes, along with remakes of the songs Ellis dubbed for Hayworth in the film Gilda. No information exists pertaining to the musicians and arrangers on these recordings, but the performances are exemplary of the near-perfection of Ellis' vocal technique, which garnered ecstatic critical accolades but produced no hit records. Ellis was a classic pop vocalist who came of age in the decade of rock & roll, and that, coupled with her discomfort as a stage performer, has made her more of a cult legend than a top-rank artist in the eyes of history, despite her prodigious talent.