The a-Team (Original Motion Picture Soundtrack)
Download links and information about The a-Team (Original Motion Picture Soundtrack) by Alan Silvestri. This album was released in 2010 and it belongs to Theatre/Soundtrack genres. It contains 16 tracks with total duration of 01:12:29 minutes.
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| Artist: | Alan Silvestri |
| Release date: | 2010 |
| Genre: | Theatre/Soundtrack |
| Tracks: | 16 |
| Duration: | 01:12:29 |
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| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Somewhere In Mexico / Original "the a-Team (Theme)" (featuring The Hollywood Studio Symphony) | 2:13 |
| 2. | Saving Face (featuring The Hollywood Studio Symphony) | 3:32 |
| 3. | Alpha Mike Foxtrot (featuring The Hollywood Studio Symphony) | 4:29 |
| 4. | Welcome To Baghdad (featuring The Hollywood Studio Symphony) | 4:23 |
| 5. | The Plan (featuring The Hollywood Studio Symphony) | 6:11 |
| 6. | Court Martial (featuring The Hollywood Studio Symphony) | 3:09 |
| 7. | Putting the Team Back Together (featuring The Hollywood Studio Symphony) | 3:38 |
| 8. | Flying a Tank (featuring The Hollywood Studio Symphony) | 6:11 |
| 9. | Frankfurt (featuring The Hollywood Studio Symphony) | 4:11 |
| 10. | Retrieving the Plates (featuring The Hollywood Studio Symphony) | 4:10 |
| 11. | Safehouse (featuring The Hollywood Studio Symphony) | 3:50 |
| 12. | Safehouse Aftermath (featuring The Hollywood Studio Symphony) | 4:57 |
| 13. | Shell Game (featuring The Hollywood Studio Symphony) | 2:46 |
| 14. | The Docks Part 1 (featuring The Hollywood Studio Symphony) | 7:36 |
| 15. | The Docks Part 2 (featuring The Hollywood Studio Symphony) | 5:47 |
| 16. | "I Love It When a Plan Comes Together" / Original "the a-Team (Theme)" (featuring The Hollywood Studio Symphony) | 5:26 |
Details
[Edit]Director Joe Carnahan's silver screen re-imagining of the popular 1980s television action/comedy series The A-Team brought the resourceful fugitive war heroes out of the Vietnam era and into the Gulf. Enlisting Alan Silvestri to carve out a score was a wise choice, as the veteran composer is well versed in the decade from which the show was resurrected, and while his take on the bloodless vigilantes' shenanigans hardly merits comparison to his work on the Back to the Future trilogy, Silvestri has managed to successfully blend the cheesy, pioneering spirit of Mike Post and Pete Carpenter's iconic A-Team theme (which doesn’t appear in full until the end credits) with the reverb-drenched, military snare, Hans Zimmer-inspired bravado of modern war/action films. The producers also get extra credit for not wantonly inserting a heavily orchestrated, vaguely related torch song from a breakout/already popular/fading female vocalist.